Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
8
Digital
Sheet Music
12
Sheet Music
Books
21
Music
Equipment
196
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
538
PIANO & KEYBOARDS
Piano solo
231
Piano, Voice
149
Easy Piano
40
Piano, Vocal and Guitar
34
C Instruments
18
Organ
16
Piano Trio: piano, violin, cello
11
2 Pianos, 4 hands
8
1 Piano, 4 hands
7
Piano Accompaniment
6
Accordion
6
Piano Quartet: piano, violin, viola, cello
4
Piano Quintet: piano, 2 violins, viola, cello
3
Organ, Piano (duet)
2
Organ, Trumpet (duet)
1
Piano (band part)
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
41
Guitar notes and tablatures
26
2 Guitars (duet)
3
Ukulele
3
Mandolin
3
Lyrics and Chords
3
Melody line, (Lyrics) and Chords
3
Mandolin, Guitar (duet)
2
Banjo
1
Dulcimer
1
Bass guitar
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
147
Choral 3-part
39
Choral Unison
15
Choral 2-part
14
Soprano voice, Piano
11
Choral TTBB
11
Voice solo
8
Choral SSAA
8
Vocal duet
5
Vocal duet, Piano
3
Soprano voice
3
Medium voice, Piano
2
Choral SSAATTBB
2
Choral SSATTB
1
High voice
1
Tenor voice
1
Low voice
1
Alto voice, Piano
1
Low voice, Piano
1
Mezzo-Soprano voice, Piano
1
Tenor voice, Piano
1
Soprano voice, Orchestra
1
Baritone voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
48
Flute and Piano
36
Saxophone Quintet: 5 Saxophones
35
Saxophone Quartet: 4 saxophones
35
Clarinet Quartet: 4 clarinets
33
Alto Saxophone and Piano
23
Saxophone ensemble
20
Soprano Saxophone and Piano
19
Saxophone (band part)
19
Clarinet Ensemble
19
Clarinet
18
Flute, Oboe, Clarinet, Bassoon
18
Oboe, Piano (duet)
16
Flute
14
Clarinet and Piano
12
Tenor Saxophone and Piano
12
2 Saxophones (duet)
11
Alto Saxophone
10
Flute Quartet: 4 flutes
10
Flute ensemble
9
Clarinet Quintet: 5 clarinets
7
Baritone Saxophone, Piano
7
2 Flutes (duet)
6
3 Saxophones (trio)
6
Flute Quintet : 5 flutes
6
Bass Clarinet, Piano
6
Flute and Guitar
5
Oboe (band part)
5
English horn, Piano
4
Recorder Quartet
3
Flute, Clarinet (duet)
3
3 Clarinets (trio)
3
2 Clarinets (duet)
3
Descant (Soprano) Recorder
3
Treble (Alto) Recorder
2
Tenor Saxophone
2
Soprano Saxophone
2
Clarinet and Viola
2
Clarinet, Trombone (duet)
1
2 Saxophones, Piano
1
Treble (Alto) Recorder, Basso continuo
1
5 Recorders
1
Clarinet, Cello (duet)
1
3 Recorders (trio)
1
2 Oboes (duet)
1
Flute, Oboe (duet)
1
Flute, Organ (duet)
1
Oboe, Clarinet, Bassoon (trio)
1
Clarinet (band part)
1
Flute, Oboe, Clarinet (trio)
1
Flute, Violin
1
Clarinet, Guitar (duet)
1
Flute Trio: 3 flutes
1
Flute, Violin, Piano
1
2 Recorders (duet)
1
Saxophone and Guitar
1
Saxophone and Organ
1
Clarinet, Cello, Piano (trio)
1
Recorder
1
Oboe ensemble
1
Flute, Oboe, Piano (trio)
1
Recorder Ensemble
1
Wind ensemble
1
Clarinet, Trumpet (duet)
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
63
Brass quartet : 2 trumpets, trombone, tuba
45
Trumpet
27
Brass Quartet: 2 trumpets, horn, trombone
18
Trombone and Piano
16
Trombone ensemble
11
Trombone
10
French Horn and Piano
9
French horn
7
Trombone (band part)
7
Euphonium, Piano (duet)
6
Trumpet ensemble
6
Trumpet, Piano
6
Brass Quartet
6
Tuba and Piano
5
2 Trombones (duet)
5
Trumpet (band part)
5
2 Trumpets (duet)
5
Brass Quartet: 4 trombones
4
English horn, Piano
4
2 French horns (duet)
3
Brass Quartet: 4 horns
3
Tuba
3
Trumpet, Trombone (duet)
3
French horn (band part)
2
Horn, Cello (duet)
1
2 Euphoniums (duet)
1
Tuba and Organ
1
Horn and Organ
1
Trumpet, Horn (duert)
1
Tuba ensemble
1
Clarinet, Horn (duet)
1
2 Euphoniums and 2 Tubas
1
Euphonium
1
3 Trombones (trio)
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
89
Violin and Piano
40
Cello, Piano
24
Harp
18
Viola, Piano
18
Violin
15
Cello (band part)
11
2 Harps (duet)
10
Cello
9
String Quintet: 2 violins, viola, cello, bass
9
2 Violins (duet)
