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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
for
Sheetmusicplus
Not classified
108,646
Piano & keyboards
Piano solo
75,471
Piano, Voice
49,140
Piano, Vocal and Guitar
37,844
Easy Piano
29,449
Organ
10,504
C Instruments
5,457
Piano Accompaniment
4,859
Big Note Piano
3,461
1 Piano, 4 hands
2,714
Piano Trio: piano, violin, cello
1,384
Accordion
1,175
2 Pianos, 4 hands
829
Piano (band part)
488
Piano Quartet: piano, violin, viola, cello
394
Organ, Trumpet (duet)
341
Piano Quartet: piano, 2 violins, cello
307
Piano Quintet: piano, 2 violins, viola, cello
205
Organ, Piano (duet)
169
Harpsichord
165
1 Piano, 6 hands
104
Keyboard
98
2 Accordions
51
2 Pianos, 8 hands
38
Accordion, Voice
23
Accordion ensemble
22
All Instruments
17
Fake Book
13
Organ, Voice
13
Accordion, Piano
12
2 Organs (duet)
8
Accordion and Orchestra
6
Piano Quintet: piano, violin, viola, cello, double bass
6
Accordion, String(s)
5
Piano ensembles
5
Concertina
3
3 Pianos
2
Organ and Orchestra
1
+ 32 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
19,552
Guitar
9,835
Melody line, (Lyrics) and Chords
2,680
Ukulele
2,353
Bass guitar
2,251
2 Guitars (duet)
1,444
Guitar (band part)
1,292
Lyrics and Chords
963
4 Guitars (Quartet)
689
Piano, Guitar (duet)
652
Mandolin
599
Dulcimer
350
3 Guitars (trio)
288
Banjo
269
Guitar Ensemble
174
Lap Steel Guitar
155
Baritone Ukulele
109
Electric Bass (band part)
89
Mandolin, Piano (duet)
54
Guitar, Violin, Cello (trio)
38
Mandolin, Guitar (duet)
37
2 Dulcimers (duet)
25
Ukulele Ensemble
19
2 Ukuleles
19
Guitar, Flute, Clarinet
14
Dobro
10
Zither
7
Guitar, Orchestra
7
2 Mandolins (duet)
6
Guitar, String Quartet
6
Plectrum Orchestra
5
Lute
4
Guitar, Harp
2
Guitar Tab, Voice, Bass, Drum
2
2 Guitars and Orchestra
1
2 Guitars, Clarinet (trio)
1
+ 31 instrumentations
-
Retract
Voice
Choral SATB
32,126
Choral 3-part
10,899
Choral 2-part
9,185
Choral TTBB
5,736
Choral Unison
4,584
Choral SSAA
3,414
Vocal duet, Piano
3,016
Choral
2,293
Choral Instrumental Pak
1,324
Vocal duet
1,281
Voice solo
1,054
Soprano voice, Piano
890
High voice
819
Alto voice, Piano
620
Tenor voice, Piano
541
Low voice, Piano
512
Baritone voice, Piano
390
Medium voice, Piano
259
Medium Voice
240
Tenor voice
117
Voice, Guitar
110
Choral SSATB
108
Choral SSAATTBB
102
Soprano voice
70
Soli, Mixted choir and accompaniment
68
Choral, Organ
59
Mezzo-Soprano voice, Piano
51
Low voice
43
Children choir
42
Choral SSATTB
41
Choral SSAB, Piano
29
Choral SSAB a cappella
29
Baritone voice
17
High voice, Piano
17
Choral SSAATB
11
Voix Masculines
10
Choral SATBB
10
Vocal duet, Organ
7
Soprano voice, Orchestra
5
Choral SATTBB A Cappella
4
Lyrics only
3
Choral SAATB A Cappella
3
Children choir, Piano
2
Choral SSAATB A Cappella
2
+ 39 instrumentations
-
Retract
Woodwind
Saxophone (band part)
14,313
Flute and Piano
9,802
Clarinet (band part)
8,781
Saxophone Quartet: 4 saxophones
7,515
Clarinet and Piano
7,463
Flute
5,978
Oboe, Piano (duet)
5,916
Alto Saxophone and Piano
5,689
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5,680
2 Saxophones (duet)
5,386
Flute, Oboe, Clarinet, Bassoon
4,792
Clarinet Quartet: 4 clarinets
4,743
Clarinet
4,724
2 Flutes (duet)
4,616
Oboe (band part)
4,429
Alto Saxophone
4,385
Tenor Saxophone and Piano
4,260
2 Clarinets (duet)
3,932
Tenor Saxophone
3,703
Flute (band part)
3,381
Flute Quartet: 4 flutes
2,654
Soprano Saxophone and Piano
2,569
Saxophone Quintet: 5 Saxophones
2,231
3 Saxophones (trio)
2,056
3 Clarinets (trio)
