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May Ree
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May Ree
Viola, Piano
Sheetmusic to print
32 sheet music found
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1
26
The Holly, The Ivy And The Three Ships
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Christmas
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Evelyn R
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Evelyn Larter Music
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The Holly, The Ivy And The Thr
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Evelyn R Larter
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.749838 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christmas,Concert,Jazz. Sco...
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Piano,Viola - Level 4 - Digital Download SKU: A0.749838 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christmas,Concert,Jazz. Score and part. 8 pages. Evelyn R Larter #3859959. Published by Evelyn R Larter (A0.749838). This is a medley of two old English carols, The Holly and The Ivy and I Saw Three Ships Come Sailing In, in a jazz style arrangement. It was originally part of the two volume clarinet collection, Carols For The King From Around The World, also available at Sheet Music Press. For advanced intermediate performers, this is sheer fun from start to finish, and very suitable for Christmas concerts. The opening measures can be omitted, and the song commence where the piano enters. The piano left hand plays a walking bass throughout and can be performed with a double bass player, as in the recording provided - contact me for the extracted part, or if interested in a recorded piano accompaniment. See also versions for violin solo and flute solo. More information on my music may be found on my website, www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome!
$6.99
Ding Dong! Past Three O'Clock
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Christmas
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Evelyn R
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Evelyn Larter Music
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Ding Dong! Past Three O'Clock
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Evelyn R Larter
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.749847 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert...
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Piano,Viola - Level 4 - Digital Download SKU: A0.749847 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and part. 9 pages. Evelyn R Larter #3907929. Published by Evelyn R Larter (A0.749847). Two traditional English carols, Ding Dong Merrily On High and Past Three O'Clock are combined in this lively arrangement for viola and piano. Originally part of a commissioned clarinet double CD project, (Carols For The King From Around The World), after publishing two volumes of these international carol arrangements, I have been gradually rearranging the material for other instruments. Lots of fun for more advanced performers and suitable for Christmas concerts and services. See also the version for solo flute. More information on my music may be found on my website, www.evelynlartermusic.com, and on my Facebook page for Evelyn Larter Music. Please leave feedback!
$6.99
The First Noel for Viola & Piano
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Viola, Piano
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BEGINNER
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Christmas
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Traditional
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James M
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The First Noel for Viola & Pia
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part...
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Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
"Hellenic Suite" for viola and piano
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Viola, Piano
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ADVANCED
#
Panagiotis Theodossiou
#
#
"Hellenic Suite" for viola and
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Panagiotis Theodossiou
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.886696 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and part. 76 pages. Pan...
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Piano,Viola - Level 5 - Digital Download SKU: A0.886696 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and part. 76 pages. Panagiotis Theodossiou #3575307. Published by Panagiotis Theodossiou (A0.886696). Hellenic Suite, for viola and piano (2010) I.Seashore Procession, Thalassaki (traditional tune from Dodekanisos) II.Dance of the Youngsters, Pentozalis (traditional tune from Crete) III.Litany in Spring, Egomia (from the Evening Service of Holly Epitaph) IV.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris) V.Ancient Ritual, Orestes Stasimon (from Orestes Tragedy by Euripides) VI.Dance of the Past, Dance (traditional tune from Heipiros) VII.Homelands Lost, Mia Smyrnia stoPapathyri (traditional tune from Asia Minor) VIII.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa from Pontos) Four laments, four dances. Eight scenes depicting Hellenic History from 6th century B.C., or even earlier, up to our days, based on fragments of ancient Greek music, folk and byzantine tradition and rebetiko song tunes as well. From Greece of the distand past, to Greece of the present and, maybe, to Greece of the years to come, Hellas of the Future. The work is dedicated to the Greek Composer Giannis Konstantinidis. It has been performed by Andrea Hemmenway and Konstantinos Papadakis in Fall Arts Concert organised by Hellenic University Club of Philadelphia in The Ethical Society Hall of Philadelphia in 2010. The same artists perfomed the work at Kendal Concert Hall in Kendal, Pennsylvania in 2011. Version for violin and piano available. Excerpts of this version has been performed by Tania Sikelianou and Timos Gennatos at : Ellinikon Eidyllion, Selianitika, Aigion in 2011. https://www.youtube.com/watch?v=p85FLAegsfo&t=4s
$28.00
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Variations on a Theme of Mozart for Young Violist and Piano
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Viola, Piano
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EASY
#
Contemporary
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Robert Debbaut
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Variations on a Theme of Mozar
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ROBERT DEBBAUT
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.939404 Composed by Robert Debbaut. 20th Century,Classical,Contemporary. Score and part. 26 pages. ROBERT...
