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Where From Here
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1,602
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442
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33
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27
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11
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7
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148
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93
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80
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22
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22
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21
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18
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16
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15
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14
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12
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11
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10
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10
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10
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10
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10
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8
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8
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7
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7
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7
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6
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6
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6
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5
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5
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5
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4
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3
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
4 Oboes
1
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1
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1
Pennywhistle
1
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1
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1
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1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
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1
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100
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93
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47
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36
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31
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28
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28
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24
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23
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23
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20
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16
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9
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7
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7
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6
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5
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1
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4 Tubas
1
2 Euphoniums (duet)
1
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1
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112
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107
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65
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61
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58
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54
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51
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50
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32
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24
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24
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23
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17
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11
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10
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9
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9
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9
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9
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8
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8
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7
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6
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6
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5
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5
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4
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4
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4
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3
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1
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1
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1
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1
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1
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122
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86
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66
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20
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1
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You've selected:
Where From Here
Flute, Oboe, Clarinet (trio)
Sheetmusic to print
6 sheet music found
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1
Far Reaching Vista (From Here to Eternity) - Flute, Oboe, Clarinet Trio
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Flute, Oboe, Clarinet (trio)
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INTERMEDIATE/ADVANCED
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Contemporary
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Phil Beaman
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Far Reaching Vista
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.845223 Composed by Phil Beaman. 20th Century,Concert. 12 pages. ...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.845223 Composed by Phil Beaman. 20th Century,Concert. 12 pages. Phil Beaman #6409187. Published by Phil Beaman (A0.845223). I have never been where there are endless deserts backed by majestic mountains, but this is what I think it would look like. Far Reaching Vista (From Here to Eternity) is a Tone Poem for Instrumental Trio reminiscent of Les Six (the Parisian composers Poulenc, Auric, Durey, Milhaud, Honnegar, Tailleferre). I have used 20th century harmonies, alternating Time Signatures of 4/4 and 6/4, and many, many markings which require interpretation and musicianship. It is a rhapsodic concert/recital piece that shows great ensemble playing. 6 page score, 2 page parts6:00 minutes
$8.50
Devils From Tasmania
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Flute, Oboe, Clarinet (trio)
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INTERMEDIATE
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Fiona Alice Hickie
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Fiona Alice Hickie
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Devils From Tasmania
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Fiona Alice Hickie
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1289900 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged b...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1289900 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. Chamber,Children,Classical,Holiday. 13 pages. Fiona Alice Hickie #880599. Published by Fiona Alice Hickie (A0.1289900). A piece for wind trio: flute, oboe and clarinet. Tasmania is an island state below mainland Australia, and the only place the Tasmanian Devil still survives in the wild. It is however endangered. The devil is a fairly small animal, but the world's largest survivng carnivorous marsupial (Mammal with a pouch). They are solitary animals that roam around at night in general finding dead animals to eat which they eat in their entirety. They oftne feed in groups where the firece little animals can make loud screeching noises at one another, asserting their dominance.
$8.00
5 Famous Songs by Bach for Woodwind Trio
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Flute, Oboe, Clarinet (trio)
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EASY
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Classical
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Woo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1138509 Composed by Christian Petzold, Johann Sebastian Bach, an...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1138509 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738849. Published by Woods Only, Arrangements (A0.1138509). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
Ode to Joy by Beethoven for Woodwind Trio
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Flute, Oboe, Clarinet (trio)
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EASY
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Classical
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Classical
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Wo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1148894 Composed by Ludwig van Beethoven. Arranged by Ander. Cla...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1148894 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #749033. Published by Woods Only, Arrangements (A0.1148894). This arrangement adapted for woodwind trio was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$5.99
Seagulls Rising for Woodwind Trio
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Flute, Oboe, Clarinet (trio)
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INTERMEDIATE/ADVANCED
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Contemporary
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Brad Howland
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Seagulls Rising for Woodwind T
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Linden Brass Press Inc.
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1048505 Composed by Brad Howland. Classical,Contemporary. 12 pag...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1048505 Composed by Brad Howland. Classical,Contemporary. 12 pages. Linden Brass Press Inc. #652913. Published by Linden Brass Press Inc. (A0.1048505). I wrote this little piece for a clarinet-playing friend. It's basically my impressions of the sights and sounds of seagulls while walking around the city where I live. Seagulls seem to make an amazingly wide variety of sounds, and I think I was able to capture a few of them in this piece. I consulted with some professional woodwind players and was told the effects should work fine. Some of the oboe writing is apparently a bit low, and might be better played slurred. I often see a single seagull perched on top of a neighbor's house (who we nicknamed Egbert) - hence the quote from a popular tune.
$14.95
Trio Nº4 - for flute, oboe & clarinet in Bb
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Flute, Oboe, Clarinet (trio)
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ADVANCED
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Contemporary
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Keith Moss
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Trio Nº4 - for flute, oboe &
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Keith Moss
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.977003 Composed by Keith Moss (b.1982). 20th Century,Contemporar...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.977003 Composed by Keith Moss (b.1982). 20th Century,Contemporary. 39 pages. Keith Moss #3480965. Published by Keith Moss (A0.977003). The trio was written in 2012 for the first Stefans Grové Composition Competition. The brief was to write for any trio combination. Based on the poem by Gerard Manley Hopkings, As Kingfishers catch fire, Dragonflies draw flame, the imagery derived from the poem was the driving force behind the piece. Set in three movements I shifted the slow movement to the end. This was the first piece that explored the possibilities I set out to find regarding augmented triads and their resolutions.The first movement explores these possibilities but the difficulty lay in producing all three triadic resolutions with only three instruments simultaneously. The piece became an exercise in restraint. The second movement followed as a scherzo where arpegiated figures helped to flesh out the harmonic structures I was seeking. The final movement is a free-form canon of sorts putting the active preceding movements to rest. The piece subsequently won the First Prize in the competition and was awarded in early 2013.
$23.95
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