7
Violin (band part)
7
Violin, Cello (duet)
7
Violin, Viola (duet)
6
String Trio: violin, viola, cello
6
2 Cellos (duet)
5
Violin ensemble
4
Doublebass (band part)
3
Viola
3
Double bass, Piano (duet)
2
2 Violas (duet)
2
Harp, Voice
2
4 Cellos
2
Viola (band part)
2
Viola ensemble
2
String Trio: 3 violins
1
Violin, Guitar (duet)
1
Harp, Violin (duet)
1
Viola, Guitar (duet)
1
Cello, String Bass (duet)
1
String Trio: 2 violins, cello
1
Double Bass
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
269
String Orchestra
78
Orchestra
71
Brass ensemble
49
Chamber Orchestra
30
Jazz combo
12
Handbells
11
Jazz Ensemble
11
Percussion Ensemble
6
Vibraphone
2
Marimba
1
Drums
1
Drum (band part)
1
Orchestra, Violin
1
Xylophone
1
Percussion (band part)
1
Piano and Orchestra
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
First Call
Clarinet and Piano
Sheetmusic to print
12 sheet music found
<
1
Bach: Wachet auf for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johan…
(+)
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.29 €
#
Clarinet and Piano
#
Johann Sebastian Bach
#
#
Bach: Wachet auf for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
We Shall Overcome
Clarinet and Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.850760 Composed by Zilphia Hort…
(+)
Clarinet,Piano - Level 2 - Digital Download SKU: A0.850760 Composed by Zilphia Horton. Arranged by Spike Maiden Müller. Folk,Instructional,Patriotic,Standards. Score and part. 6 pages. Spike Maiden Mueller #6328089. Published by Spike Maiden Mueller (A0.850760). A gospel song which became a protest song and the signal anthem of the civil rights movement, We Shall Overcome is commonly believed to be lyrically descended from I'll Overcome Some Day, a hymn by Charles Albert Tindley. The modern version was first contributed to the People's Songs Bulletin by Zilphia Horton, who said she had learned it from tobacco workers organizer Lucille Simmons in 1945. It became associated with the civil rights movement in 1959 when Guy Carawan and Pete Seeger began using their version at the Highlander Folk School in Tennessee. Within a year, it had spread across the south, becoming the unofficial anthem of the civil rights movement.This simple solemn version for two clarinets and piano is offered for contemporary use. The first clarinet part is well within reach of second or third year students while the second clarinet stays below the break at all times, making it accessible by good first year players.This arrangement is copyright 2021 by Spike Maiden Müller. All rights reserved. You may contact Spike at his web site at www.derspike.comAdditional search terms: Maiden-Mueller, Maiden Miller, Maiden-Müller, Maiden Müller, Maiden Muller
$11.95
11.15 €
#
Clarinet and Piano
#
Zilphia Horton
#
We Shall Overcome
#
Spike Maiden Mueller
#
SheetMusicPlus
Shenandoah - a Memorial Day duet for clarinet and piano
Clarinet and Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.767662 Composed by American Fol…
(+)
Clarinet,Piano - Level 2 - Digital Download SKU: A0.767662 Composed by American Folk Song. Arranged by c.e. walz. Contemporary,Folk,Holiday,Patriotic. Score and part. 4 pages. C.E. Walz #4596245. Published by C.E. Walz (A0.767662). This sentimental favorite American folk tune sounds even more authentic with a clarinet playing the melody. My friend Maestro loves the clarinet sound since that was his first instrument to master. This arrangement of Shenandoah is for early intermediate piano accompaniment and late beginner clarinet. It is perfect for a prayer time or call to worship for any memorial service, especially Memorial Day. Performance time is 1:35. Key of Eb for piano and key of F for the Bb Clarinet. The piece is four pages long, the last page the separate clarinet part. .
