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Rather Be - Violin
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Rather Be - Violin
Trombone and Piano
Sheetmusic to print
5 sheet music found
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1
Rather Be - Arranged for Solo Trombone with Piano Accompaniment & (Optional Percussion - Drum Set).
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Trombone and Piano
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EASY
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Rock
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Clean Bandit
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Patrick Jillett
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Rather Be - Arranged for Solo
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SheetMusicPlus
By Clean Bandit. Arranged by Patrick Jillett. Score, Set of Parts. 15 pages. Published by Patrick Jillett...
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By Clean Bandit. Arranged by Patrick Jillett. Score, Set of Parts. 15 pages. Published by Patrick Jillett
$4.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Romance, Op. 13 for Trombone and Piano
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Trombone and Piano
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Joachim Bruun de Neergaard
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Niels-Ole Bo Johansen
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Romance, Op. 13 for Trombone a
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Digital Download SKU: A0.1362757 Composed by Joachim Bruun de Neergaard. Arranged by Niels-Ole Bo Johansen. 20th Century,Romantic ...
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Piano,Tenor Trombone - Digital Download SKU: A0.1362757 Composed by Joachim Bruun de Neergaard. Arranged by Niels-Ole Bo Johansen. 20th Century,Romantic Period. Score and part. 10 pages. Gordon Cherry #947132. Published by Gordon Cherry (A0.1362757). Niels-Ole Bo Johansen has recently discovered a hidden treasure of relatively unknown and forgotten works of Danish origin for the Trombone from the early 20th Century. This series of music will be subtitled The Danish Trombone Heritage and will be published by Cherry Classics over the next while. Below is Niels' description of Romance, Op. 13 by Joachim Bruun de Neergaard composed in 1915.Anton Hansen's (father of the Danish School for Trombone) first meeting with Joachim Bruun de Neergaard (1877-1929) was rather a disastrous one. Hansen an extraordinary Trombonist, also a very fine pianist, was hired to play at a dinner dance at Skjoldnæsholm manor. A young man insisted on playing along with the tunes Hansen performed - on a terribly out -of-tune ocarina. Hansen writes in his memoirs that his first thought was that the young man was slightly retarded. As it turned out, he was the son of the family living in the manor, which made the situation even more awkward. That young man, Joachim Bruun de Neergaard was not the slightest bit retarded. He was on the contrary highly intelligent and managed, in addition to his composition studies, to attain a degree in law with the highest honors.The Romance for Trombone and Orchestra, here in the version for Trombone and Piano, reveals a composer with a very fine sense of the trombone’s singing qualities.This work is perfect for advanced intermediate performers and is almost 7 minutes in length.Trombone soloist Johansen and his collaborator, Pianist Erik Kaltoft beautiifully perform Romance on their 2018 album The French Connection. Below is a sample of the work (available on Apple Music and as a CD).
$20.00
Guthrie: Toccata Agitato for Trombone & Piano
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Trombone and Piano
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ADVANCED
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James M
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Guthrie: Toccata Agitato for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1385662 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Weddin...
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Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1385662 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 13 pages. Jmsgu3 #969599. Published by jmsgu3 (A0.1385662). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Adelita-Trombone Solo (Optional Piano Accompaniment)
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Trombone and Piano
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EASY
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Classical
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Francisco Tarrega
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John May
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Adelita-Trombone Solo
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Lost Key Music
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.829818 Composed by Francisco Tarrega. Arranged by John May. Chamber,Classical,Contest,Festival,Romant...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.829818 Composed by Francisco Tarrega. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 3 pages. Lost Key Music #4287943. Published by Lost Key Music (A0.829818). On the Texas Prescribed Music ListKey: D minor/D major Range: F2 - D4 Francisco Tarrega (1852-1909) was a Spanish composer and classical guitarist regarded by many as the father of the classical guitar. Adelita is a mazurka originally composed for guitar by Tarrega. The mazurka originated in Poland and was popularized by Frederic Chopin. Arranged for trombone solo with optional piano accompaniment. The tempo is indicated as Lento, but seems to work better at a faster tempo. The audio file here is at 80 bpm. However, this piece should not be performed metronomically, but rather with a more rubato style. www.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/
$9.00
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