2,024
Flute, Clarinet (duet)
1,781
Flute and Guitar
1,749
Clarinet Ensemble
1,504
Flute Trio: 3 flutes
1,416
Flute ensemble
1,204
Oboe
1,158
Baritone Saxophone, Piano
1,109
2 Oboes (duet)
1,086
Saxophone ensemble
1,022
Clarinet Quintet: 5 clarinets
971
English horn, Piano
958
Recorder Quartet
820
Flute, Violin
804
Oboe, Bassoon (duet)
786
Clarinet, Violin (duet)
758
2 Recorders (duet)
741
Descant (Soprano) Recorder
667
Oboe, Clarinet (duet)
660
Saxophone, Clarinet (duet)
633
Flute, Clarinet and Bassoon.
550
Soprano Saxophone
548
Recorder
548
Flute, Oboe, Clarinet (trio)
546
Flute, Violin, Piano
492
Clarinet, Guitar (duet)
480
Treble (Alto) Recorder
457
Bass Clarinet, Piano
455
Clarinet, Bassoon (duet)
455
Flute, Violoncello
433
Flute, Oboe, Bassoon
429
3 Recorders (trio)
423
Flute, Oboe (duet)
390
Flute Quintet : 5 flutes
390
Harmonica
370
Oboe, Clarinet, Bassoon (trio)
361
Piccolo
334
Oboe, Flute
334
Clarinet, Trumpet (duet)
323
Ocarina
314
Flute, Clarinet, Piano (trio)
312
English Horn
311
Flute, Viola (duet)
300
Flute, Trumpet (duet)
299
Clarinet, Cello (duet)
286
Clarinet and Viola
267
5 Recorders
264
Flute, Saxophone (duet)
259
Clarinet, Harp (duet)
256
Flute, Cello, Piano (trio)
246
Flute, Violin and Violoncello
229
Recorder Ensemble
221
Baritone Saxophone
216
2 Saxophones, Piano
209
Oboe, Cello
207
Saxophone
202
2 Flutes, Piano
188
2 Clarinets, Piano
176
Oboe, Violin (duet)
176
3 Oboes
164
Descent (Soprano) Recorder, Piano
153
Flute, Trombone (duet)
147
Saxophone and Piano
145
Treble (Alto) Recorder, Piano
138
Bass Clarinet
123
Flute, Oboe, Violin
122
Saxophone and Guitar
117
Oboe, Guitar (duet)
115
Pennywhistle
111
Flute, Bassoon, and Piano
111
Clarinet, Cello, Piano (trio)
108
Flute, Clarinet, Violin (trio)
104
English Horn, Guitar (duet)
100
Flute, Oboe, Piano (trio)
91
Tenor Recorder
89
Clarinet, Trombone (duet)
87
Saxophone, Violin (duet)
85
2 Clarinets, Bassoon
85
Flute, Harp and Cello
79
Flute, harp and violin
77
Oboe, Trumpet (duet)
76
Wind ensemble
74
4 Oboes
73
Oboe and viola (duet)
73
Flute, Organ (duet)
70
Recorder, Piano
68
Flute, Viola and Piano
67
Saxophone and Organ
61
Recorder, Guitar (duet)
61
Piccolo, Piano
56
Bagpipe
55
Flute, Violin, Violoncello and Piano
53
Flute, Clarinet, Horn and Bassoon (Quartet)
52
Oboe, Harp
46
Flute, Tuba (duet)
45
Eb Instruments
45
Saxophone and Harp
44
Treble (Alto) Recorder, Basso continuo
43
Saxophone, Bassoon (duet)
43
Harmonica, Piano
42
Clarinet, Bassoon, Piano (trio)
36
Oboe, Trombone (duet)
36
Flute, trombone and piano
33
Clarinette, Viola and Piano (trio)
33
Flute and Strings Trio
32
Clarinet Quartet: Clarinet, Violin, Viola, Cello
31
Clarinet, Tuba
29
2 English horns and Pianoforte
28
Clarinet Quintet: Clarinet, String Quartet
28
Flute, Violin, Guitar
26
Flute, Cello, Guitar
26
Flute, French horn (duet)
25
Clarinet, trumpet and piano
23
Clarinet, Organ
21
Oboe, Cello and Piano
20
Flute, Orchestra
20
Saxophone and cello
19
Oboe, Bassoon and Piano
17
Flute and String Quartet
17
2 Oboes, Piano
17
Clarinet, Double bass (duet)
16
Flute, Viola and harp
16
2 Recorders, Piano
14
2 Flutes and Guitar
13
Clarinet, Orchestra
13
Oboe, Violin, Piano
12
Oboe, Clarinet and Piano (Trio)
12
Oboe ensemble
11
Recorder, Harp
10
English horn, Harp (duet)
9
Saxophone, Tuba (duet)
9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Flute, Basso continuo
7
Oboe, Organ
7
Clarinet, String quartet and Piano
6
Descant (Soprano) Recorder, Basso continuo
6
Flute, Viola and Cello
6
Pan Flute
6
2 Oboes and English horn
5
2 Oboes and Basson
