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--INSTRUMENTS--
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DJ GEAR
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Ned
Not classified
8,371
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4,199
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1,740
Easy Piano
1,477
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1,040
C Instruments
684
Organ
675
Piano Accompaniment
223
1 Piano, 4 hands
167
Piano Trio: piano, violin, cello
148
2 Pianos, 4 hands
90
Accordion
67
Piano Quartet: piano, 2 violins, cello
26
Piano Quartet: piano, violin, viola, cello
26
Big Note Piano
25
Piano (band part)
23
Organ, Trumpet (duet)
10
Organ, Piano (duet)
8
Harpsichord
8
Piano Quintet: piano, 2 violins, viola, cello
6
Keyboard
2
Solo instrument and Organ
2
2 Pianos, 8 hands
2
Melody line, Piano
2
Organ and Orchestra
1
1 Piano, 6 hands
1
Accordion ensemble
1
+ 21 instrumentations
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Guitars
Guitar notes and tablatures
789
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557
Melody line, (Lyrics) and Chords
337
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134
Bass guitar
106
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70
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46
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46
4 Guitars (Quartet)
25
Dulcimer
24
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19
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9
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9
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6
Mandolin, Guitar (duet)
3
2 Dulcimers (duet)
3
Electric Bass (band part)
3
Band Scores
2
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2
Guitar, Violin, Cello (trio)
2
Baritone Ukulele
1
Mandolin, Piano (duet)
1
2 Ukuleles
1
Plectrum Orchestra
1
+ 20 instrumentations
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Voice
Choral SATB
2,177
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815
Choral 2-part
672
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351
Choral Unison
310
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190
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113
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95
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85
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82
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72
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64
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48
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Choral SSAB, Piano
1
Soprano voice, Orchestra
1
Voice, Guitar
1
Choral SSAATB
1
Soprano voice
1
+ 29 instrumentations
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Woodwind
Saxophone Quartet: 4 saxophones
585
2 Saxophones (duet)
583
Flute and Piano
507
Flute, Oboe, Clarinet, Bassoon
496
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437
Clarinet and Piano
371
Oboe, Piano (duet)
361
2 Flutes (duet)
325
Alto Saxophone and Piano
325
Saxophone (band part)
299
Saxophone Quintet: 5 Saxophones
289
Clarinet
281
Flute
279
Tenor Saxophone and Piano
254
Clarinet Quartet: 4 clarinets
250
2 Recorders (duet)
237
2 Clarinets (duet)
224
Alto Saxophone
219
Soprano Saxophone and Piano
216
Tenor Saxophone
139
3 Saxophones (trio)
135
Flute Quartet: 4 flutes
129
Flute, Clarinet (duet)
126
Oboe (band part)
121
2 Oboes (duet)
112
Baritone Saxophone, Piano
95
3 Clarinets (trio)
92
Oboe, Bassoon (duet)
84
Clarinet (band part)
83
Flute and Guitar
83
Clarinet Ensemble
79
Oboe, Clarinet (duet)
78
Clarinet, Violin (duet)
77
Oboe
70
Clarinet Quintet: 5 clarinets
70
Saxophone ensemble
64
Saxophone, Clarinet (duet)
63
Recorder
62
Descant (Soprano) Recorder
59
Flute Trio: 3 flutes
57
Clarinet, Trumpet (duet)
55
Flute ensemble
55
Clarinet, Guitar (duet)
53
Flute, Clarinet and Bassoon.