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Piano,Viola - Level 2 - Digital Download SKU: A0.939404 Composed by Robert Debbaut. 20th Century,Classical,Contemporary. Score and part. 26 pages. ROBERT DEBBAUT #6342197. Published by ROBERT DEBBAUT (A0.939404). Mozart set Christian Adolph Overbeck’s text to Komm, lieber Mai in January 1791 shortly before what would be his last birthday. Overbeck, a poet and lawyer and later Mayor of Lübeck, wrote a set of poems in 1776 under the title Fritzchen an den Mai (Fritz on the May). This song is highly regarded among the German art songs of the era. Mozart coupled it with two other songs under the title Sehnsucht nach dem Fruhlinge (Longing for Spring). Seemingly taken by his theme, Mozart uses it again in the finale of his last piano concerto, Piano Concerto No. 27 in B-flat Major, K. 595. Mozart’s three songs were published in a collection of children’s song by Ignaz Alberti. While the voice is supposed to be that of a child, it is really an adult’s longing for the flowering of Spring and the promise of new birth and, perhaps, new love.This set of variations were written as a recital work with a young violist (playable in first position) in mind. They are abouyt five minutes in length.
$9.95
Saint-Saens: The Swan for Viola and Piano
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Viola, Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Conte...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Renaissance Hits for Viola and Keyboard from Terpsichore (Praetorius)
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Viola, Piano
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EASY
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Renaissance
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Classical
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Hits for Viola and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.1487758 Composed by Various. Arranged by Colin Kirkpatrick. Baroque,Renaissance. Score and part. 17 page...
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Piano,Viola - Level 2 - Digital Download SKU: A0.1487758 Composed by Various. Arranged by Colin Kirkpatrick. Baroque,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #1064696. Published by Colin Kirkpatrick Publications (A0.1487758). These are eleven of the most well-known dances of the Renaissance set in five movements and selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the elementary viola repertoire and the music is in the alto clef throughout. The highest note is the F above the alto staff and this appears in only one of the movements..By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory” and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble, Praetorius was well aware that in practice they would be played by any instruments that happened to be available.These arrangements for viola (or violas) and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas.
$11.99
Bach: Bist du bei mir BWV 508 for Viola & Piano
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Viola, Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards...
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Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
The Pines Of Roselawn, Intermezzo For Solo Cello and Strings (Viola and Piano Arrangement)
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Geraldine Green
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Geraldine Green
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The Pines Of Roselawn, Interme
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Geraldine
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.1300651 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chambe...
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Piano,Viola - Level 4 - Digital Download SKU: A0.1300651 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and part. 22 pages. Geraldine (Denny) Green at Oakmountmusic #890393. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300651). ALL PURCHASES COME WITH SCORE AND PARTSThe Pines Of Roselawn, Intermezzo for Solo Cello and Strings – October 2012.  Duration Approx. 12 minutesThis piece was written in memory of my father, Colum Denny, who passed away in May 2012.It is slow, beautiful and very Romantic in character. Its middle section is more turbulent with an exciting mixture of intensity and soaring “flying musicâ€.While the orchestral parts are fairly straightforward, the cello solo part would suit a cellist of about grade 7 upwards.There are 4 arrangements available;No.1 – School Arrangement ;  for Cello solo, Violins 1, 2 and 3. Cellos 1 and 2No.2 – Standard Arrangement; for Cello solo, Violins 1 and 2, Viola, Cello and Double BassNo.3 – Cello Solo and PianoNo.4 – Viola Solo and Piano.
$15.00
We Will Rock You
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Viola, Piano
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INTERMEDIATE
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Rock
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Queen
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Fishel Pustilnik
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We Will Rock You
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F & N Enterprise
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.632783 By Queen. By Brian May. Arranged by Fishel Pustilnik. Rock. Score and part. 4 pages. F & N Enterp...
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Piano,Viola - Level 3 - Digital Download SKU: A0.632783 By Queen. By Brian May. Arranged by Fishel Pustilnik. Rock. Score and part. 4 pages. F & N Enterprise #3125635. Published by F & N Enterprise (A0.632783). An excellent arrangement of famous We Will Rock You by Queen for Viola and Piano (Jazz/Rock Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Wedding March by Mendelssohn, for Solo Viola and Piano
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Viola, Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn,
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.587612 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Pe...