4
2 Flutes and Harp
3
2 Flutes, 2 Clarinets (Quartet)
3
Oboe and String quartet
3
Melodica
2
Oboe and Orchestra
2
2 Recorders, Guitar
2
Oboe, Clarinet, Bassoon and Piano
2
2 Flutes, Basso continuo
1
Clarinet, Saxophone, Piano
1
Flute, viola, cello and guitar
1
3 Recorders, Piano
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Guitar, Piano
1
2 clarinets, 2 bassoons
1
+ 173 instrumentations
-
Retract
Woodbrass
Trombone (band part)
10,726
Brass Quintet: 2 trumpets, horn, trombone, tuba
7,302
Trumpet (band part)
6,923
Trumpet
5,249
Trumpet, Piano
5,092
Trombone and Piano
4,463
French horn (band part)
3,801
Trombone
3,796
Tuba (band part)
3,469
French horn
3,226
French Horn and Piano
3,201
Brass quartet : 2 trumpets, trombone, tuba
3,148
2 Trumpets (duet)
2,069
Tuba
1,949
2 Trombones (duet)
1,706
Brass Quartet: 2 trumpets, horn, trombone
1,545
Tuba and Piano
1,484
Brass Quartet
1,277
Trumpet, Trombone (duet)
1,220
Brass Quartet: 4 trombones
1,025
English horn, Piano
958
2 French horns (duet)
954
Euphonium, Piano (duet)
898
Brass Quartet: 4 horns
750
Euphonium
712
Trumpet, Saxophone (duet)
598
4 Tubas
557
Trumpet, Horn (duert)
484
Brass Trio
484
Trombone ensemble
416
Cornet
359
3 Trombones (trio)
350
English Horn
311
2 Tubas (duet)
305
3 Trumpets (trio)
254
Trumpet ensemble
229
2 Euphoniums and 2 Tubas
225
Horn Ensemble
208
Brass Quartet: 4 trumpets
207
Tuba or Euphonium or Saxhorn
203
Euphonium, Tuba (duet)
126
2 Trumpets, Keyboard (piano or organ)
124
Trumpet, violin (duet)
110
Trumpet, Tuba (duet)
109
Bass Trombone
103
Trumpet, Bassoon (duet)
101
English Horn, Guitar (duet)
100
Brass Quartet: 2 trumpets, 2 trombones
99
Trombone, cello (duet)
97
Tuba and Organ
92
Horn, Cello (duet)
87
Trombone, Tuba (duet)
81
Trombone, Horn (duet)
80
Bass Trombone and Piano
79
Trombone, Violin (duet)
76
2 Euphoniums (duet)
76
3 French horns (trio)
74
Trumpet, Cello (duet)
72
Bass Clef Instruments
69
Tuba ensemble
66
Horn, Tuba (duet)
59
Trombone, Organ
57
French Horn and Harp
52
Bb Instruments
48
Trumpet, Cello, Piano
39
Trumpet, Harp
39
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trumpet, Trombone, Piano
36
French horn and Basson (duet)
35
Clarinet, Horn (duet)
31
2 English horns and Pianoforte
28
Horn and Organ
22
3 Tubas (trio)
20
Horn, Trumpet, Trombone (trio)
19
Trumpet and Guitar
17
2 Trombones, Piano
15
Trombone, Viola (duet)
14
Euphonium (band part)
14
Trumpet, Orchestra
12
2 French horns, Piano
11
3 Euphoniums
11
Cornet and Piano
11
English horn, Harp (duet)
9
Brass Quintet: 2 trumpets, horn, 2 trombones
9
Flügelhorn
7
Trombone and Orchestra
6
Horn, Cello and Piano
6
Trumpet, Euphonium (duet)
5
Instruments en Sol
4
4 Euphoniums
4
Horn and Orchestra
3
Bass Saxhorn or Euphonium or Tuba and Piano
2
Euphonium or Saxhorn and Piano
2
Cornet and Orchestra
2
F Instruments
1
+ 90 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
19,016
Violin and Piano
12,180
Violin
8,807
Cello, Piano
7,607
Harp
6,193
Viola, Piano
6,117
Cello
5,776
Viola
4,919
Violin (band part)
4,903
Violin, Cello (duet)
4,118
2 Violins (duet)
3,527
String Trio: violin, viola, cello
3,394
Doublebass (band part)
2,970
2 Cellos (duet)
2,456
Violin, Viola (duet)
2,105
Cello (band part)
1,856
2 Violas (duet)
1,627
String Quintet: 2 violins, viola, cello, bass
1,557
Double Bass
1,502
Viola (band part)
1,347
Double bass, Piano (duet)
1,254
String Trio: 2 violins, cello
1,146
Viola, Cello (duet)
934
String Trio: 3 violins
793
4 Cellos
776
Violin, Guitar (duet)
719
Piano Trio: Violin, Viola, Piano
