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Take on Me - Tuba
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Take on Me - Tuba
Trombone and Piano
Sheetmusic to print
7 sheet music found
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1
Gymnopedie No. 1
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Trombone and Piano
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INTERMEDIATE
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Classical
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Contemporary
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1245349 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and ...
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1245349 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840226. Published by Samuel Sequeira (A0.1245349). Gymnopedie No. 1 - Erik Satie - Trombone/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Trombone and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the trombone takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the trombone enters, it carries the iconic melody, infusing it with its rich and warm tones. The trombone's expressive qualities add an extra layer of depth and resonance to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the trombone and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the trombone's melodic lines and adding depth to the arrangement. The trombone, in turn, showcases its versatility by soaring above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the trombone and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for trombone and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
Part Of Your World (reprise)
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Trombone and Piano
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EASY
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Alan Menken and Howard Ashman
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Samuel Sequeira
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Part Of Your World
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Samuel Sequeira
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SheetMusicPlus
Piano,Tenor Trombone - Level 2 - Digital Download SKU: A0.1242588 Composed by Alan Menken and Howard Ashman. Arranged by Samuel Sequeira. Broadway,Childr...
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Piano,Tenor Trombone - Level 2 - Digital Download SKU: A0.1242588 Composed by Alan Menken and Howard Ashman. Arranged by Samuel Sequeira. Broadway,Children,Film/TV,Musical/Show,Pop,Singer/Songwriter. Score and part. 13 pages. Samuel Sequeira #837758. Published by Samuel Sequeira (A0.1242588). Part of your World - Howard Ashman & Alan Menken  - Trombone /PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you the arrangement of Part of Your World from the movie The Little Mermaid released in 2023, specifically designed for piano and trombone with Piano Playalong Youtube Video.In this arrangement, the piano and trombone come together to create a captivating and expressive performance. The piano provides a melodic and harmonic foundation, while the trombone takes on the main voice, infusing the arrangement with its rich and warm tones.The piano sets the stage with its flowing arpeggios and delicate accompaniment, creating a sense of wonder and enchantment. It creates a lush harmonic backdrop, supporting the trombone and adding depth to the arrangement.The trombone, with its mellow and resonant sound, becomes the voice of the melody. It brings the iconic melodies of Part of Your World to life, conveying the character's longing and curiosity. The trombone's smooth slides and expressive phrasing add a soulful and heartfelt quality to the arrangement.Throughout the piece, the piano and trombone interact, creating a musical dialogue. They blend their voices in harmonious moments and create moments of musical interplay that bring the arrangement to life.Together, the piano and trombone create a captivating rendition of Part of Your World that captures the essence of the story. This arrangement allows the trombone to shine with its expressive capabilities, while the piano provides a supportive and harmonically rich backdrop.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
Part Of Your World (reprise)
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Trombone and Piano
#
EASY
#
Alan Menken and Howard Ashman
#
Samuel Sequeira
#
Part Of Your World
#
Samuel Sequeira
#
SheetMusicPlus
Piano,Tenor Trombone - Level 2 - Digital Download SKU: A0.1242590 Composed by Alan Menken and Howard Ashman. Arranged by Samuel Sequeira. Broadway,Childr...
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Piano,Tenor Trombone - Level 2 - Digital Download SKU: A0.1242590 Composed by Alan Menken and Howard Ashman. Arranged by Samuel Sequeira. Broadway,Children,Film/TV,Musical/Show,Pop,Singer/Songwriter. Score and part. 13 pages. Samuel Sequeira #837760. Published by Samuel Sequeira (A0.1242590). Part of your World - Howard Ashman & Alan Menken  - Trombone /PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you the arrangement of Part of Your World from the movie The Little Mermaid released in 2023, specifically designed for piano and trombone with Chords and Piano Playalong Youtube Video.In this arrangement, the piano and trombone come together to create a captivating and expressive performance. The piano provides a melodic and harmonic foundation, while the trombone takes on the main voice, infusing the arrangement with its rich and warm tones.The piano sets the stage with its flowing arpeggios and delicate accompaniment, creating a sense of wonder and enchantment. It creates a lush harmonic backdrop, supporting the trombone and adding depth to the arrangement.The trombone, with its mellow and resonant sound, becomes the voice of the melody. It brings the iconic melodies of Part of Your World to life, conveying the character's longing and curiosity. The trombone's smooth slides and expressive phrasing add a soulful and heartfelt quality to the arrangement.Throughout the piece, the piano and trombone interact, creating a musical dialogue. They blend their voices in harmonious moments and create moments of musical interplay that bring the arrangement to life.Together, the piano and trombone create a captivating rendition of Part of Your World that captures the essence of the story. This arrangement allows the trombone to shine with its expressive capabilities, while the piano provides a supportive and harmonically rich backdrop.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Classical
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Keiko Takashima
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Breeze in The Hearts, Bloom in
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digit...
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B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1011578. Published by FOSTERMUSIC.JP Digital Publishing (A0.1431109). INTRODUCTION Breeze in The Hearts, Bloom in The World is a sonata for trombone and piano commissioned by trombonist Takenori Yoshikawa that premiered at Mr. Yoshikawa's recital in July 2010 with Iku Miwa on piano. Mr. Yoshikawa had requested me to compose a bold and spirited piece, which prompted me to write this sonata with four movements after much deliberation.In the original edition, the burden of the performance was a little too focused on the trombone due to the trombonist's heightened interest in the piece, and as a result, the piece became difficult to play. In this revised edition, I have reworked the balance between the trombone and the piano while preserving the length of the piece so that the music can be performed more effectively.<Performance notes>I. The repetitions of the gentle melody in the introduction should be played in a way that allows it to be heard from far away, while the theme that appears after that should sound majestic and brave.II. Nostalgia - Although this movement is in a minor key, the music seeks to depict a sense of nostalgia instead of sorrow. Despite its slow, triple-time rhythm, please ensure that the music progresses quietly without coming to a halt.III. Serenade - In this movement, the trombone's melody should have a smooth and lively rhythm like the cello in a string ensemble. Articulate the melody beautifully with grace and movement and never allow it to become too heavy.IV. The theme in this movement has a similar feel to that in the first movement, but lighter. Maintain a tempo that is not too fast and keep the music moving. In the coda section from F, the opening section of the first theme makes an appearance from time to time as the piece heads toward the end. Please maintain a constant tempo while articulating the notes in a loud and resonant manner.The piano part contains many sections throughout the entire piece that call for a deep, orchestral sound. The pianist should read these parts carefully from the score while supporting the trombone as much as possible.The word fuka in the Japanese title Fuka Sanrei refer to the flowers that bloom when the wind blows between two people and brings about various encounters between them. I hope that this piece will allow colorful flowers to bloom in the hearts of everyone who performs it and listens to it.March 2023, Keiko TakashimaClick here for other Takashima's works
$49.99
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
To Rise Again
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Trombone and Piano
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ADVANCED
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and pa...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
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