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Fly - Guitar 1
avanced
Cello, Piano
Sheetmusic to print
3 sheet music found
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1
Suite Revelation for cello and piano
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Robert M
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Suite Revelation for cello and
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Robert M. Greenberg
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SheetMusicPlus
Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individua...
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Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (Cello and Piano Arrangement)
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Geraldine Green
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Geraldine Green
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The Pines Of Roselawn, Interme
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Geraldine
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SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.1300648 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chambe...
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Cello,Piano - Level 4 - Digital Download SKU: A0.1300648 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and part. 22 pages. Geraldine (Denny) Green at Oakmountmusic #890388. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300648). ALL PURCHASES COME WITH SCORE AND PARTSThe Pines Of Roselawn, Intermezzo for Solo Cello and Strings – October 2012.  Duration Approx. 12 minutesThis piece was written in memory of my father, Colum Denny, who passed away in May 2012.It is slow, beautiful and very Romantic in character. Its middle section is more turbulent with an exciting mixture of intensity and soaring “flying musicâ€.While the orchestral parts are fairly straightforward, the cello solo part would suit a cellist of about grade 7 upwards.There are 4 arrangements available;No.1 – School Arrangement ;  for Cello solo, Violins 1, 2 and 3. Cellos 1 and 2No.2 – Standard Arrangement; for Cello solo, Violins 1 and 2, Viola, Cello and Double BassNo.3 – Cello Solo and PianoNo.4 – Viola Solo and Piano.
$15.00
High Flight
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Christian Morris
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High Flight
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Hoopla Sheet Music
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SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.1236633 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832153...
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Cello,Piano - Level 4 - Digital Download SKU: A0.1236633 Composed by Christian Morris. Contemporary. Score and part. 32 pages. Hoopla Sheet Music #832153. Published by Hoopla Sheet Music (A0.1236633). An exciting concert piece inspired by U.S. WW2 pilot, John Gillespie Magee’s iconic poem ‘High Flight.’ In the opening he describes the the magnificent and exhilarating sensation of flying. In the more contemplative second section he seems to breach the veil between earth and heaven: Oh! I have slipped the surly bonds of EarthAnd danced the skies on laughter-silvered wings;Sunward I've climbed, and joined the tumbling mirthof sun-split clouds,—and done a hundred thingsYou have not dreamed of—wheeled and soared and swungHigh in the sunlit silence. Hov'ring there,I've chased the shouting wind along, and flungMy eager craft through footless halls of air ....Up, up the long, delirious, burning blueI've topped the wind-swept heights with easy graceWhere never lark nor ever eagle flew—And, while with silent lifting mind I've trodThe high untrespassed sanctity of space,Put out my hand, and touched the face of God.High Flight is part of a collection of pieces by Christian Morris entitled ‘A History of Powered Flight’:1. Kitty Hawk2. Dogfight3. Afterburner4. Holding Pattern5. Queen of the Skies6. High Flight.
$9.99
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