707
Harp, Flute (duet)
681
Cello, Guitar (duet)
568
String Trio: 3 cellos
481
2 Harps (duet)
459
String quartet: 4 violins
370
String trio
365
Harp, Violin (duet)
360
Viola, Guitar (duet)
339
String Trio: 2 violins, viola
268
2 Double basses (duet)
263
String Trio: 3 violas
258
Cello, String Bass (duet)
238
String Quartet : 4 violas
231
Violin, Bassoon (duet)
194
Viola and Bassoon
116
2 Violins, Piano
115
Harp, Cello (duet)
111
String Quintet: 2 violins, 2 violas, cello
92
Viola and Harp
68
4 Double Basses
66
Violin, Organ
63
Cello Ensemble
61
Harp, Voice
61
Violin, Clarinet, Piano (trio)
59
Flute, Doublebass (duet)
53
Cello, Organ
51
String Quintet: 2 violins, viola, 2 cellos
46
Violin ensemble
41
Harp, Violin, Violoncello
39
2 Cellos, Piano
36
Cello, Orchestra
34
Violin, Tuba (duet)
32
Viola ensemble
31
Harp and Piano
29
3 Harps
29
Harp and mandolin
22
Autoharp
18
3 double basses
17
Cello and Marimba
15
Violin, Cello, Clarinet
15
Viola, Organ
14
Harp, Trombone (duet)
14
Harp (band part)
12
Viola and orchestra
11
2 Violas, Piano
11
4 Harps
10
Violin, Basso continuo
10
Violin, Trumpet and Piano
10
Harp, Orchestra
7
Harp and Organ
7
Violoncello, Basso continuo
7
5 Harps
6
Harp, String quartet
5
Double basses ensemble
3
2 Violins and Basso
3
Violin, Double bass (duet)
2
+ 78 instrumentations
-
Retract
Orchestra & Percussion
Concert band
26,995
String Orchestra
9,049
Orchestra
6,726
Jazz Ensemble
5,763
Percussion (band part)
4,592
Brass ensemble
4,296
Handbells
4,216
Chamber Orchestra
2,597
Marching band
2,504
Percussion
1,773
Jazz combo
1,661
Drums
1,657
Timpani (band part)
1,574
Percussion Ensemble
1,034
Drum (band part)
920
Marimba
347
Timpani
286
Vibraphone
239
Xylophone
232
Woodwind Quintet
141
Xylophone, Piano
114
Snare drums
111
Piano and Orchestra
81
Woodwind Quartet: any 4 woodwinds
74
2 Xylophones
56
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
46
Orchestra, Violin
44
Big band
30
Vibraphone and Marimba
29
Vibraphone, Piano
27
Brass Quintet: other combinaisons
27
School Ensemble
23
Flexible Instrumentation
19
Xylophone or Marimba or Vibraphone
10
Marimba, Piano (duet)
9
2 Marimbas
8
3 Marimbas
8
Marimba and Organ
6
Bongos
6
Woodwind Trio: any 3 woodwinds
5
Mariachi
4
Cajon
4
3 Percussions
3
2 Snare Drums (duet)
3
Voice and Orchestra
3
Symphonic Band
2
Marimba or Xylophone and Piano
2
Bodhran
2
Conga
2
Xylophone (band part)
2
Snare drums, Piano
1
Marimba, Saxophone (duet)
1
2 Percussions
1
Voice Mezzo-Soprano, Orchestra
1
+ 49 instrumentations
-
Retract
Others
Musical course - Solfege
227
Music Theory
14
Stationery
5
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
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BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
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AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
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CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
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Grieg: Ase's Death from Peer Gynt Suite for Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549532 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Rom...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549532 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505773. Published by jmsgu3 (A0.549532). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549561 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549561 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508011. Published by jmsgu3 (A0.549561). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549575 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549575 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509361. Published by jmsgu3 (A0.549575). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Peer Gynt Suite Complete for Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
