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4 sheet music found
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1
Korsakov: Flight of the Bumblebee for Viola & Piano
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Viola, Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instruction...
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Viola Sonata No.2
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Viola, Piano
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ADVANCED
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Han-Ki Kim
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Viola Sonata No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and ...
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Piano,Viola - Level 5 - Digital Download SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 34 pages. Han-Ki Kim #129616. Published by Han-Ki Kim (A0.518944). Viola Sonata Sonata No.2 “Ong Hye Ya†The first movement is in 3/4 time, and in normal sonata form, there are two contrasting themes. In this movement, there is a contrast between the oriental and western characteristics. The first theme is oriental and the second theme is characterized by a Western character. The second movement is in 4/4 time, and it is composed in ABA format in which the theme of a slow nature is exchanged between instruments. The third movement is in 3/8 time, and the lively and humorous theme A and the slow B theme are written in ABA format. The 4th movement is in the form of a variation in which the theme of “Ong Heaâ€, the nickname of the sonata seen in 4/4/time, is cited. An exciting conversation continues. The colorful arpeggio and colorful bariolage are used to heighten the musical atmosphere. This theme originated in Kungsangdo province, south Korea. The meanning of “Ong Hye Ya†is the sound of peoples harvesting barleys. Excited reaction word of on old Korean mostly used in traditional folk songs to uplift the hard work of harvesting. Attached music file is recorded by Violin, it's just for a reference.
$14.99
"Hellenic Suite" for viola and piano
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Viola, Piano
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ADVANCED
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Panagiotis Theodossiou
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"Hellenic Suite" for viola and
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Panagiotis Theodossiou
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.886696 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and part. 76 pages. Pan...
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Piano,Viola - Level 5 - Digital Download SKU: A0.886696 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and part. 76 pages. Panagiotis Theodossiou #3575307. Published by Panagiotis Theodossiou (A0.886696). Hellenic Suite, for viola and piano (2010) I.Seashore Procession, Thalassaki (traditional tune from Dodekanisos) II.Dance of the Youngsters, Pentozalis (traditional tune from Crete) III.Litany in Spring, Egomia (from the Evening Service of Holly Epitaph) IV.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris) V.Ancient Ritual, Orestes Stasimon (from Orestes Tragedy by Euripides) VI.Dance of the Past, Dance (traditional tune from Heipiros) VII.Homelands Lost, Mia Smyrnia stoPapathyri (traditional tune from Asia Minor) VIII.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa from Pontos) Four laments, four dances. Eight scenes depicting Hellenic History from 6th century B.C., or even earlier, up to our days, based on fragments of ancient Greek music, folk and byzantine tradition and rebetiko song tunes as well. From Greece of the distand past, to Greece of the present and, maybe, to Greece of the years to come, Hellas of the Future. The work is dedicated to the Greek Composer Giannis Konstantinidis. It has been performed by Andrea Hemmenway and Konstantinos Papadakis in Fall Arts Concert organised by Hellenic University Club of Philadelphia in The Ethical Society Hall of Philadelphia in 2010. The same artists perfomed the work at Kendal Concert Hall in Kendal, Pennsylvania in 2011. Version for violin and piano available. Excerpts of this version has been performed by Tania Sikelianou and Timos Gennatos at : Ellinikon Eidyllion, Selianitika, Aigion in 2011. https://www.youtube.com/watch?v=p85FLAegsfo&t=4s
$28.00
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