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All About That Bass - Timpani
Not classified
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All About That Bass - Timpani
Trombone and Piano
Sheetmusic to print
7 sheet music found
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1
All About That Bass
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Trombone and Piano
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EASY
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Meghan Trainor
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Jps Arrangements
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All About That Bass
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Jps Arrangements
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.1379893 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Jps Arrangements. Film/TV,...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.1379893 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Jps Arrangements. Film/TV,Pop,R & B,Soul,Standards. Score and part. 6 pages. Jps Arrangements #964600. Published by Jps Arrangements (A0.1379893). All About That Bass for Trombone and piano is a catchy, powerful pop song written by Meghan Trainor and Kevin Kadish. This arrangement captures the infectious rhythm and playful spirit of the original recording. Perfect for beginner/intermediate musicians.The arrangement has the figures and is in Bb major.
$4.99
Illusion for Trumpet, Trombone and Piano
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Trombone and Piano
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ADVANCED
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Elizabeth Raum
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Illusion for Trumpet, Trombone
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Conte...
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Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 pages. Gordon Cherry #804638. Published by Gordon Cherry (A0.1206435). Below are the program notes for Illusion for Trumpet, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the saxophone is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. The original version was written for Alto Sax and Bass TromboneThe work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.This work can be performed on a Trombone with an f-attachment and is appropriate for advanced performers.
$37.50
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Somber and Jovial for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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the title, it is obvious that
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Armand Russell
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Somber and Jovial for Trombone
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.792089 Composed by Armand Russell. Contemporary. Score and part. 17 pages. Gordon Cherry #3419129. Pu...
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Piano,Trombone - Level 4 - Digital Download SKU: A0.792089 Composed by Armand Russell. Contemporary. Score and part. 17 pages. Gordon Cherry #3419129. Published by Gordon Cherry (A0.792089). By the title, it is obvious that the two movements: Somber and Jovial are in contrasting styles. Somber is marked as a Lento with the subtitle Prelude. Jovial is marked moderately fast with the subtitle Rondo. Altogether, the work is about 8 minutes long and is appropriate for moderately advanced performers. Solo part is all in bass clef.
$15.00
Three Pieces for Trombone & Piano
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Trombone and Piano
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ADVANCED
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Classical
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Edward Elgar
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Ralph Sauer
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Three Pieces for Trombone & Pi
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792414 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period,Worl...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792414 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Classical,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4821573. Published by Gordon Cherry (A0.792414). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances. The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument. Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$17.50
Three Pieces for Trombone & Piano
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Trombone and Piano
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ADVANCED
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Classical
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Trombone & Pi
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792275 Composed by Edward Elgar. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period,Wor...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792275 Composed by Edward Elgar. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period,World. Score and part. 16 pages. Gordon Cherry #4803779. Published by Gordon Cherry (A0.792275). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances. The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument. Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$17.50
Three Pieces for Trombone & Piano
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Trombone and Piano
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ADVANCED
#
Classical
#
Edward Elgar
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Sauer, Ralph
#
Three Pieces for Trombone & Pi
#
Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792166 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages....
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792166 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820415. Published by Gordon Cherry (A0.792166). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite of about 12 minutes in length for advanced performers.
$15.00
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