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Flute and Piano
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2 sheet music found
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1
Should You Feel Inclined to Censure
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Flute and Piano
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INTERMEDIATE
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Philip Paul Bliss
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Rebecca Maughan Cook
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Should You Feel Inclined to Ce
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Rebecca Maughan Cook
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.908168 Composed by Philip Paul Bliss. Arranged by Rebecca Maughan Cook. Christian,Sacred,Spiritual. Scor...
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Flute,Piano - Level 3 - Digital Download SKU: A0.908168 Composed by Philip Paul Bliss. Arranged by Rebecca Maughan Cook. Christian,Sacred,Spiritual. Score and part. 5 pages. Rebecca Maughan Cook #3454297. Published by Rebecca Maughan Cook (A0.908168). This happy arrangement in the key of D for flute and piano is based upon an old hymn. It is known as 'Should You Feel Inclined to Censure' and also 'Brightly Beams Our Father's Mercy'. Piano score and a separate flute part are included. While the original hymn is in 3/4 time, my arrangement is a cheerful 4/4 and has classical time period accompaniment. A good upper intermediate piano part and a flute part that only reaches up to high D. This is a happy, cheerful and fun arrangement. Be cautious in doing it for sacrament meeting and do not overplay it.
$4.49
A Night In Tunisia
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Flute and Piano
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Scor...
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Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
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