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Suite for two
Cello, Piano
Sheetmusic to print
22 sheet music found
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1
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Go…
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Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.54 €
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Cello, Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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jmsgu3
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SheetMusicPlus
Suite IV for Cello Solo in E-flat major - BWV 1010 - with piano accompaniment by Alfredo Piatti
Cello, Piano
Cello,Piano - Level 5 - Digital Download SKU: A0.1245261 Composed by Johann Sebasti…
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Cello,Piano - Level 5 - Digital Download SKU: A0.1245261 Composed by Johann Sebastian Bach. Arranged by Carlo Alfredo Piatti. Baroque,Chamber,Instructional,Romantic Period,Sacred. Score and part. 36 pages. Artistic Score Engraving di Galvagno Michele #840152. Published by Artistic Score Engraving di Galvagno Michele (A0.1245261). Piatti composed the piano accompaniment for two out of the Six Suites for cello solo by J. S. Bach. After publishing Suite I (available here), here comes Suite IV!The style of this arrangement allows us to glimpse into how these masterpieces were perceived and performed in the mid-XIX century. The cello part, moreover, includes bowing and performance suggestions by Piatti himself. A rich Critical Notes section explains Piatti’s choices.Enjoy!Subscribe to my mailing list here: https://bit.ly/3ujFa4j to get the Prélude for free, weekly gifts, and exclusive discounts.  Full catalogue available here: https://adobe.ly/3A574Eg.
$12.95
11.61 €
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Cello, Piano
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Johann Sebastian Bach
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Suite IV for Cello Solo in E-flat major - BWV 1010 - with piano accompaniment by Alfredo Piatti
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Walzer-Suite ("Waltz Suite") for Violoncello and Piano, Op. 60
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1281512 Composed by David Popper. …
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Cello,Piano - Level 4 - Digital Download SKU: A0.1281512 Composed by David Popper. 19th Century,Classical,Romantic Period. Score and part. 39 pages. Paladino Editions #872852. Published by Paladino Editions (A0.1281512). Looking at David Popper’s Walzer-Suite, Op. 60, from the perspective of its surrounding opus numbers, it dates most probably from the late 1880s. As with so many others of his pieces, this suite was mainly written for his own performances. At the time of its composition Popper was still married to Sophie Menter and at the peak of his solo career. Besides the obvious similarities to the works of the Strauß dynasty, the musical language of Richard Strauss can already be found in Popper’s Waltz Suite. Like Josef Merk’s Valses Brillantes, Op. 6, the work is a series of waltzes framed by an introduction and a virtuoso finale which are linked by a mutual theme. This newly typeset edition provides two cello parts: one with Popper's original markings, and one with performance suggestions by Martin Rummel.
$19.95
17.88 €
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Cello, Piano
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David Popper
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Walzer-Suite
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Paladino Editions
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SheetMusicPlus
Suite for Violoncello and Piano, Op. 16bis & Tempo di Marcia, Op. 16a/bis
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1281505 Composed by David Popper. …
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Cello,Piano - Level 4 - Digital Download SKU: A0.1281505 Composed by David Popper. Arranged by David Popper. 19th Century,Classical,Romantic Period. Score and part. 53 pages. Paladino Editions #872845. Published by Paladino Editions (A0.1281505). Op. 16bis is Popper’s own arrangement of his Suite for Two Violoncellos, Op. 16. It is infectious, vibrant and dazzling music well within the grasp of any advanced cello student, and a must for professionals. Performers can read from clean, newly typeset parts with either Popper’s own original bowings and fingerings or modern performance directions by Alexander Hülshoff. The suite comprises five movements that progress through popular dance types and character pieces. It incorporates for the first time, as Popper intended, his Tempo di Marcia as a simpler but still compelling alternative finale.
