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You've selected:
The Weight
String Orchestra
Sheetmusic to print
5 sheet music found
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1
The Galaxies
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String Orchestra
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Joel Pau
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The Galaxies
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Imagine Music - Digital
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SheetMusicPlus
String Orchestra - Digital Download SKU: IZ.OMW226 Composed by Joel Pau. Score and Parts. 40 pages. Imagine Music - Digital #OMW226. Published by Imagine...
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String Orchestra - Digital Download SKU: IZ.OMW226 Composed by Joel Pau. Score and Parts. 40 pages. Imagine Music - Digital #OMW226. Published by Imagine Music - Digital (IZ.OMW226). 9 x 12 inches.The Woolly Mammoth March was inspired by the long extinct giant creatures that once roamed this Earth. Starting with a brass fanfare, much of the music is heavy, demonstrating the size and weight of the mammoths. Later, a contrasting softer section shows the more gentle side of this mammal. The work closes with thunderous stomping. In the last bars of the piece (49-56) the musicians are encouraged to stomp in the shown rhythm when playing sustained notes (if possible).
$50.00
Concerto for Oboe and Bassoon in C minor.
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standar...
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String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
Vere Languores for String Orchestra
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String Orchestra
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INTERMEDIATE
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Tomas Luis de Victoria
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Robert Luke Thompson
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Vere Languores for String Orch
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Monkspath Music
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1042748 Composed by Tomas Luis de Victoria. Arranged by Robert Luke Thompson. Classical,Praise & Wo...
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String Orchestra - Level 3 - Digital Download SKU: A0.1042748 Composed by Tomas Luis de Victoria. Arranged by Robert Luke Thompson. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and Parts. 12 pages. Monkspath Music #647532. Published by Monkspath Music (A0.1042748). Vere Languores is a text often used in sacred motets, drawing from Isaiah 53:4, and Crux Fidelis. Tomás Luis de Victoria, an accomplished singer, organist, and Catholic priest, is an important Spanish composer of the 16th-century Counter-Reformation, alongside other heavyweight names such as the Italian composer, Giovanni Pierluigi da Palestrina. Victoria’s first book of motets (Motecta I), published in 1572, features Vere languores as the eleventh work. This arrangement has been transposed to a more strings friendly key, and where appropriate, breath marks have been suggested to align with the original text. A worthwhile addition for any concert, programme, or service, especially those in a sacred venue with impressive acoustics, such as a church or cathedral. For further pieces, view the Monkspath Music catalogue and click here!
$24.99
Adirondack Spring for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Kim Diehnelt
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Viola 1, Viola 2
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Adirondack Spring for String O
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Kim Diehnelt
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1306194 Composed by Kim Diehnelt. 21st Century,Classical. Score and Parts. 41 pages. Kim Diehnelt #...
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String Orchestra - Level 4 - Digital Download SKU: A0.1306194 Composed by Kim Diehnelt. 21st Century,Classical. Score and Parts. 41 pages. Kim Diehnelt #895577. Published by Kim Diehnelt (A0.1306194). For Violin 1, Violin 2, Violin 3; Viola 1, Viola 2; Cello 1, Cello 2; Bass. The work also has a section using solo violin, solo viola, and solo cello. All parts are essential; parts 2 and 3 are less complex.About 7 -8 minutes.This includes Score and Parts. $28.00 Program note: The work opens with the majestic scene of spring’s first daybreak as the morning light shines on the snow-covered peaks of the Adirondacks. The sun, finally high enough in the sky to meet the snowy slopes and valley treetops, sets them ablaze.  And then it begins. Joyfully, a world comes back to life. Rivers thaw and unbound streams of fresh-melted water bounce, gurgle and surge. Animals stir, birds reappear, all rushing through the days, now relieved of the weight of winter. Hesitantly, bright-green sprouts, fuzzy buds, and flowers emerge. The springtime world dances. And all the while, the sun continues to rise, earlier and earlier, frantically, like a hound dashing to overtake its shadow. This galloping energy brings us to the majestic and final sunrise of spring, for summer will now insist on its turn. And as the morning fades into brilliant day, we are left with only a memory. A memory guaranteed to return. Next spring.
$28.00
Lumenebula
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String Orchestra
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INTERMEDIATE
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Michael Blostein
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Lumenebula
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Michael D. Blostein
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1256309 By Michael Blostein. By Michael Blostein. 21st Century,Chamber,Classical,Instructional. Sco...
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String Orchestra - Level 3 - Digital Download SKU: A0.1256309 By Michael Blostein. By Michael Blostein. 21st Century,Chamber,Classical,Instructional. Score and Parts. 23 pages. Michael D. Blostein #849780. Published by Michael D. Blostein (A0.1256309). The title refers to a lightness of style as well as a lightness of bow weight, combined with an ever-changing balance. The piece begins with unison ideas (pitch, rhythm and bowing), then begins to expand, encouraging each section to gain some independence. We reset, and expand further. This process continues until the contrapuntal lines create complex harmonic textures that travel in unexpected directions, yet make musical sense. Much like an individual’s own journey, the path taken is not always direct and clear, but the end result is musically satisfying.Significant attention music be placed on dynamics throughout.From a technique standpoint, this work asks the most of the bass section. The shifting requests in the other sections are minimal, although there are sufficient opportunities to shift should student and/or teacher choose. Bow placement and control, tone production and ensemble balance are where much of the focused work will be required from students.
$35.00
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