51
Clarinet, Bassoon (duet)
50
Flute, Oboe (duet)
48
Flute, Violin
46
Treble (Alto) Recorder
45
Flute (band part)
44
Flute, Oboe, Clarinet (trio)
42
English horn, Piano
39
Eb Instruments
39
Clarinet and Viola
38
Harmonica
38
Recorder Ensemble
36
Oboe, Clarinet, Bassoon (trio)
34
Flute, Viola (duet)
34
Oboe, Cello
32
Oboe, Guitar (duet)
32
Saxophone
31
Bass Clarinet, Piano
31
Flute, Saxophone (duet)
30
Tenor Recorder
28
Flute Quintet : 5 flutes
28
Flute, Trumpet (duet)
27
Flute, Violin, Piano
26
Baritone Saxophone
26
Soprano Saxophone
24
3 Oboes
23
Oboe, Flute
23
Clarinet, Cello (duet)
23
Flute, Violoncello
22
3 Recorders (trio)
21
Oboe, Violin (duet)
20
Flute, Bassoon, and Piano
19
Recorder Quartet
19
Ocarina
19
Flute, Oboe, Piano (trio)
17
Clarinet Quartet: Clarinet, Violin, Viola, Cello
17
Flute and Strings Trio
11
Clarinet, Bassoon, Piano (trio)
10
Flute, Clarinet, Horn and Bassoon (Quartet)
10
Flute, Clarinet, Piano (trio)
10
2 Flutes, Piano
9
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9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Oboe and viola (duet)
8
English Horn
8
Flute, Oboe, Bassoon
8
Treble (Alto) Recorder, Basso continuo
6
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6
5 Recorders
6
Recorder, Piano
5
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5
Flute, Trombone (duet)
5
Clarinet, Tuba
5
Pennywhistle
5
Piccolo, Piano
5
English Horn, Guitar (duet)
4
2 Clarinets, Piano
4
Flute, Cello, Piano (trio)
4
Bass Clarinet
4
Recorder, Guitar (duet)
4
Oboe, Trombone (duet)
4
Oboe, Trumpet (duet)
3
Wind ensemble
3
Descent (Soprano) Recorder, Piano
3
Clarinet, Harp (duet)
3
Flute, Tuba (duet)
3
Treble (Alto) Recorder, Piano
3
Saxophone and Guitar
3
2 Saxophones, Piano
3
Clarinet, Cello, Piano (trio)
3
Flute, Viola and Piano
2
Clarinette, Viola and Piano (trio)
2
Flute, Violin, Violoncello and Piano
2
Flute, Harp and Cello
2
2 Flutes, 2 Clarinets (Quartet)
2
Saxophone and Harp
2
Flute, Violin and Violoncello
2
Flute, Basso continuo
2
Flute and String Quartet
1
Oboe, Bassoon and Piano
1
2 English horns and Pianoforte
1
Flute, Orchestra
1
Saxophone and Organ
1
Oboe, Harp
1
Piccolo
1
Clarinet, Organ
1
Oboe, Violin, Piano
1
Saxophone and Piano
1
2 Clarinets, Bassoon
1
Harmonica, Piano
1
English horn, Harp (duet)
1
Flute, trombone and piano
1
Bagpipe
1
+ 131 instrumentations
-
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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
568
Trumpet, Piano
361
Trombone and Piano
334
Trumpet
305
Brass quartet : 2 trumpets, trombone, tuba
250
French Horn and Piano
226
Trombone
202
French horn
180
Trombone (band part)
169
Trumpet (band part)
159
2 Trumpets (duet)
148
Tuba and Piano
145
Brass Quartet: 2 trumpets, horn, trombone
145
2 Trombones (duet)
141
Brass Quartet
131
Tuba
125
Trumpet, Trombone (duet)
120
2 French horns (duet)
90
Brass Quartet: 4 trombones
61
Trumpet, Horn (duert)
59
Euphonium, Piano (duet)
53
Trumpet, Saxophone (duet)
49
French horn (band part)
40
2 Tubas (duet)
40
Bass Clef Instruments
40
Bb Instruments
39
English horn, Piano
39
Tuba (band part)
37
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32
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31
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26
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24
Euphonium
23
Trumpet ensemble
22
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17
Tuba and Organ
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16
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15
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14
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11
3 Trombones (trio)
11
Horn, Cello (duet)
10
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9
Brass Trio
9
English Horn
8
4 Tubas
8
Brass Quartet: 4 trumpets
7
Trumpet, Cello (duet)
7
Bass Trombone and Piano
7
Brass Quartet: 2 trumpets, 2 trombones
6
Tuba or Euphonium or Saxhorn
5
2 Trumpets, Keyboard (piano or organ)
5
English Horn, Guitar (duet)
4
French horn and Basson (duet)
4
3 French horns (trio)
4
Trumpet, Cello, Piano
3
Trombone, Violin (duet)
3
2 Euphoniums (duet)
2
Trumpet, Trombone, Piano
2
Bass Trombone
2
Euphonium, Tuba (duet)
2
2 French horns, Piano
2
Trombone, Organ
2
French Horn and Harp
2
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1
Trombone, Viola (duet)
1
2 English horns and Pianoforte
1
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1
Trumpet, Harp
1
Tuba ensemble
1
3 Tubas (trio)
1
2 Trombones, Piano
1
English horn, Harp (duet)
1
+ 69 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
1,538
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803
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492
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470
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466
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384
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382
Cello
282
2 Violins (duet)
272
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259
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256
Harp
238
2 Cellos (duet)
186