$19.95
17.88 €
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Cello, Piano
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David Popper
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Suite for Violoncello and Piano, Op. 16bis & Tempo di Marcia, Op. 16a/bis
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Paladino Editions
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SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
29.54 €
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Cello, Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Cello & Piano
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jmsgu3
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SheetMusicPlus
Dinosaur Suite for Solo Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.855858 Composed by Darren Lloyd. C…
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Cello,Piano - Level 3 - Digital Download SKU: A0.855858 Composed by Darren Lloyd. Children,Contemporary. Score and part. 13 pages. Darren Lloyd #3638873. Published by Darren Lloyd (A0.855858). A brand new piece written especially for the intermediate Trumpet player!The piece is in 3 movements with each representing a Dinosaur. Movement one is quite a jolly sounding piece, written with a Triceratops in mind!Movement two is very slow and is meant to represent a Diplodocus. Movement three is in 3/4 timeand emulates a soaring Pterodactyl! The suite is technical at some points but does not go too high.A great piece for any type of performance for the budding Cello soloist.
$4.99
4.47 €
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Cello, Piano
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Darren Lloyd
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Dinosaur Suite for Solo Cello & Piano
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Darren Lloyd
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SheetMusicPlus
Debussy: Arabesque 1 for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.551623 Composed by Claude Debussy …
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Cello,Piano - Level 3 - Digital Download SKU: A0.551623 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325505. Published by jmsgu3 (A0.551623). Claude Debussy: Arabesque 1. Duration: ca. 3:30. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
29.54 €
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Cello, Piano
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Claude Debussy
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Debussy: Arabesque 1 for Cello & Piano
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jmsgu3
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SheetMusicPlus
Debussy: Arabesque 2 for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.551638 Composed by Claude Debussy …
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Cello,Piano - Level 3 - Digital Download SKU: A0.551638 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5327735. Published by jmsgu3 (A0.551638). Claude Debussy: Arabesque No. 2. Duration ca 3:45. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
29.54 €
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Cello, Piano
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Claude Debussy
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Debussy: Arabesque 2 for Cello & Piano
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jmsgu3
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SheetMusicPlus
Suite Revelation for cello and piano
Cello, Piano
Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed …
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Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00
25.1 €
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Cello, Piano
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Robert M
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Suite Revelation for cello and piano
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Robert M. Greenberg
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SheetMusicPlus
Damselfly Prelude - five-string baroque cello (or violoncello) and fortepiano (or piano)
Cello, Piano
Cello,Piano - Level 5 - Digital Download SKU: A0.1244490 Composed by Jennifer Bello…
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Cello,Piano - Level 5 - Digital Download SKU: A0.1244490 Composed by Jennifer Bellor. 21st Century,Baroque,Chamber,Classical,Contemporary. Score and part. 23 pages. Bellor #839438. Published by Bellor (A0.1244490). Damselfly Prelude (2021)for five-string baroque cello and fortepiano (or piano) Composed by Jennifer Bellor Duration: 6'30Score and Parts There are two parts included: violoncello part five-string baroque cello part transposed down 1/2 step Damselfly Prelude was commissioned by cellist Ka-Wai Yu for premiere at the University of Nevada, Las Vegas November 15, 2021. Written for the five-string baroque cello and fortepiano, I combined some of my favorite contrapuntal techniques employed by Bach with jazzy harmonies and a sultry melody that explores the full registral capabilities of this cello, and the various sonorous possibilities of the fortepiano. A note from the performers about these instruments: The five-string cello is a replica of the so-called violoncello piccolo that JS Bach seemed to have in mind when he composed his famous cello suites. The fortepiano is a copy of the one built in 1806 by Anton Walter, who built these instruments for Mozart and Beethoven. Fun fact: The state insect of Nevada is the Vivid Dancer Damselfly.Â
$14.99
13.44 €
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Cello, Piano
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Jennifer Bellor
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Damselfly Prelude - five-string baroque cello
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Bellor
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SheetMusicPlus
Solveig's Song from "Peer Gynt" for Cello and Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1132325 Composed by Edvard Grieg. …
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Cello,Piano - Level 3 - Digital Download SKU: A0.1132325 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Instructional,Opera,Romantic Period,Standards. Score and part. 6 pages. Diego Marani #732571. Published by Diego Marani (A0.1132325). Peer Gynt, Op. 23, is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. Grieg later created two suites from his Peer Gynt music. Solveig's Song is the last movement of suite No. 2, a marvelous melody full of nostalgic feelings. This arrangement for cello with piano accompaniment is suitable for classroom, repertoire and recital.