#
SheetMusicPlus
Clarinet,Piano - Level 4 - Digital Download SKU: A0.551500 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Ro...
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.551500 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306309. Published by jmsgu3 (A0.551500). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Peer Gynt Suite Complete for Alto Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complet
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.551492 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructi...
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.551492 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306273. Published by jmsgu3 (A0.551492). Morning Mood, Ase's Death, Anitra's Dance, In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
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Clarinet and Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,...
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888287. Published by jmsgu3 (A0.550918). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Collaborations 1 for clarinet and piano
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Clarinet and Piano
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EASY
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Lynne Williams and Robert Rain
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Collaborations 1 for clarinet
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Forton Music - Digital
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SheetMusicPlus
Clarinet and Piano - Easy - Digital Download SKU: F2.FM082 Composed by Lynne Williams and Robert Rainford. Score and parts. 28 pages. Forton Music - Digi...
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Clarinet and Piano - Easy - Digital Download SKU: F2.FM082 Composed by Lynne Williams and Robert Rainford. Score and parts. 28 pages. Forton Music - Digital #FM082. Published by Forton Music - Digital (F2.FM082). ISBN 9790708085812.An attractive book of new repertoire pieces for clarinettists of grade 1 - 3 standard. Various technique aspects such as crossing the break and neat fingering are addressed along with character pieces to develop musicality.
$9.95
Bach: Bist du bei mir BWV 508 for Clarinet & Piano
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Clarinet and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,...
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Clarinet & Piano
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Clarinet and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Clarinet
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert...
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
O Holy Night for Clarinet & Piano
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Clarinet and Piano
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BEGINNER
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Christmas
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Adam
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James M
#
O Holy Night for Clarinet & Pi
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and p...