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177
2 Violas (duet)
153
Double bass, Piano (duet)
144
String Trio: 2 violins, cello
125
Double Bass
124
Viola, Cello (duet)
68
Violin (band part)
62
String Trio: 3 violins
56
2 Double basses (duet)
54
Doublebass (band part)
50
Cello, Guitar (duet)
46
Piano Trio: Violin, Viola, Piano
46
Viola (band part)
45
Viola, Guitar (duet)
44
Violin, Guitar (duet)
40
Harp and Piano
39
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38
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36
4 Cellos
34
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33
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32
String Trio: 2 violins, viola
26
String Quartet : 4 violas
18
2 Harps (duet)
17
String Quintet: 2 violins, viola, 2 cellos
14
Viola and Bassoon
14
String quartet: 4 violins
13
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12
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11
String Quintet: 2 violins, 2 violas, cello
8
Cello (band part)
7
3 double basses
7
Harp, Voice
7
2 Violins, Piano
5
Violin, Tuba (duet)
4
Violin, Clarinet, Piano (trio)
4
Violin ensemble
4
Harp, Violin (duet)
4
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3
Viola and Harp
3
Violoncello, Basso continuo
3
Viola ensemble
3
4 Harps
3
Cello, Organ
3
String trio
3
3 Harps
2
Violin, Cello, Clarinet
2
Harp, Violin, Violoncello
2
5 Harps
2
Cello Ensemble
1
Harp, Trombone (duet)
1
Viola and orchestra
1
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1
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1
+ 62 instrumentations
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2,298
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594
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520
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282
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230
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87
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Timpani
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Orchestra, Violin
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Ned
Trombone and Piano
Sheetmusic to print
334 sheet music found
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326
Carnival Of Venice - Julius Benedict (Trombone + Piano)
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Trombone and Piano
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BEGINNER
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Classical
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Julius Benedict
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Digital Book Music
#
Carnival Of Venice - Julius Be
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Digital Book Music
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.1157568 Composed by Julius Benedict. Arranged by Digital Book Music. Classical. Score and part. 1 pag...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.1157568 Composed by Julius Benedict. Arranged by Digital Book Music. Classical. Score and part. 1 pages. Digital Book Music #757907. Published by Digital Book Music (A0.1157568). Carnival Of Venice - Julius Benedict (Trombone + Piano).
$4.99
Carnival Of Venice, Julius Benedict, For Trombone & Piano
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Trombone and Piano
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BEGINNER
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Classical
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Julius Benedict
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Eugene Egorov
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Carnival Of Venice, Julius Ben
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Eugene Egorov
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.637029 Composed by Julius Benedict. Arranged by Eugene Egorov. Classical. Score and part. 1 pages. Eu...
(+)
Piano,Trombone - Level 1 - Digital Download SKU: A0.637029 Composed by Julius Benedict. Arranged by Eugene Egorov. Classical. Score and part. 1 pages. Eugene Egorov #4715863. Published by Eugene Egorov (A0.637029).
$4.99
The Last Rose of Summer - Trombone with piano and chords
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Trombone and Piano
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BEGINNER
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Trom
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Alex Rodrigues
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.1494259 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Al...
(+)
Piano,Trombone - Level 1 - Digital Download SKU: A0.1494259 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070864. Published by Alex Rodrigues (A0.1494259). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
The Last Rose of Summer - Trombone with piano
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Trombone and Piano
#
BEGINNER
#
Thomas Moore
#
Alex Nunes Rodrigues
#
The Last Rose of Summer - Trom
#
Alex Rodrigues
#
SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.1494260 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Al...