$8.99
8.06 €
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Cello, Piano
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Edvard Grieg
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Solveig's Song from "Peer Gynt" for Cello and Piano
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Diego Marani
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Cello & Piano
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.549929 Composed by Modest MUSSORGS…
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Cello,Piano - Level 4 - Digital Download SKU: A0.549929 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303415. Published by jmsgu3 (A0.549929). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
29.54 €
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Cello, Piano
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Modest MUSSORGSKY
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Mussorgsky: Pictures at an Exhibition for Cello & Piano
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jmsgu3
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SheetMusicPlus
Band Of Brothers Suite Two
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1238732 By Various. By Michael Kam…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1238732 By Various. By Michael Kamen. Arranged by John Fries. 20th Century,Film/TV,Standards. Score and part. 2 pages. John Fries #834174. Published by John Fries (A0.1238732). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Band of Brothers is a 2001 American war drama miniseries based on historian Stephen E. Ambrose's 1993 non-fiction book of the same name. The theme music was composed by the late Michael Kamen, known for his scores for titles such as the Die Hard films, X-Men, Memento as well as several HBO series. He had also collaborated previously with Tom Hanks, who produced the score for Band of Brothers. The bold, evocative soundtrack to the series was very well received, with critics calling it Kamen's best work to date.
$4.99
4.47 €
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Cello, Piano
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Various
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Band Of Brothers Suite Two
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John Fries
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SheetMusicPlus
Scheherazade for Cello and Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1144551 Composed by Nikolay Andrey…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1144551 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 13 pages. Diego Marani #744884. Published by Diego Marani (A0.1144551). Scheherazade, also commonly Sheherazade Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights). This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name Scheherazade refers to the main character Scheherazade of the One Thousand and One Nights. It is one of Rimsky-Korsakov's most popular works. This arrangement for cello with piano accompaniment of the most famous themes of the suite is suitable for classroom, repertoire and recital.
$9.99
8.95 €
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Cello, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Scheherazade for Cello and Piano
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Diego Marani
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SheetMusicPlus
Bach - 'Air' from Suite no. 3 in D, for Cello and Piano
Cello, Piano
Cello,Piano - Level 5 - Digital Download SKU: A0.1227381 By Len Rhodes. By Johann S…
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Cello,Piano - Level 5 - Digital Download SKU: A0.1227381 By Len Rhodes. By Johann Sebastian Bach. Arranged by Len Rhodes. Baroque,Wedding. Score and part. 4 pages. Len Rhodes Music #823375. Published by Len Rhodes Music (A0.1227381). Better known as 'Air on the G String', this piece has been arranged for cello and piano by Len Rhodes. Written in Leipzig, circa 1729-1731, and originally scored for three trumpets, two oboes, strings and basso-continuo, Bach's 'Air' works beautifully for solo cello and supporting piano accompaniment. Download includes cello part and score.
$5.95
5.33 €
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Cello, Piano
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Len Rhodes
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Bach - 'Air' from Suite no. 3 in D, for Cello and Piano
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Len Rhodes Music
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SheetMusicPlus
Moon Song - for cello and piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.926828 Composed by Robert Jeffery.…
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Cello,Piano - Level 3 - Digital Download SKU: A0.926828 Composed by Robert Jeffery. Contemporary. Score and part. 3 pages. Robert Jeffery Music #3566557. Published by Robert Jeffery Music (A0.926828). Duration: approx 3 mins.Difficulty: IntermediateA short piece for cello and piano, well suited to school level performers who are looking for an evocative, dramatic yet tuneful addition to their repertoire. The Moon Song has also worked very well as accompaniment for one or more contemporary dancers.The piece is written in a flamenco rhythm called siguiriyas. It may look complicated on the page, but is counted more simply in 5 beats, with three short and two long beats: [1] and [2] and [3] and uh [4] and uh [5] and In this case, the 1, 2, and 5 are the short beats and the 3 and 4 are long beats. This pattern repeats regularly throughout the piece, though there are a couple of extra bars interspersed to allow for breathing space at the end of certain phrases.The piece was inspired by the early 20th century Spanish poet Federico Garcia Lorca's poem of the same name, hence the use of the flamenco rhythm. The poem's dark, moody nature fits the cello's character very well.
