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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
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BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
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VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
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As If
Not classified
2,601
Piano & keyboards
Piano solo
1,051
Piano, Vocal and Guitar
594
Piano, Voice
565
Easy Piano
462
C Instruments
68
Organ
67
Piano Accompaniment
65
Big Note Piano
32
1 Piano, 4 hands
30
Piano Trio: piano, violin, cello
17
2 Pianos, 4 hands
12
Organ, Piano (duet)
10
Piano Quartet: piano, violin, viola, cello
6
Accordion
5
Piano Quartet: piano, 2 violins, cello
4
Keyboard
4
Organ, Trumpet (duet)
4
Piano Quintet: piano, 2 violins, viola, cello
3
Piano (band part)
3
2 Pianos, 8 hands
2
1 Piano, 6 hands
1
Harpsichord
1
+ 17 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
157
Guitar
108
Ukulele
34
Melody line, (Lyrics) and Chords
29
Bass guitar
28
2 Guitars (duet)
21
4 Guitars (Quartet)
9
Dulcimer
6
Guitar (band part)
5
Mandolin
4
3 Guitars (trio)
3
Piano, Guitar (duet)
3
2 Dulcimers (duet)
3
Banjo
3
Guitar Ensemble
3
2 Mandolins (duet)
2
Lyrics and Chords
2
+ 12 instrumentations
-
Retract
Voice
Choral SATB
498
Choral 3-part
187
Choral 2-part
86
Choral SSAA
75
Choral TTBB
70
Vocal duet, Piano
47
Choral Unison
34
High voice
12
Vocal duet
11
Soprano voice, Piano
8
Voice solo
6
Baritone voice, Piano
6
Low voice
4
Alto voice, Piano
3
Tenor voice, Piano
2
Choral SSAATTBB
2
Tenor voice
2
Choral Instrumental Pak
2
Choral SSATTB
2
Low voice, Piano
2
Choral
1
Choral SSAB, Piano
1
+ 17 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
178
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
158
Saxophone Quintet: 5 Saxophones
127
2 Flutes (duet)
119
Saxophone Quartet: 4 saxophones
114
Clarinet Quartet: 4 clarinets
103
Flute and Piano
88
Flute, Oboe, Clarinet, Bassoon
86
Clarinet and Piano
79
Oboe, Piano (duet)
69
Flute
68
Saxophone, Clarinet (duet)
63
Clarinet Ensemble
59
2 Clarinets (duet)
58
Clarinet
56
Alto Saxophone and Piano
54
Alto Saxophone
53
Tenor Saxophone and Piano
53
Saxophone ensemble
52
Flute ensemble
42
Clarinet, Violin (duet)
42
Soprano Saxophone and Piano
42
Clarinet, Trumpet (duet)
40
2 Oboes (duet)
40
Oboe (band part)
38
Tenor Saxophone
33
Baritone Saxophone, Piano
30
Flute, Clarinet (duet)
27
2 Flutes, Piano
26
Saxophone (band part)
26
English horn, Piano
26
Flute, Violin
23
Oboe, Clarinet (duet)
21
Flute Quartet: 4 flutes
21
Flute, Saxophone (duet)
19
Oboe, Flute
19
Flute and Guitar
19
Flute Quintet : 5 flutes
19
3 Saxophones (trio)
18
Flute Trio: 3 flutes
18
Clarinet and Viola
18
Flute, Trumpet (duet)
16
3 Clarinets (trio)
15
Oboe
14
Clarinet Quintet: 5 clarinets
14
Bass Clarinet, Piano
12
Soprano Saxophone
11
Flute, Viola (duet)
11
Oboe, Bassoon (duet)
9
Recorder
9
Baritone Saxophone
9
2 Recorders (duet)
8
Descant (Soprano) Recorder
8
Clarinet, Guitar (duet)
7
Flute, Oboe, Clarinet (trio)
6
Flute, Clarinet and Bassoon.
