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The More I See
Brass Quartet
Sheetmusic to print
3 sheet music found
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1
I Don’t Want to Play in Your Yard: Trumpet Feature
#
Brass Quartet
#
INTERMEDIATE/ADVANCED
#
H
#
F
#
I Don’t Want to Play in Your
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comed...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
Cindy (Get Along Home Cindy, Cindy)
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Brass Quartet
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INTERMEDIATE
#
Gospel/Spiritual
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Sacred music
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American Folk Song
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F
#
Cindy
#
Sweetwater Brass Press
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1148027 Composed by American Folk Song. Arranged by F. Leslie Smith. Folk,Historic,Tradit...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1148027 Composed by American Folk Song. Arranged by F. Leslie Smith. Folk,Historic,Traditional. 36 pages. Sweetwater Brass Press #747960. Published by Sweetwater Brass Press (A0.1148027). This song uses the same melody as a 19th century African-American spiritual, The Gospel Train. The Cindy lyrics were adapted to the tune during the 20th century and have been recorded by numerous individuals and groups. Probably the most familiar of its many versions describes a girl, tells her to go home and promises future matrimony: You ought to see my Cindy She lives way down South And she's so sweet the honey bees All swarm around her mouth. Get along home Cindy, Cindy Get along home Cindy, Cindy Get along home Cindy, Cindy I'll marry you some day. This arrangement for brass quintet is written in cut time with a suggested tempo of about 96 BPM. It opens in G major and, after a 12-measure introduction, introduces the basic melody using mainly Trumpets and Trombone. This is followed by five variations. The first takes form of a gentle, rhythmically soothing near-hymn played by the Horn; the second, sounds like Turkey in the Straw and features Horn and Trumpet 2; the third is a concoction based on The Little Brown Mouse and The Girl I Left Behind played by Tuba; the fourth is Boil Em Cabbage Down by Horn and Trombone; and the fifth is Kingdom Coming by Trumpets 2 and 1. At this point, the key changes to A major, Trumpets play an extended version of the Cindy melody and Horn provides a gigue-like counterpoint. All join in for the finale. Completed in 2022, performance time runs about 3 minutes, 8 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
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