$8.99
8.06 €
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Cello, Piano
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Robert Jeffery
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Moon Song - for cello and piano
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Robert Jeffery Music
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SheetMusicPlus
Were You There? for Cello and Piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.763303 Composed by Traditional Spi…
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Cello,Piano - Level 2 - Digital Download SKU: A0.763303 Composed by Traditional Spiritual. Arranged by Nigel Williams. Easter,Lent,Sacred,Spiritual. Score and part. 8 pages. Nigel Williams #4300641. Published by Nigel Williams (A0.763303). Were You There? is one of the most well known African-American Spirituals, and this arrangement for cello and piano will be a worthy addition to any High School, College or church music program. Especially suited to the Easter season but also able to be used throughout the year in worship services and recitals. The performance duration is over two and a half minutes and the full score comes with separate cello part attached. See also my arrangement of I Need Thee Every Hour for cello and piano, and Deep River for cello and organ on SMP.
$4.99
4.47 €
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Cello, Piano
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Traditional Spiritual
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Were You There? for Cello and Piano
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Nigel Williams
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SheetMusicPlus
George Frideric Handel: Hornpipe from Water Music for cello & piano
Cello, Piano
This is an exclusive transcription for cello & piano of EASY skill level from the orig…
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This is an exclusive transcription for cello & piano of EASY skill level from the original composition by George Frideric Handel. This title is available as instant sheet music download. Contents: Water Music, suite two, suite II, horn pipe,watermusic / classical,wedding,festival,love,children
$6.99
6.27 €
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Cello, Piano
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George Frideric Handel
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Virtualsheetmusic
In Concert Cello
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1316427 By DaCapo Primary Music. B…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1316427 By DaCapo Primary Music. By Peter Furniss. Children,Classical,Folk,Instructional,Traditional. Score and part. 68 pages. DaCapo Primary Music #905173. Published by DaCapo Primary Music (A0.1316427). Brilliant solos for beginner cello with piano accompaniments.The tunes in this collection of concert pieces have been adapted from traditional folk and children’s songs and given a whole new lease of life with entertaining and imaginative piano accompaniments.There are two versions of each piece – one technically easier than the other. The keys are those needed for early graded exams and there is scope to extend the key ranges and explore octave displacements, varied articulation, slurrings, different fingerings etc.These possibilities are not always marked in the score as it is hoped that the teacher can encourage pupils to bring their own ideas to each piece.The imaginative and varied piano parts give the performer much more than just a chord structure as support for their playing and the accompanying CD can be used once they are able to play the pieces with ease.Designed to be the first concert pieces for a beginner to be played with a pianist or at home with the CD, giving the audience entertaining music to listen to whilst giving the player a real sense of a serious performance.In Concert is the final workings of songs that were commissioned to teach music to children systematically using relative solfa.The songs (all old English folk songs) were reworded to make for entertaining material for children whilst they learn the basic elements and skills of music making. The songs are contained in The First DaCapo Songbook and are brought together as a singing performance in The Farmyard Suite. In Concert is the instrumental version of this.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
7.16 €
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Cello, Piano
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DaCapo Primary Music
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In Concert Cello
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DaCapo Primary Music
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SheetMusicPlus
Anitra's Dance - From Peer Gynt (Violoncello and Piano)
Cello, Piano
Chamber Orchestra Cello,Piano - Level 4 - Digital Download SKU: A0.760017 Composed …
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Chamber Orchestra Cello,Piano - Level 4 - Digital Download SKU: A0.760017 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and part. 15 pages. Raymond Fenech #3481997. Published by Raymond Fenech (A0.760017). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Violoncello and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$3.95
3.54 €
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Cello, Piano
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Edvard Grieg
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Anitra's Dance - From Peer Gynt
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Raymond Fenech
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SheetMusicPlus
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