$4.99
4.66 €
#
Clarinet and Piano
#
American Folk Song
#
Shenandoah - a Memorial Day duet for clarinet and piano
#
C.E. Walz
#
SheetMusicPlus
Thoughts
Clarinet and Piano
Clarinet,Piano - Level 5 - Digital Download SKU: A0.1030493 Composed by Matthew R D…
(+)
Clarinet,Piano - Level 5 - Digital Download SKU: A0.1030493 Composed by Matthew R Durrant. 20th Century,Contemporary. Score and part. 38 pages. Musically Inclined, LLC #6366211. Published by Musically Inclined, LLC (A0.1030493). Thoughts for Clarinet and Piano was written in 2009 and revised in 2019. This is a fun set of pieces in three movements. The first movement, Epiphany is spontaneous, bouncy, and fun. The second, Elegy is a darker, more contemplative movement bordering on outright tragedy at times. The third movement, Dichotomy juxtaposes two different themes to create a satisfying and emotional climax to the entire work. The audio file of this work is the original, unrevised version but the newer version is similar enough that you'll get the idea. .
$18.00
16.8 €
#
Clarinet and Piano
#
Matthew R Durrant
#
Thoughts
#
Musically Inclined, LLC
#
SheetMusicPlus
Suite of Beginnings
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1440111 By Ryan Terry - …
(+)
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1440111 By Ryan Terry - clarinet, Megan Felt - piano. By Ryan Terry. 21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 17 pages. Ryan Terry #1020061. Published by Ryan Terry (A0.1440111). An original piece by composer and clarinetist Ryan Terry. This work is a suite of some of the earliest ideas and melodies that Ryan ever had as a composer, hence the title, Suite of Beginnings. In fact, the simple melody you hear in the first movement is the first melody that the composer ever came up with. The other movements are other ideas from the composer's early career sitting at a piano and making things up, as well as messing around with music producing software. These ideas were recalled and arranged into this suite for clarinet and piano and were performed at Brigham Young University-Idaho during the Spring 2023 semester. Since then, the piece has since been polished and revised.Estimated duration of piece: 11 minutesEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.
$39.99
37.32 €
#
Clarinet and Piano
#
Ryan Terry - clarinet, Megan Felt - piano
#
Suite of Beginnings
#
Ryan Terry
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johan…
(+)
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.75 €
#
Clarinet and Piano
#
Johann Sebastian Bach
#
Bach: Bist du bei mir BWV 508 for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Gabriel: His Eye Is On The Sparrow for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548761 Composed by Gabri…
(+)
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548761 Composed by Gabriel. Arranged by James M. Guthrie, ASCAP. Easter,Standards. Score and part. 7 pages. Jmsgu3 #3416317. Published by jmsgu3 (A0.548761). Score: 4 pg. solo part: 1 pg, Piano part: 2 pg. Duration: 2:18, 57 measures in 6/8, 3 verses. The voice-leading in the first 2 verses is modified and improved from the original. The 3rd verse modulates up a semi-tone then features a descant that simulates bird calls.
$24.95
23.29 €
#
Clarinet and Piano
#
Gabriel
#
Gabriel: His Eye Is On The Sparrow for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
La Lisonjera - clarinet-piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1049325 Composed by Ceci…
(+)
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1049325 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653697. Published by Phil Beaman (A0.1049325). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Bb Clarinet and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.
$6.99
6.52 €
#
Clarinet and Piano
#
Cecile Chaminade
#
La Lisonjera - clarinet-piano
#
Phil Beaman
#
SheetMusicPlus
O Come All Ye Faithful for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548510 Composed by Wade.…
(+)
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388105. Published by jmsgu3 (A0.548510). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Clarinet in Bb. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
23.29 €
#
Clarinet and Piano
#
Wade
#
O Come All Ye Faithful for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Debussy: Arabesque 2 for Clarinet & Piano
Clarinet and Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.551643 Composed by Claude Debus…
(+)
Clarinet,Piano - Level 3 - Digital Download SKU: A0.551643 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5327871. Published by jmsgu3 (A0.551643). Claude Debussy: Arabesque No. 2. Duration ca 3:45. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.75 €
#
Clarinet and Piano
#
Claude Debussy
#
Debussy: Arabesque 2 for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Largo (from Xerxes) for B flat clarinet and piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1313805 Composed by G F …
(+)
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1313805 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #902523. Published by Colin Kirkpatrick Publications (A0.1313805). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for clarinet in B flat and piano is in E flat major. The lowest note in the clarinet part is written C just below the treble staff and the highest note is written F on the top line. The piano part has been kept as simple as possible.
$3.25
3.03 €
#
Clarinet and Piano
#
G F Handel
#
Largo
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
David Bowie: Life On Mars for Clarinet & Piano
Clarinet and Piano
Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged…
(+)
Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.<br> <br> "When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:<br> <br> Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]<br> <br> In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]<br> <br> The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".<br> <br> Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.<br> <br> The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).<br> <br> Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia
$49.95
46.62 €
#
Clarinet and Piano
#
David Bowie
#
David Bowie: Life On Mars for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