(+)
Piano,Trombone - Level 1 - Digital Download SKU: A0.1494260 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070865. Published by Alex Rodrigues (A0.1494260). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
Benedetto Marcello: Sonata Iii (complete set of parts) - trombone & piano
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Trombone and Piano
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INTERMEDIATE
#
Classical
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Benedetto Marcello
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Virtualsheetmusic
Instantly printable sheet music by Benedetto Marcello for trombone & piano of MEDIUM skill level. / classical
Instantly printable sheet music by Benedetto Marcello for trombone & piano of MEDIUM skill level. / classical
$9.99
Unchained Melody
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Trombone and Piano
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INTERMEDIATE
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Pop music
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Al Hibbler
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Matthew pyeon
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Unchained Melody
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sungil
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.744400 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Matthew pyeon. Pop. Score and part. 15 ...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.744400 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Matthew pyeon. Pop. Score and part. 15 pages. Sungil (Matthew) Pyeon #352525. Published by sungil (Matthew) Pyeon (A0.744400).
$4.99
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Eine Kleine Nachtmusik (for solo trombone with piano accompaniment)
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Trombone and Piano
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Rodrigo Faleiros
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Eine Kleine Nachtmusik
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1434431 Composed by Wolfgang Amadeus Mozart. Arranged by Rodrigo Faleiros. Classical,Contest,Fe...
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Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1434431 Composed by Wolfgang Amadeus Mozart. Arranged by Rodrigo Faleiros. Classical,Contest,Festival,Wedding. Score and part. 16 pages. Rodrigo Faleiros #1014260. Published by Rodrigo Faleiros (A0.1434431). Unveil the Elegance of Mozart: Discover the exquisite beauty of Mozart’s “Eine Kleine Nachtmusik” through this sophisticated arrangement for solo trombone and piano. Designed for the advanced musician, this sheet music offers a rich tapestry of classical melodies, harmonized with contemporary chord symbols to enhance your interpretative possibilities.KEY FEATURES: Advanced Level: A challenging yet rewarding piece for seasoned players. Solo Trombone & Piano Accompaniment: A refined duet arrangement that allows each instrument to shine. Chord Symbols Included: For a deeper understanding and exploration of Mozart’s harmonic genius. Authentic and Expressive: Stay true to the classical roots while adding your personal touch. Premium Quality: Meticulously notated to ensure a seamless playing experience. Elevate your repertoire and captivate audiences with this timeless masterpiece. Perfect for recitals, competitions, or personal enjoyment, this arrangement is a must-have for any serious trombone and piano duo.And don't miss the opportunity to check out my other arrangements by clicking here.
$9.99
Eine Kleine Nachtmusik (for solo trombone with piano accompaniment)
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Trombone and Piano
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Rodrigo Faleiros
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Eine Kleine Nachtmusik
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1434430 Composed by Wolfgang Amadeus Mozart. Arranged by Rodrigo Faleiros. Classical,Contest,Fe...
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Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1434430 Composed by Wolfgang Amadeus Mozart. Arranged by Rodrigo Faleiros. Classical,Contest,Festival,Wedding. Score and part. 16 pages. Rodrigo Faleiros #1014258. Published by Rodrigo Faleiros (A0.1434430). Unveil the Elegance of Mozart: Discover the exquisite beauty of Mozart’s “Eine Kleine Nachtmusik” through this sophisticated arrangement for solo trombone and piano. Designed for the advanced musician, this sheet music offers a rich tapestry of classical melodies.KEY FEATURES: Advanced Level: A challenging yet rewarding piece for seasoned players. Solo Trombone & Piano Accompaniment: A refined duet arrangement that allows each instrument to shine. Authentic and Expressive: Stay true to the classical roots while adding your personal touch. Premium Quality: Meticulously notated to ensure a seamless playing experience. Elevate your repertoire and captivate audiences with this timeless masterpiece. Perfect for recitals, competitions, or personal enjoyment, this arrangement is a must-have for any serious trombone and piano duo.And don't miss the opportunity to check out my other arrangements by clicking here.