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410427. Published by jmsgu3 (A0.548671). Duration: 4:56. Score; 5 pg., 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Turkish March by Beethoven for Clarinet
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Clarinet and Piano
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EASY
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Classical
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1155640 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romant...
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1155640 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755944. Published by Woods Only, Arrangements (A0.1155640). This arrangement adapted for clarinet and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
Ode to Joy by Beethoven for Clarinet
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Clarinet and Piano
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BEGINNER
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Classical
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Cl
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Woods Only, Arrangements
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160384 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Ope...
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160384 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760667. Published by Woods Only, Arrangements (A0.1160384). This arrangement adapted for clarinet and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Ode to Joy by Beethoven for Clarinet in A
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Clarinet and Piano
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BEGINNER
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Classical
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Cl
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Woods Only, Arrangements
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SheetMusicPlus
A Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160386 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Ro...
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A Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160386 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760669. Published by Woods Only, Arrangements (A0.1160386). This arrangement adapted for clarinet in A and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Sonata for Clarinet and Piano
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Clarinet and Piano
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INTERMEDIATE
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James Pickering
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Sonata for Clarinet and Piano
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Forton Music - Digital
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SheetMusicPlus
Cl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM633 Composed by James Pickering. Sonata for Clarinet and Piano. Score and parts. 34 pages. ...
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Cl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM633 Composed by James Pickering. Sonata for Clarinet and Piano. Score and parts. 34 pages. Forton Music - Digital #FM633. Published by Forton Music - Digital (F2.FM633). ISBN 9790570485321.The Sonata for Clarinet in B flat and Piano comes from a relatively unsettled period. Much of the music is a reflection on the cyclic nature of negative thought, the recurring arpeggios at the opening give some indication of this. Breaking out of these patterns only seems to lead to further dissonance and uncertainty. It also explores the effect of lowering notes by a single semitone and how the smallest of intervals can have a significant impact on the harmony at any given moment. The work is in four movements: 1. Andante moderato. This movement features two main musical statements pivoting around a central dance like idea. 2. Largo. A movement exploring a sense of isolation and disconnect between the Clarinet and Piano. 3. Largo con moto. A moment of calm, featuring some of the melodic contours from the previous movement but treated as if heard with a different frame of mind. 4. Allegro con moto. A slightly mischievous finale, featuring moments where the instruments imitate each other in an almost mocking fashion.
$14.95
Sonatina for Clarinet and Piano
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Clarinet and Piano
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Classical
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Chris Brammeld
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Sonatina for Clarinet and Pian
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Forton Music - Digital
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SheetMusicPlus
Clarinet and Piano - Level 6-7 - Digital Download SKU: F2.FM1141 Composed by Chris Brammeld. 3 movement sonatina, attractive and effective. Classical. Sc...
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Clarinet and Piano - Level 6-7 - Digital Download SKU: F2.FM1141 Composed by Chris Brammeld. 3 movement sonatina, attractive and effective. Classical. Score and Part. 28 pages. Forton Music - Digital #FM1141. Published by Forton Music - Digital (F2.FM1141). ISBN 9790570790401. 8.25 x 11.75 inches.
$14.95
Für Elise, for Solo Clarinet and Piano
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Clarinet and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Solo Clarinet
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 3 - Digital Download SKU: A0.587563 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,R...
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.587563 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361577. Published by David McKeown (A0.587563). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Clarinet with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
LORD, WHO THROUGHOUT THESE FORTY DAYS - clarinet and piano
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Clarinet and Piano
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Sacred music
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FOR
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Whole Tone Press
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SheetMusicPlus
Clarinet,Piano - Digital Download SKU: A0.774077 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone P...
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Clarinet,Piano - Digital Download SKU: A0.774077 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657887. Published by Whole Tone Press (A0.774077). Expertly arranged for clarinet and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the clarinet above the drone in the piano. The melody is then transferred to the piano (bass clef), transposed to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the clarinet. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Clarinet and Piano
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Clarinet and Piano
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INTERMEDIATE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 3 - Digital Download SKU: A0.594414 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and ...
