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1
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flute and Piano
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INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
#
Flute and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flute and Piano
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INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Vivaldi: Sonata No. 5 for Bass Flute & Piano
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Flute and Piano
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INTERMEDIATE
#
Classical
#
Antonio Vivaldi
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James M
#
Vivaldi: Sonata No. 5 for Bass
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550497 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,...
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550497 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and individual part. 21 pages. Jmsgu3 #4715643. Published by jmsgu3 (A0.550497). Sonata da Chiesa No. 5 in E Minor for Bass Flute & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Sonata in C, K545 for Flute and Piano
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Flute and Piano
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INTERMEDIATE
#
Classical
#
W
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Wolfgang Amadeus Mozart
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David Kolinski-Schultz
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Sonata in C, K545 for Flute an
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PDQ Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.795684 Composed by Wolfgang Amadeus Mozart. Arranged by David Kolinski-Schultz. Classical. Score a...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.795684 Composed by Wolfgang Amadeus Mozart. Arranged by David Kolinski-Schultz. Classical. Score and parts. 16 pages. PDQ Music #5770641. Published by PDQ Music (A0.795684). Sonata in C, K545, 1st Movement (Allegro), Arranged for Flute and Piano By W.A. Mozart Solo Flute with Piano Accompaniment – Intermediate Arranged by David Kolinski-Schultz. Flute and Piano parts, 16 pages. Published by PDQ Music. Originally a composition for solo keyboard in sonata form, this arrangement is designed as a feature for Flute. A three-bar piano cadence serves as an introduction for the flute solo which begins in bar four.Piano accompaniment also available in MP3 format (S0.798865). Approximate performance time (with all repeats): 5.5 minutes.
$4.99
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flute and Piano
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Handel Flute Sonata in F Op 1 No 11 HWM 369
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Flute and Piano
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INTERMEDIATE
#
Classical
#
George Frideric Handel
#
Marcus Martin
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Handel Flute Sonata in F Op 1
#
Cornelius Edition
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1262648 Composed by George Frideric Handel. Arranged by Marcus Martin. Baroque,Instructional. Sc...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1262648 Composed by George Frideric Handel. Arranged by Marcus Martin. Baroque,Instructional. Score and part. 8 pages. Cornelius Edition (uk) #855656. Published by Cornelius Edition (uk) (A0.1262648). Handel probably originally composed this sonata for the recorder in 1712. He later adapted it for uses as an organ concerto. Â It is in four movements and makes a useful recital item. It is frequently listed in examination syllabi. Solo part and accompaniment included.
$4.50
Telemann: Sonata in C Minor for Bass Flute & Piano
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Flute and Piano
#
INTERMEDIATE
#
Georg Philipp Telemann
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James M
#
Telemann: Sonata in C Minor fo
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550745 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. B...
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.550745 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and individual part. 39 pages. Jmsgu3 #4801934. Published by jmsgu3 (A0.550745). Sonata in five movements. Duration: 11:47, Score: 22 pages. 209 measures. 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. Allegro
$32.95
Sonata in C Major Mvt. 1 Hob. XVI:35
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Flute and Piano
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INTERMEDIATE
#
Classical
#
Franz Joseph Haydn
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Doniell Cushman
#
Sonata in C Major Mvt. 1 Hob.
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Doniell C Cushman
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.947926 Composed by Franz Joseph Haydn. Arranged by Doniell Cushman. Classical. Score and part. 33 pages....
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Flute,Piano - Level 3 - Digital Download SKU: A0.947926 Composed by Franz Joseph Haydn. Arranged by Doniell Cushman. Classical. Score and part. 33 pages. Doniell C Cushman #3587521. Published by Doniell C Cushman (A0.947926). Arranged from Haydn's Sonata in C Major for piano, this arrangement is true to the original including articulations, dynamic shading, and tempo. Ornaments have been written out for ease except for appoggiaturas. Piano accompaniment is minimal but integral, not a stand alone solo.This piece is perfect for intermediate to advanced flute players needing a solo performance piece. Showcases instrument range, triplets, recurring theme, wide range of dynamics, accents, tempo control and harmonic structure. 33 pages include: Score, Individual Parts.Original arranged material, all rights reserved.
$16.99
Autumn Sonata - Flute & Piano
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Flute and Piano
#
INTERMEDIATE
#
James Michael Stevens
#
James Michael Stevens
#
Autumn Sonata - Flute & Piano
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James M Stevens Music ASCAP
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.572622 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicu...
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Flute,Piano - Level 3 - Digital Download SKU: A0.572622 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicultural,New Age,Wedding,World. Score and part. 8 pages. James M Stevens Music ASCAP #3683177. Published by James M Stevens Music ASCAP (A0.572622). This is an original composition for Flute & Piano in the key of E minor and in a reflective style for the autumn season. There is a separate flute part in the score and the piano can serve as a stand alone solo. The track as heard is available under Autumn Sonata Piano Track. 2018 Holiday Contest Entry https://www.youtube.com/watch?v=9vEikh9-spc
$6.99
Funeral March (Flute Solo with Piano Accompaniment)
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Flute and Piano
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INTERMEDIATE
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Classical
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Frederic Chopin
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B
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Funeral March
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Ben Dockery
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1241725 Composed by Frederic Chopin. Arranged by B. C. Dockery. 19th Century,Children,Classical,...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1241725 Composed by Frederic Chopin. Arranged by B. C. Dockery. 19th Century,Children,Classical,March,Romantic Period. Score and part. 5 pages. Ben Dockery #837104. Published by Ben Dockery (A0.1241725). From the third movement of Chopin's Sonata No. 2 in B-flat Minor, this is the Funeral March arranged for flute solo with piano accompaniment. Great for lessons, recitals, somber occasions, or even as a practical joke on someone's birthday. Intermediate level. Includes score and parts.
$3.99
Trio from Op. 7
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Flute and Piano
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INTERMEDIATE
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L
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Ian Fitze
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Trio from Op. 7
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Ian Fitze
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1463636 By L. v. Beethoven. By L. v. Beethoven. Arranged by Ian Fitze. Classical,Contest,Festiva...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1463636 By L. v. Beethoven. By L. v. Beethoven. Arranged by Ian Fitze. Classical,Contest,Festival,Instructional,Wedding. Score and part. 9 pages. Ian Fitze #1042362. Published by Ian Fitze (A0.1463636). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.The light and breezy 3rd movement from Piano sonata Op. 7, serves as a 'pallate cleanser' after the heavy and brooding 2nd movement. In this setting it serves as a worthwhile challenge for both the soloist and accompanist. A good example of Beethoven's emerging genius.
$1.99
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