$9.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Eagles' Victory Song
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Trombone and Piano
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BEGINNER
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.1182600 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.1182600 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782346. Published by Zedas Couve (A0.1182600). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99
Concerto in D minor for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Classical
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Johann Sebastian Bach
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Ralph Sauer
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Concerto in D minor for Trombo
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.811110 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Sco...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.811110 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and part. 16 pages. Gordon Cherry #5042819. Published by Gordon Cherry (A0.811110). J. S. Bach transcribed this lovely work, originally the famous Oboe concerto by Alessandro Marcello (the older brother of Benedetto Marcello) around 1730 and fashioned it into a Harpsichord Concerto No. 3, BWV 974. The work is in three movements, Fast-Slow-Fast and is about 11 minutes in length. For advanced performers, Mr. Sauer has included some ornaments, some which are written out, all in a very tasteful, beautiful style.
$20.00
Luther: Out of the Depths for Trombone & Piano
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Trombone and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards...
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
I'm Getting Sentimental Over You
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Trombone and Piano
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George Bassman and Ned Washing
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Jirka Kadlec
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I'm Getting Sentimental Over Y
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Editions Marc Reift - Digital
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SheetMusicPlus
Alto Trombone & Piano - Grade 3 - Digital Download SKU: R0.43291 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Alto Trombone &...
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Alto Trombone & Piano - Grade 3 - Digital Download SKU: R0.43291 Composed by George Bassman and Ned Washington. Arranged by Jirka Kadlec. Alto Trombone & Piano. Score and parts. 6 pages. Duration 3'44. Editions Marc Reift - Digital #43291. Published by Editions Marc Reift - Digital (R0.43291).
$11.95
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
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Trombone and Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,E...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standa...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Wedding March by Mendelssohn, for Solo Trombone and Piano
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Trombone and Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn,
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.587610 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.587610 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403662. Published by David McKeown (A0.587610). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Trombone and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
The Wedding Album, for Solo Trombone in Bb (Treble Clef) and Piano
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Trombone and Piano
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INTERMEDIATE
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Various
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David McKeown
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The Wedding Album, for Solo Tr
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.587631 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedd...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.587631 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594701. Published by David McKeown (A0.587631). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Trombone in Bb (Treble Clef) with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
The Wedding Album, for Solo Trombone and Piano
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Trombone and Piano
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INTERMEDIATE
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Various
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David McKeown
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The Wedding Album, for Solo Tr
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.587630 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedd...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.587630 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594699. Published by David McKeown (A0.587630). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Trombone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Trombone Français for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Nathaniel Cleophas Davis
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Aaron Hettinga
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Trombone Français for Trombon
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.792719 Composed by Nathaniel Cleophas Davis. Arranged by Aaron Hettinga. 20th Century,Folk,Jazz,Ragti...
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Piano,Trombone - Level 4 - Digital Download SKU: A0.792719 Composed by Nathaniel Cleophas Davis. Arranged by Aaron Hettinga. 20th Century,Folk,Jazz,Ragtime. Score and part. 10 pages. Gordon Cherry #6018175. Published by Gordon Cherry (A0.792719). Trombone Francais by African American composer, trombonist, bandleader and publisher Nathaniel Cleophas Shorty Davis was written in 1921 as a Trombone solo in the American genre of Ragtime featuring the trombone's patented glissando as the hook. These solos were also called smears or jazzes.Trombone Francais is one of five entertaining works from Davis' Trombone Family written between 1915 and 1921 and comes with the subtitle - A Trombone Novelty. Nathaniel Davis served in the U.S. forces in WW I and was stationed in France during his posting. His fond memories of the country inspired him to write this work after he returned home to America.This arrangement has been beautifully arranged by Aaron Hettinga for Trombone and Piano. It is playable by moderately advanced performers.Cherry Classics Music will be publishing the complete series of these works for Trombone and Piano by Davis arranged by Mr. Hettinga.Thanks to Douglas Yeo for his research and advice.