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.594414 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658343. Published by David McKeown (A0.594414). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Clarinet with piano accompaniment. The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of this arrangement. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Goya for Clarinet & String Quartet (Piano reduction)
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Clarinet and Piano
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ADVANCED
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Salvador Rojo Gamón
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Goya for Clarinet & String Qua
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Salvador Rojo-Gamon
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.962432 Composed by Salvador Rojo Gamón. 20th Century,Instructional,Standards. Score and par...
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B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.962432 Composed by Salvador Rojo Gamón. 20th Century,Instructional,Standards. Score and part. 52 pages. Salvador Rojo-Gamon #6429753. Published by Salvador Rojo-Gamon (A0.962432). Goya for Clarinet and String QuartetThis work was Commissioned by Bernardino Assunçao Sales for the Final work Master. I just have finished the process and it is based on the next five Paintings of Goya.Corral de locosVuelo de brujasEl aquejareEl ColosoSaturno devorando a su hijoThe general structure of the workRelationship of movementsThe third is the axis, the form is based on a false mirror where the (original) elements are presented by opposite movement forming a false palindrome.The elements thematic of the movements are related, the elements of the first movement reappear in the fifth movement and the elements of the second movement are related in the fourth.I-VII-IVUse of rhythmicsThe predominant rhythm in the first movement is based on a four-beat measure and in the second movement is based on a three-beat measure. These features are even more present in the fourth and the fifth movement.In the third movement (who does the axis of the work) the primary theme is structured over the ternary measure plus a quaternary measure 3/4 + 4/4 and the secondary theme over a quaternary measure plus a ternary measure 4/4 + 3/4.Program notesFirst MovementCorral de LocosThe first movement starts describing the characters of the painting Corral de Locos. The string represents the sick and the clarinet the keeper.In the first section, the language used is formed on the octatonic scale. The second section represents the feelings of the participants, the feelings of the protagonists are described. Nostalgia, longing for freedom, longing, etc. Second MovementVuelo de Brujas
$20.00
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
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Clarinet and Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Clarinet,Piano - Level 2 - Digital Download SKU: A0.550925 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standar...
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.550925 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 7 pages. Jmsgu3 #4888331. Published by jmsgu3 (A0.550925). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Sullivan: The Lost Chord for Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructi...
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
16 Favourite Easter Hymns for Solo Alto Clarinet in Eb and Piano
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Clarinet and Piano
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EASY
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Sacred music
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.587868 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part...
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.587868 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037717. Published by David McKeown (A0.587868). 16 Favourite Easter Hymns for Solo Alto Clarinet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Alto Clarinet part are included in the single PDF file.16 Favourite Easter Hymns for Solo Alto Clarinet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Alto Clarinet and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
16 Favourite Easter Hymns for Solo Clarinet and Piano
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Clarinet and Piano
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EASY
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Sacred music
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Various
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David McKeown
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#
16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 2 - Digital Download SKU: A0.587888 Composed by Various. Arranged by David McKeown. Easter,Sacred. Score and part. 26 pages. David...
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.587888 Composed by Various. Arranged by David McKeown. Easter,Sacred. Score and part. 26 pages. David McKeown #5037727. Published by David McKeown (A0.587888). 16 Favourite Easter Hymns for Solo Clarinet in Bb and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Clarinet in Bb part are included in the single PDF file.16 Favourite Easter Hymns for Solo Clarinet in Bb and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Clarinet in Bb and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
16 Favourite Easter Hymns for Solo Clarinet in A and Piano
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Clarinet and Piano
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EASY
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Sacred music
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Small Ensemble A Clarinet,Piano - Level 2 - Digital Download SKU: A0.587887 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacre...
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Small Ensemble A Clarinet,Piano - Level 2 - Digital Download SKU: A0.587887 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred. Score and part. 26 pages. David McKeown #5037725. Published by David McKeown (A0.587887). 16 Favourite Easter Hymns for Solo Clarinet in A and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Clarinet in A part are included in the single PDF file.16 Favourite Easter Hymns for Solo Clarinet in A and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Clarinet in A and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Fauré: Élégie Op. 24 for Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Cl
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultu...
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531397. Published by jmsgu3 (A0.549728). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
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