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French Horn and Piano
Sheetmusic to print
4 sheet music found
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1
Nikolai Rimsky-Korsakov: The Flight of the Bumblebee for horn & piano
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French Horn and Piano
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ADVANCED
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Classical
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Nikolai Rimsky-Korsakov
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Virtualsheetmusic
This is an exclusive transcription for horn & piano of HIGH skill level from the original composition by Nikolai Rimsky-Korsakov. This title is available as instant sheet music download. Contents: bumblebee,bumble-bee, il volo del calabrone, bumble, bumblee, bumble bee / classical...
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This is an exclusive transcription for horn & piano of HIGH skill level from the original composition by Nikolai Rimsky-Korsakov. This title is available as instant sheet music download. Contents: bumblebee,bumble-bee, il volo del calabrone, bumble, bumblee, bumble bee / classical
$6.99
Sonata No. 3 for Horn and Piano
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French Horn and Piano
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ADVANCED
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Mike Lyons
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Sonata No. 3 for Horn and Pian
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Lyons Music Services
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SheetMusicPlus
French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pag...
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French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00
Sunrise On Shrouded Mountains
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French Horn and Piano
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ADVANCED
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Matt Arnett
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Sunrise On Shrouded Mountains
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Matt Arnett Music
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SheetMusicPlus
French Horn,Piano - Level 5 - Digital Download SKU: A0.945548 Composed by Matt Arnett. 20th Century,Concert,Contemporary,Romantic Period. Score and part....
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French Horn,Piano - Level 5 - Digital Download SKU: A0.945548 Composed by Matt Arnett. 20th Century,Concert,Contemporary,Romantic Period. Score and part. 9 pages. Matt Arnett Music #6132249. Published by Matt Arnett Music (A0.945548). Sunrise on Shrouded Mountains was inspired by many mornings looking east towards the Wasatch Mountains while I lived in Utah. As the sun rises on foggy spring mornings, the day warms and brightens – yet not until the sun breaks the peak of the mountains is the valley truly light. As the fog burns away, the majesty of the mountain range is revealed.This is a great contrasting piece to program for the middle of your recital. You'll explore both the sweet and heroic sounds of the horn - make sure you save enough to keep building to the apex of the piece at 78. I like to use a little vibrato on the sustained notes from 32 to 36, but that is optional.Find more of my work at https://mattarnettmusic.com/, or follow me at https://www.facebook.com/mattarnettmusic/
$8.45
Dichterliebe
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French Horn and Piano
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ADVANCED
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Classical
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 page...
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French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
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