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Piano,Viola - Level 3 - Digital Download SKU: A0.587612 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403666. Published by David McKeown (A0.587612). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Viola and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Amazed
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Viola, Piano
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INTERMEDIATE
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Country
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Lonestar
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K
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Amazed
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K L Phillips
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.751658 By Lonestar. By Aimee Mayo, Chris Lindsey, and Marv Green. Arranged by K.L. Phillips. Country. Sc...
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Piano,Viola - Level 3 - Digital Download SKU: A0.751658 By Lonestar. By Aimee Mayo, Chris Lindsey, and Marv Green. Arranged by K.L. Phillips. Country. Score and part. 6 pages. K L Phillips #6104075. Published by K L Phillips (A0.751658). This Lonestar ballad has been arranged for viola solo with piano accompaniment and is a wonderful choice for wedding, cocktail hour or dinner music.Thank you to thatsphotography at pixabay for the cover image.
$4.99
Lambada
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Andreas Martin-Krause and Carl
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Fishel Pustilnik
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Pop Piano Paradise
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Lambada
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F & N Enterprise
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.636266 Composed by Andreas Martin-Krause and Carlos Eduardo De Jesus Gomes. Arranged by Fishel Pustilnik...
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Piano,Viola - Level 4 - Digital Download SKU: A0.636266 Composed by Andreas Martin-Krause and Carlos Eduardo De Jesus Gomes. Arranged by Fishel Pustilnik. Contemporary. Score and part. 8 pages. F & N Enterprise #6345577. Published by F & N Enterprise (A0.636266). An excellent arrangement of the famous Song Lambadafor Viola and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/ZNzIp6K3MaYThe composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Bach: Wachet auf for Viola & Piano
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Viola, Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola & P
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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Viola, Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,East...
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Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Sullivan: The Lost Chord for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for V
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Roman...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
The Water is Wide (Viola and Piano)
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Viola, Piano
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INTERMEDIATE
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Celtic/Irish
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Traditional Scottish Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.524770 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritu...
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Piano,Viola - Level 3 - Digital Download SKU: A0.524770 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. Score and part. 11 pages. John A. Dempsey #6319217. Published by John A. Dempsey (A0.524770). Give me a boat that can carry two and both shall row - my love and I. From a rich, vibrant tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic duet for viola and piano is perfect for weddings, ceilidhs (or any Celtic-themed music event), concerts and recitals. As wedding music, The Water is Wide stirs the heart as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Because this melody (O Waly Waly) has been used in multiple hymn settings, including The Gift of Love, Though I May Speak of Bravest Fire, and as an alternate melody for When I Survey the Wondrous Cross, this music is effective for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, special music and silent prayer accompaniment. 7 pages of music (that includes a separate two-page pullout viola part). Key: G major
$6.99
The Water is Wide (Trio for Clarinet, Viola and Piano)
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Viola, Piano
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INTERMEDIATE
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Celtic/Irish
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Traditional Celtic Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.523889 Composed by Traditional Celtic Melody. Arrange...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.523889 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. 16 pages. John A. Dempsey #4298935. Published by John A. Dempsey (A0.523889). Give me a boat that can carry two and both shall row, my love and I. From a rich, vibrant Celtic tradition comes the memorable tune The Water is Wide, lovingly crafted to evoke misty Scottish landscapes and rolling green hills (you can almost smell the heather). This unabashedly romantic trio for Bb clarinet, viola and piano is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as recitals and concerts. As wedding music, it's recommended as a prelude, bridal march, bridesmaid processional or unity candle accompaniment. Also makes touching sacred music (a prelude, an offertory, silent prayer accompaniment or special music) for church services and other worship events, as its melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. 12 pages of music (that includes separate two-page pullout parts for clarinet and viola). Concert Key: F major.
$11.99
The Water is Wide (Trio for Oboe, Viola and Piano)
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Viola, Piano
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INTERMEDIATE
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Celtic/Irish
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Traditional Celtic Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Oboe,Piano,Viola - Level 3 - Digital Download SKU: A0.525144 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spir...