5
Clarinet (band part)
5
Flute, Violin, Piano
5
Oboe, Clarinet, Bassoon (trio)
5
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4
Treble (Alto) Recorder
4
5 Recorders
4
English Horn
4
Treble (Alto) Recorder, Piano
3
Wind ensemble
3
Flute (band part)
3
Saxophone
3
Descent (Soprano) Recorder, Piano
3
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2
Flute, Cello, Piano (trio)
2
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2
Pennywhistle
2
Flute, Clarinet, Piano (trio)
2
Clarinet, Bassoon (duet)
2
Flute, harp and violin
2
Saxophone and Guitar
2
Flute, Oboe, Bassoon
2
Flute, Violin and Violoncello
2
Flute, Oboe (duet)
2
Tenor Recorder
1
2 Recorders, Guitar
1
Flute, trombone and piano
1
3 Recorders (trio)
1
Flute, Bassoon, and Piano
1
English Horn, Guitar (duet)
1
Flute, Viola and Piano
1
Saxophone and Organ
1
Flute, Trombone (duet)
1
Clarinette, Viola and Piano (trio)
1
Clarinet Quintet: Clarinet, String Quartet
1
2 Oboes, 2 Horns and 2 Bassoons
1
+ 86 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
198
Brass quartet : 2 trumpets, trombone, tuba
113
Trumpet
62
Trombone and Piano
58
Trumpet ensemble
53
2 Trombones (duet)
49
Trumpet, Piano
49
French Horn and Piano
42
Trombone
42
Trumpet, Saxophone (duet)
41
2 Trumpets (duet)
41
Brass Quartet: 2 trumpets, horn, trombone
35
French horn
34
Trumpet, Trombone (duet)
32
Trombone ensemble
31
Euphonium, Piano (duet)
26
English horn, Piano
26
Trumpet (band part)
22
Tuba
21
Trombone (band part)
18
Brass Quartet: 4 trombones
15
Tuba and Piano
14
Brass Quartet: 4 horns
10
2 French horns (duet)
9
2 Tubas (duet)
8
Horn Ensemble
7
Brass Quartet: 4 trumpets
5
Brass Quartet
5
4 Tubas
4
English Horn
4
Brass Trio
3
2 Euphoniums and 2 Tubas
2
Euphonium
2
Trombone, Organ
2
3 Trumpets (trio)
2
Trumpet, Horn (duert)
2
Horn, Tuba (duet)
2
French horn (band part)
2
Tuba and Organ
2
Trombone, Tuba (duet)
2
Trumpet, Euphonium (duet)
1
3 Euphoniums
1
Brass Quartet: 2 trumpets, 2 trombones
1
English Horn, Guitar (duet)
1
Trumpet, Bassoon (duet)
1
Trumpet, Tuba (duet)
1
Tuba ensemble
1
Euphonium, Tuba (duet)
1
Tuba (band part)
1
Bass Clef Instruments
1
3 Trombones (trio)
1
+ 46 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
486
Violin
255
Violin, Cello (duet)
214
String Quintet: 2 violins, viola, cello, bass
163
String Trio: violin, viola, cello
155
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137
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115
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68
Cello
67
Viola, Piano
60
2 Violins (duet)
60
2 Cellos (duet)
59
2 Violas (duet)
52
Violin, Viola (duet)
40
Viola
38
String Trio: 2 violins, cello
20
Double bass, Piano (duet)
18
Violin ensemble
17
Viola ensemble
14
Double Bass
13
2 Harps (duet)
12
Viola (band part)
11
Violin (band part)
7
4 Cellos
7
Doublebass (band part)
6
String Quartet : 4 violas
6
Cello, Guitar (duet)
6
2 Double basses (duet)
5
String Trio: 3 cellos
5
String Trio: 3 violins
5
String quartet: 4 violins
4
String Trio: 2 violins, viola
4
Violin, Guitar (duet)
4
Viola, Cello (duet)
4
String Quintet: 2 violins, 2 violas, cello
3
Harp, Violin, Violoncello
2
Piano Trio: Violin, Viola, Piano
2
Harp, Flute (duet)
2
Cello, Organ
2
Harp, Trombone (duet)
1
Cello (band part)
1
Cello Ensemble
1
Violin, Clarinet, Piano (trio)
1
Violin, Tuba (duet)
1
4 Double Basses
1
Viola, Guitar (duet)
1
4 Harps
1
String Trio: 3 violas
1
Harp, Voice
1
Violin, Bassoon (duet)
1
Violin, Cello, Clarinet
1
+ 46 instrumentations
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Retract
Orchestra & Percussion
Concert band
425
String Orchestra
345
Orchestra
185
Jazz Ensemble
163
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114
Handbells
82
Chamber Orchestra
63
Jazz combo
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23
Drums
17
Marching band
16
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5
Marimba
4
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Orchestra, Violin
3
Big band
2
Vibraphone
2
Percussion (band part)
2
Xylophone
2
Piano and Orchestra
1
School Ensemble
1
Vibraphone and Marimba
1
Brass Quintet: other combinaisons
1
Percussion
1
+ 19 instrumentations
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Retract
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As If
Flute and Piano
Sheetmusic to print
88 sheet music found
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76
If You Imagined - Flute & Piano
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Flute and Piano
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INTERMEDIATE
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James Michael Stevens
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James Michael Stevens
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If You Imagined - Flute & Pian
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.572732 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,N...
