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You've selected:
Don W
Trombone and Piano
Sheetmusic to print
10 sheet music found
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1
Mozart: Eine Kleine Nachtmusik (K.525) - Trombone Solo w/ Piano
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Trombone and Piano
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INTERMEDIATE
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Wolfgang Amadeus Mozart
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Ygor Nunes
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Mozart: Eine Kleine Nachtmusik
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Ygor Nunes
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SheetMusicPlus
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1494191 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Childre...
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1494191 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Film/TV,Multicultural,Wedding,World. Score and part. 6 pages. Ygor Nunes #1070803. Published by Ygor Nunes (A0.1494191). **Experience the Elegance of Eine Kleine Nachtmusik by Mozart**Have you heard Mozart's Eine Kleine Nachtmusik? This masterpiece of classical music, brimming with elegance and charm, has delighted listeners for centuries.Each note, each phrase, takes on a fresh brilliance and energy. Rediscover the beauty of Eine Kleine Nachtmusik through the unique sound of the trombone.Don't miss out on this timeless musical experience. Let the elegance of Eine Kleine Nachtmusik enchant you all over again.
$5.99
Habanera (for solo trombone w/ piano accompaniment)
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Trombone and Piano
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INTERMEDIATE
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Opera
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Classical
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Georges Bizet
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Rodrigo Faleiros
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Habanera
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1292054 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festiva...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1292054 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #882630. Published by Rodrigo Faleiros (A0.1292054). Introducing a delightful adaptation of Georges Bizet's iconic aria Habanera from the beloved opera Carmen, now expertly arranged for solo trombone with a rhythmic and hypnotic piano accompaniment. This accessible sheet music offers a seamless fusion of the main melody line, thoughtfully transposed to both C minor and C major keys, ensuring a smooth and enjoyable playing experience for musicians of varying skill levels. Ideal for intermediate players seeking to showcase their artistry, this arrangement also warmly welcomes beginners to explore the enchanting world of classical music. Immerse yourself in the timeless charm of this operatic gem.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$2.99
Habanera (for solo trombone w/ piano accompaniment)
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Trombone and Piano
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INTERMEDIATE
#
Opera
#
Classical
#
Georges Bizet
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Rodrigo Faleiros
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Habanera
#
Rodrigo Faleiros
#
SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1292038 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festiva...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1292038 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #882607. Published by Rodrigo Faleiros (A0.1292038). Introducing a delightful adaptation of Georges Bizet's iconic aria Habanera from the beloved opera Carmen, now expertly arranged for solo trombone with a rhythmic and hypnotic piano accompaniment. This accessible sheet music offers a seamless fusion of the main melody line, thoughtfully transposed to both C minor and C major keys, ensuring a smooth and enjoyable playing experience for musicians of varying skill levels. Ideal for intermediate players seeking to showcase their artistry, this arrangement also warmly welcomes beginners to explore the enchanting world of classical music. Immerse yourself in the timeless charm of this operatic gem.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$2.99
In the Hall of the Mountain King (for trombone solo w/ piano accompaniment)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Halloween
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Edvard Grieg
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Rodrigo Faleiros
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In the Hall of the Mountain Ki
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.1304273 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival...
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Piano,Trombone - Level 4 - Digital Download SKU: A0.1304273 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #893584. Published by Rodrigo Faleiros (A0.1304273). Unleash the captivating charm of Edvard Grieg's In the Hall of the Mountain King with our trombone solo arrangement. This rendition contains a piano accompaniment and maintains the essence of the original while ensuring accessibility for players of all levels. This sheet music contains chord symbols. Whether you're a beginner or a seasoned pro, this piece offers a memorable solo experience, combining the essence of Grieg's masterpiece with suitability for all skill levels, making it perfect for personal enjoyment, recitals, or competitions.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$4.99
In the Hall of the Mountain King (for trombone solo w/ piano accompaniment)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
#
Classical
#
Halloween
#
Edvard Grieg
#
Rodrigo Faleiros
#
In the Hall of the Mountain Ki
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.1304522 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival...
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Piano,Trombone - Level 4 - Digital Download SKU: A0.1304522 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #893542. Published by Rodrigo Faleiros (A0.1304522). Unleash the captivating charm of Edvard Grieg's In the Hall of the Mountain King with our trombone solo arrangement. This rendition contains a piano accompaniment and maintains the essence of the original while ensuring accessibility for players of all levels. Whether you're a beginner or a seasoned pro, this piece offers a memorable solo experience, combining the essence of Grieg's masterpiece with suitability for all skill levels, making it perfect for personal enjoyment, recitals, or competitions.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$4.99
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
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