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Oboe,Piano,Viola - Level 3 - Digital Download SKU: A0.525144 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. 16 pages. John A. Dempsey #4301419. Published by John A. Dempsey (A0.525144). Give me a boat that can carry two and both shall row - my love and I. From a rich, vibrant Celtic tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic trio for oboe, viola and piano is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as concerts and recitals. As wedding music, it's recommended as a prelude, bridal march, bridesmaid processional or unity candle music. This arrangement also is effective as sacred music, including a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for church services and other worship events, as this melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. 12 pages of music (that includes separate two-page pullout parts for oboe and viola). Concert Key: G major.
$11.99
The Water is Wide (Trio for Viola, Cello and Piano)
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Viola, Piano
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INTERMEDIATE
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Celtic/Irish
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Traditional Celtic Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Cello,Piano,Viola - Level 3 - Digital Download SKU: A0.523949 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spi...
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Cello,Piano,Viola - Level 3 - Digital Download SKU: A0.523949 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. 16 pages. John A. Dempsey #4361677. Published by John A. Dempsey (A0.523949). Give me a boat that can carry two and both shall row - my love and I. From a rich, vibrant Celtic tradition comes The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic trio for viola, cello and piano is recommended for recitals, concerts, weddings, ceilidhs and other Celtic-themed music events. As wedding music, The Water is Wide stirs the heart as a prelude, unity candle music, a bridal march or a bridesmaid processional. As sacred music, this trio is also effective as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, since this melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. 12 pages of music (that includes separate two-page pullout parts for viola and cello). Concert Key: G major .
$11.99
O Night Divine
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Traditional
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Evelyn R Larter
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Still, Still, Still
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O Night Divine
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Evelyn R Larter
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.1310467 Composed by Traditional. Arranged by Evelyn R Larter. Christian,Christmas,Jazz,Traditional. Scor...
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Piano,Viola - Level 4 - Digital Download SKU: A0.1310467 Composed by Traditional. Arranged by Evelyn R Larter. Christian,Christmas,Jazz,Traditional. Score and part. 54 pages. Evelyn R Larter #899529. Published by Evelyn R Larter (A0.1310467). This is a collection of six international carols arranged for solo viola and piano. Titles include Ding Dong! Past Three O'Clock; Still, Still, Still; Patapan; Oh Holy Night; The Holly, The Ivy And the Three Ships and What Child Is This. The styles range from traditional to swing to jazz ballad; they are lots of fun for more advanced performers and suitable for Christmas concerts and services. The audio sample is the MIDI track for Oh Holy Night.More information on my music may be found on my website, www.evelynlartermusic.com, and on my Facebook page for Evelyn Larter Music. Please leave feedback!
$15.99
Au clair de la lune, for two violas and piano
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Viola, Piano
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BEGINNER
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Christopher A
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Au clair de la lune, for two v
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.909580 Arranged by Christopher A. Sforza. Contemporary,Folk,St...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.909580 Arranged by Christopher A. Sforza. Contemporary,Folk,Standards. Score and parts. 10 pages. Christopher A. Sforza #4716429. Published by Christopher A. Sforza (A0.909580). This simple folk song is arranged with a unique and interesting accompaniment provided by the piano and second viola. Three versions in G, F, and E Flat Major are included so that you may explore multiple finger patterns and keys.The arrangement allows the performers to play three different ways; as a solo with piano, two violas and piano, or as a viola duet without piano. Included is the piano score and duet part.
$2.25
Variation X, for two violas and piano
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Viola, Piano
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BEGINNER
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Christopher A
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Variation X, for two violas an
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Christopher A. Sforza
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.909567 Arranged by Christopher A. Sforza. Children,Contemporar...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.909567 Arranged by Christopher A. Sforza. Children,Contemporary,Folk,Halloween,Standards. Score and parts. 7 pages. Christopher A. Sforza #3663513. Published by Christopher A. Sforza (A0.909567). Twinkle, Twinkle, Little Star is used by many beginners due to its simplicity and familiarity. This arrangement keeps the melody unaltered in the first viola while heavily re-harmonizing and re-stylizing the second viola and piano parts. This departure from traditionalism creates an arrangement that is mysterious and unexpected. It is perfect for Halloween or any other occasion where you may want to add a little spook into your playing. The arrangement allows the performers to play three different ways; as a solo with piano, two violas and piano, or as a viola duet without piano.Included is a set of piano scores and duet parts in both d minor and g minor as well as fingering suggestions.
$2.25
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