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Flute,Piano - Level 3 - Digital Download SKU: A0.572732 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #3925627. Published by James M Stevens Music ASCAP (A0.572732). This is an original composition for Flute & Piano in a beautiful romantic style in the key of C major. There is a separate flute part in the score and the track as heard is available under If You Imagined Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=s7za4ocnrd4
$4.99
Turkish Rondo - Mozart (but not as you know it!) includes original flute solo - flute (in C) & piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Chris Lawry and Keri Degg
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Turkish Rondo - Mozart
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Masquerade Music
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.761564 Composed by Chris Lawry and Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Mas...
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Flute,Piano - Level 4 - Digital Download SKU: A0.761564 Composed by Chris Lawry and Keri Degg. Classical,Contemporary,Jazz. Score and part. 13 pages. Masquerade Music #6424423. Published by Masquerade Music (A0.761564). It had to be done, and yes, we did it! Are you ready to play Mozart as you’ve never played it before? Arranged in a Jazz style for (C) flute in an upbeat swing with additional comedy moments. As well as the classic Mozart theme, there is also a fully written out original flute solo. If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. Turkish Rondo is perfect for upper intermediate players (approx grade 6-7).
$3.99
In the hall of the mountain king (Grieg) (but not as you know it!) includes original flute solo - fl
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Flute and Piano
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INTERMEDIATE
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Classical
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Halloween
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Chris Lawry, Keri Degg
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In the hall of the mountain ki
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Masquerade Music
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.761556 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. M...
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Flute,Piano - Level 3 - Digital Download SKU: A0.761556 Composed by Chris Lawry, Keri Degg. 20th Century,Jazz,Romantic Period. Score and part. 9 pages. Masquerade Music #6424397. Published by Masquerade Music (A0.761556). It had to be done, and yes, we did it! Are you ready to play Grieg as you’ve never played it before? Arranged in a Jazz/Reggae/funk style for flute (in C) and piano. As well as the classic Grieg theme, there is also a fully written out original flute solo which includes a gradual increase in tempo which adds to the humour! If you enjoyed listening to the enhanced demonstration video, the demonstration and backing tracks will be available to purchase from our website soon. In the hall of the mountain king is perfect for intermediate players (approx grade 4-6).
$3.99
If I Could Only (Flute)
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Flute and Piano
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INTERMEDIATE
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Joseph Pugh
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contemporary performer.
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If I Could Only
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Joseph Pugh
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.855127 Composed by Joseph Pugh. 20th Century,Contemporary,Jazz,Pop,Standards. Score and part. 4 pages. J...
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Flute,Piano - Level 3 - Digital Download SKU: A0.855127 Composed by Joseph Pugh. 20th Century,Contemporary,Jazz,Pop,Standards. Score and part. 4 pages. Joseph Pugh #6233057. Published by Joseph Pugh (A0.855127). Get this great little flute solo with piano accompaniment of an original piece by,Joseph Pugh. Download what singles you out as a contemporary performer.
$7.99
But If He Could
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Flute and Piano
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C
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C
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But If He Could
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C. Malmborg
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.986988 Composed by C. Malmborg. Arranged by C. Malmborg. Children. Score and part. 9 pages. C. Malmborg #5724687. ...
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Flute,Piano - Digital Download SKU: A0.986988 Composed by C. Malmborg. Arranged by C. Malmborg. Children. Score and part. 9 pages. C. Malmborg #5724687. Published by C. Malmborg (A0.986988). This is a nostalgic piece about a favorite toy ...It is in two part and can be sung by a choir or as a duet. ..preferably performed by early middle school students.
$1.99
Symphony No. 7 by Beethoven for Flute
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Flute and Piano
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BEGINNER
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Classical
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Flute,Piano - Level 1 - Digital Download SKU: A0.1158443 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Pe...