$12.50
Three Ancient Capitals for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Keiko Takashima
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Three Ancient Capitals for Tro
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOST...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105). THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then. Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.The whole work consists of three pieces. They were written based on my impression of each place when I visited them. 1. Kamakura: In the Hydrangea Temple I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea. 2. Nara: Consecration of the Great Buddda Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.I imagined the solemn scene of the Consecration Mass of Great Buddha. 3. Kyoto: The Golden Pavilion in the Sunset It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting. Performance Time: 12’00” PROFILE: Keiko Takashima Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.*The YouTube sample is a performance of oboe d'amore for reference of the music.
$29.95
Bach: Wachet auf for Trombone & Piano
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Trombone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Faded
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Trombone and Piano
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INTERMEDIATE
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Alan Walker
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Benzaiten Editions
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Faded
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Benzaiten Editions
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1263599 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Be...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1263599 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Score and part. 4 pages. Benzaiten Editions #856561. Published by Benzaiten Editions (A0.1263599). Hey! Are you a trombone player who wants to learn how to play Faded by Alan Walker? You're in the right place!Faded by Alan Walker - Intermediate Trombone Sheet Music with Piano Accompaniment The Benzaiten Editions Arrangement Get ready to immerse yourself in the captivating world of Faded by Alan Walker! This hauntingly beautiful song has captured the hearts of millions with its mesmerizing melody and evocative lyrics. I have created an intermediate trombone arrangement of Faded that allows you to play this iconic piece with depth and emotion. Whether you're a fan of the original track or simply love the melancholic atmosphere it creates, this arrangement will enable you to bring its magic to life through your trombone. With this arrangement, you'll be able to replicate the captivating melody and harmonies of Faded while adding your own expressive touches. The arrangement strikes a balance between accessibility and musicality, making it perfect for intermediate musicians who want to master this popular song. Whether you're looking to expand your repertoire or simply enjoy playing beautiful music, our arrangement of Faded will undoubtedly inspire and captivate you. About the song Alan Walker's hit single Faded started as an instrumental track called Fade and gained attention on YouTube in 2014. With its captivating vocals by Iselin Solheim, the song topped charts worldwide and amassed billions of views. The distinctive melody, combined with Walker's signature production style, creates a captivating fusion of EDM and pop. Faded has become a universal anthem about feeling lost and finding solace in music, leaving a lasting impact on listeners worldwide.
$5.99
Faded
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Trombone and Piano
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INTERMEDIATE
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Alan Walker
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Benzaiten Editions
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Faded
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Benzaiten Editions
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1263600 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Be...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1263600 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Score and part. 4 pages. Benzaiten Editions #856562. Published by Benzaiten Editions (A0.1263600). Hey! Are you a trombone player who wants to learn how to play Faded by Alan Walker? You're in the right place!Faded by Alan Walker - Intermediate Trombone Sheet Music with Piano Accompaniment and chords The Benzaiten Editions Arrangement Get ready to immerse yourself in the captivating world of Faded by Alan Walker! This hauntingly beautiful song has captured the hearts of millions with its mesmerizing melody and evocative lyrics. I have created an intermediate trombone arrangement of Faded that allows you to play this iconic piece with depth and emotion. Whether you're a fan of the original track or simply love the melancholic atmosphere it creates, this arrangement will enable you to bring its magic to life through your trombone. With this arrangement, you'll be able to replicate the captivating melody and harmonies of Faded while adding your own expressive touches. The arrangement strikes a balance between accessibility and musicality, making it perfect for intermediate musicians who want to master this popular song. Whether you're looking to expand your repertoire or simply enjoy playing beautiful music, our arrangement of Faded will undoubtedly inspire and captivate you. About the song Alan Walker's hit single Faded started as an instrumental track called Fade and gained attention on YouTube in 2014. With its captivating vocals by Iselin Solheim, the song topped charts worldwide and amassed billions of views. The distinctive melody, combined with Walker's signature production style, creates a captivating fusion of EDM and pop. Faded has become a universal anthem about feeling lost and finding solace in music, leaving a lasting impact on listeners worldwide.
$5.99
Trumpet Tune and Air, by Purcell; for solo Trombone and Piano
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Trombone and Piano
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INTERMEDIATE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.587654 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.587654 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728543. Published by David McKeown (A0.587654). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Trombone and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
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