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Fast As You
Trombone and Piano
Sheetmusic to print
8 sheet music found
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1
Turn Your Eyes Upon Jesus (for Solo Trombone & Piano)
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Trombone and Piano
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INTERMEDIATE
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Sacred music
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Helen H
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Arr
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Turn Your Eyes Upon Jesus
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Tim Zimmerman & The King's Brass
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.893194 Composed by Helen H. Lemmel. Arranged by Arr. Dan Marvin / Edit. Tim Zimmerman. Christian,Sacr...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.893194 Composed by Helen H. Lemmel. Arranged by Arr. Dan Marvin / Edit. Tim Zimmerman. Christian,Sacred. Score and part. 9 pages. Tim Zimmerman & The King's Brass #6078281. Published by Tim Zimmerman & The King's Brass (A0.893194). Performance tested by Tim Zimmerman & The King's Brass on their Steadfast CD. Perfect for a prelude, offertory or communion service, where a traditional hymn tune is desired. This composition was written as a duet between the solo trombone & the solo piano. A midi piano accompaniment track is also available to assist with rehearsal. A Solo Trumpet & Piano version is available in two different keys. www.kingsbrass.org .
$4.99
Morning, Noon, and Night in Paris for Trombone and Piano (Tenor Clef)
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Trombone and Piano
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ADVANCED
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Nicholas Matheos
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Morning, Noon, and Night in Pa
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Nicholas J. Matheos
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SheetMusicPlus
Small Ensemble Tenor Trombone - Level 5 - Digital Download SKU: A0.1028791 Composed by Nicholas Matheos. Concert,Contemporary,Romantic Period,World. Scor...
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Small Ensemble Tenor Trombone - Level 5 - Digital Download SKU: A0.1028791 Composed by Nicholas Matheos. Concert,Contemporary,Romantic Period,World. Score and parts. 34 pages. Nicholas J. Matheos #5776719. Published by Nicholas J. Matheos (A0.1028791). Morning, Noon, and Night in Paris for Trombone and Piano was inspired by my trips to Paris. this piece was also created to challenge every player while upholding musical integrity. This piece will take you through three movements; two of them based on location and the finale on a crazy, upbeat, fast-moving night on the town. The performer will be using multiple playing styles throughout this piece as well as the piano player.This is the perfect piece to finish your recital off with and/or impress your colleagues with as it displays an impressive amount of challenges that you must overcome in each movement. The audience and performer(s) will both enjoy this piece and everything it has to offer.Grade: 6/7 (Advanced)Duration: 9:45
$26.95
Morning, Noon, and Night in Paris for Trombone and Piano (Bass Clef)
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Trombone and Piano
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ADVANCED
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Nicholas Matheos
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Morning, Noon, and Night in Pa
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Nicholas J. Matheos
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SheetMusicPlus
Small Ensemble Bass Trombone,Piano - Level 5 - Digital Download SKU: A0.1028792 Composed by Nicholas Matheos. Concert,Contemporary,Romantic Period,World....
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Small Ensemble Bass Trombone,Piano - Level 5 - Digital Download SKU: A0.1028792 Composed by Nicholas Matheos. Concert,Contemporary,Romantic Period,World. Score and parts. 34 pages. Nicholas J. Matheos #5777155. Published by Nicholas J. Matheos (A0.1028792). Morning, Noon, and Night in Paris for Trombone and Piano was inspired by my trips to Paris. this piece was also created to challenge every player while upholding musical integrity. This piece will take you through three movements; two of them based on location and the finale on a crazy, upbeat, fast-moving night on the town. The performer will be using multiple playing styles throughout this piece as well as the piano player.This is the perfect piece to finish your recital off with and/or impress your colleagues with as it displays an impressive amount of challenges that you must overcome in each movement. The audience and performer(s) will both enjoy this piece and everything it has to offer.Grade: 6/7 (Advanced)Duration: 9:45
$26.95
Busy Tone
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Hayden Woods
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Busy Tone
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Hayden Lee Woods
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SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.901482 Composed by Hayden Woods. 20th Century. Score and part. 10 pages. Hayden Lee Woods #5707383. P...
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Piano,Trombone - Level 4 - Digital Download SKU: A0.901482 Composed by Hayden Woods. 20th Century. Score and part. 10 pages. Hayden Lee Woods #5707383. Published by Hayden Lee Woods (A0.901482). Original trombone solo by Hayden WoodsWhat do you do when you try calling for something dire that must be addressed and the phones are backed up for hours...and hours...with no end in sight? Other than losing patience (which you should never lose), going crazy might be the next step. Hearing the busy tone over-and-over again as it pounds your brain into a mushed pile of misfiring neurons with a side of bloodshot eyes from straining to keep conscious. This 12-tone project enamors the mind with blips of melody, sprinkled over the piano’s endless E-flats that simulate the pain of trying to get past the busy tone. It’s short and to the point on the premise and only takes the 80 seconds (ish, it’s up to you how fast/slow dial tones make you feel) to drive the sanity down.
$8.99
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Concerto for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages....
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Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
Für Elise Boogie Woogie for C Trombone & Piano
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Trombone and Piano
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INTERMEDIATE
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Ludvig van Beethoven Arranged
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Keith Terrett
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Für Elise Boogie Woogie for C
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.746658 Composed by Ludvig van Beethoven Arranged. Arranged by Keith Terrett. 20th C...
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Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.746658 Composed by Ludvig van Beethoven Arranged. Arranged by Keith Terrett. 20th Century,Jazz,Romantic Period,World. 22 pages. Keith Terrett #2075729. Published by Keith Terrett (A0.746658). An arrangement of Für Elise Boogie Woogie for C Trombone & Piano. Bagatelle No. 25 in A minor (WoO 59, Bia 515, and OEIS A123456) for solo piano, commonly known as Für Elise or Fuer Elise (German: English: For Elise, sometimes written without the German umlaut mark as Fur Elise), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$6.99
Adages II for Bass Trombone and Piano
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Adages II for Bass Trombone an
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Sy Brandon
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SheetMusicPlus
Instrumental Duet Bass Trombone,Instrumental Duet - Level 4 - Digital Download SKU: A0.755280 Composed by Sy Brandon. 20th Century,Contemporary. Score an...
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Instrumental Duet Bass Trombone,Instrumental Duet - Level 4 - Digital Download SKU: A0.755280 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 47 pages. Sy Brandon #4886103. Published by Sy Brandon (A0.755280). Adages II is the second in a series of compositions based on familiar sayings. It is composed for Dr. Joseph Murrell and is for bass trombone and piano. There are five movements in this composition. 1. Strike while the iron is hot – This movement is in a fast tempo with a lot of syncopation and irregular meter change. The piano frequently plays two loud chords that indicate the striking. 2. Opposites attract – The opposites in this movement are a swing style and a classical style. Each has its moments to shine and yet one clearly influences the other. 3. Stop and Smell the roses – This movement is lyrical representing the beauty of smelling roses. A motif that contains rests is a reminder to stop and take time for the beautiful things in life. A contrapuntal middle section with steady sixteenth notes builds in intensity as another reminder that one needs to take time from the hectic pace of life to enjoy beauty. 4. Curiosity killed the cat – This movement is mostly soft, staccato, and furtive representing the curiosity of the cat. A loud chord or succession of chords indicates the cat getting into trouble. This happens a total of nine times representing the cat’s nine lives before the cat is finally doomed. 5. Look before you leap – As the adage implies, there are a lot of melodic leaps in this movement. Any scalar material or repeated note figures serve as a warning to look before one leaps.
$14.99
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