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Flute,Piano - Level 1 - Digital Download SKU: A0.1158443 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758729. Published by Woods Only, Arrangements (A0.1158443). This arrangement adapted for flute e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
In the Land of Wonder-Wander for Flute, Clarinet, Cello, and Piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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In the Land of Wonder-Wander f
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Sy Brandon
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano - Level 4 - Digital Download SKU: A0.755010 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts....
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 4 - Digital Download SKU: A0.755010 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 42 pages. Sy Brandon #3239673. Published by Sy Brandon (A0.755010). In The Land of Wonder-Wander attempts to capture the essence of both Maxfield Parrish’s illustration and Eugene Fields’ poem The Dinkey-Bird. Both the painting and the poem create the feeling of a magical place where beauty, joy and pleasure abound. It is a mysterious place, perhaps as occurring in a dream, yet a place where one does not wish to leave. In The Land of Wonder-Wander begins quietly with vague tonality and sparse instrumentation as it transports the listener into this mystical land. As the tempo becomes stricter and the instrumentation fuller, the beauty of this place is apparent. A change to a triple meter and a faster tempo creates a joyous and wondrous section as there are many sweet treats growing to satisfy the soul. Children scampering and playing are represented by an allegro section with playful melodies and slight dissonance. The Dinkey Bird becomes the focus of the next section, which uses a staccato motif surrounded by rapid scales and arpeggios. These ideas build in intensity, expressing the wonder and beauty of this far away land, until they begin to fade away as the land recedes into the sea. A last flourish occurs as if one is trying to hold on to the experience before one wakes up from this marvelous dream. This work is recorded by Laura Koepele-Tenges, Christie Vohs, Megan Lauterbach, and John Elmquist on the Emeritus label.
$9.99
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Salome Tanz (Dance of the Seven Veils)
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Flute and Piano
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ADVANCED
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James Strauss
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James Strauss
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Salome Tanz
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James Strauss
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contempora...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1287662 By James Strauss. By Richard Strauss. Arranged by James Strauss. 20th Century,Chamber,Contemporary,Jewish,Sacred. Score and part. 31 pages. James Strauss #878687. Published by James Strauss (A0.1287662). Strauss and the Dance of the Seven VeilsThe Dance of the Seven Veils is a performance by Salome before King Herod Antipas, depicted in modern stage productions, literature, and visual arts. This dance is an elaboration of the New Testament story of the Feast of Herod and the execution of John the Baptist. While the New Testament does not give the dance a name, the title Dance of the Seven Veils originated from the 1893 English translation of Oscar Wilde's French play, Salome, which included the stage direction Salome dances the dance of the seven veils. Richard Strauss also incorporated the dance into his opera Salome in 1905.The concept of Salome's dance involving seven veils can be traced back to Wilde's play, where he was influenced by earlier French writers who portrayed Salome as a symbol of female lust. Wilde envisioned the dance as an act of unveiling, symbolizing the revealing of Salome's true self. He drew inspiration from Gustave Flaubert's story Herodias, in which Salome performs a hand dance to please Antipas. Wilde initially intended to follow Flaubert's version but later changed his approach.The idea of the dance being associated with veils can be linked to the popularity of veil dances during that time, which were westernized interpretations of Middle Eastern dance styles. Notably, the dancer Loïe Fuller was known for her veil dances. Wilde's play did not provide a detailed description of the dance, but it is commonly assumed to involve a series of veils being removed, symbolizing the process of unveiling oneself.Strauss's operatic adaptation of Salome also includes the Dance of the Seven Veils. Although the dance remains unnamed in the music, Salome's sexual fascination with John the Baptist seems to motivate her request, while Herod appears pleased. The visual interpretation of this scene can vary depending on the production, with some emphasizing its eroticism. Strauss specified that the dance should be thoroughly decent, as if it were being done on a prayer mat, but some performances have portrayed it in a more explicit manner.James Strauss's choice to program well-known orchestral pieces for the flute and piano stems from the technical challenges they present, both instrumentally and interpretatively. It allows the flautist to explore different timbres and a romantic style of playing, inspired by Orchestral mass sustained phrases and intense vibrato found in this repertoire. Transcribing orchestral pieces for the flute presents certain difficulties, such as playing loudly and with a full tone in the lower register or producing high notes that gradually fade away. Despite these challenges, the purpose is to challenge the flute's traditional role and explore its expressive capabilities through this repertoire.
$29.99
Sailing on a Silent Sea - Flute & Piano
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Flute and Piano
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INTERMEDIATE
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James Michael Stevens
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James Michael Stevens
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Sailing on a Silent Sea - Flut
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.572918 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,E...
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Flute,Piano - Level 3 - Digital Download SKU: A0.572918 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 6 pages. James M Stevens Music ASCAP #4614069. Published by James M Stevens Music ASCAP (A0.572918). Written May 24, 2019, this is an original composition for Flute and Piano in a relaxed and introspective style as if sailing on a silent sea. There is a separate flute part in the score and the track as heard can be found under Sailing on a Silent Sea Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
Traitor
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Flute and Piano
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BEGINNER
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Pop music
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Olivia Rodrigo
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Josiel Oliveira
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Traitor
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M das Melodias
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SheetMusicPlus
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1320136 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Josiel Oliveira. Mult...
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Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1320136 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Josiel Oliveira. Multicultural,Pop,Singer/Songwriter,World. Score and part. 12 pages. M das Melodias #908666. Published by M das Melodias (A0.1320136). Sheet Music for Flute.Traitor is a song by American singer-songwriter Olivia Rodrigo, released on January 22, 2021 as the fourth single from her debut album, Sour. The song was written by Rodrigo and Dan Nigro and produced by Nigro.The song is a mid-tempo pop ballad about the feeling of betrayal after a breakup. The song's lyrics are directed at an ex-partner who started dating someone else shortly after the breakup. Rodrigo sings about how she felt betrayed and deceived, and how she can't understand how he could move on so quickly.Traitor was a commercial success, reaching number two on the US Billboard Hot 100. The song was also well received by critics, with many praising Rodrigo's voice and honest lyrics.The song has been performed by Rodrigo on several occasions, including on Saturday Night Live, the 2022 Grammy Awards and the Coachella Valley Music and Arts Festival.Here's a more detailed breakdown of the song:Lyrics: The lyrics of Traitor are quite direct and honest. Rodrigo sings about how she felt betrayed and deceived after her relationship ended. She wonders how her ex-partner could move on so quickly, and she feels as if he had been a traitor.Music: Traitor is a medium-tempo pop ballad. The song has a soft and melancholic melody, and Rodrigo's voice is full of emotion. The song also has a hint of electric guitar, which adds some intensity to the song.Production: The song was produced by Dan Nigro, who also produced Sour's other songs, including Drivers License and Good 4 U. Nigro is known for his work with a raw, emotional pop sound, and he captures that sound on Traitor.Traitor is a powerful and moving song about the feeling of betrayal. The song showcases Olivia Rodrigo's talent as a songwriter and singer, and is one of Sour's most memorable songs.
$4.99
Cadenza
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Flute and Piano
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ADVANCED
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Contemporary
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Peter Le Tissier
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Cadenza
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Peter Le Tissier
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SheetMusicPlus
Cello,Flute,Piano - Level 5 - Digital Download SKU: A0.1216424 Composed by Peter Le Tissier. Classical,Contemporary. 4 pages. Peter Le Tissier #813031. P...
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Cello,Flute,Piano - Level 5 - Digital Download SKU: A0.1216424 Composed by Peter Le Tissier. Classical,Contemporary. 4 pages. Peter Le Tissier #813031. Published by Peter Le Tissier (A0.1216424). The 'Cadenza' for Flute, Cello, and Piano, was written in late 2018 and updated in the Spring of 2019 for its first performance in London of that year with the Epoch Ensemble. The work is written for highly skilled players, and utilises three sections where the Flute and Cello begin far apart, merge together and then distance onesful from one another again. The piano part is based on the note 'A', and this pitch locks the whole structure together.The piece should be performed with all players using the full score, as the simultaneous use of free-time and very strict coordination requires all players to be aware of what is going on around them. The cello will need to detune their lowest C-string so that its fundamental pitch is now A, and the part has been written such that the fourth string is a transposing line, so that the player can read as if it were in C for the purposes of fingerings, with the sounding pitch a minor third lower.Any performances, particularly those that are local or national premières, must be made aware of by the composer, who appreciates all opportunities for performances.
$16.99
Illuminations
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Flute and Piano
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Contemporary
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Patrick Houlihan
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Illuminations
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River Island Music
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.1027976 Composed by Patrick Houlihan. Contemporary. Score and part. 31 pages. River Island Music #3120563. Publish...
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Flute,Piano - Digital Download SKU: A0.1027976 Composed by Patrick Houlihan. Contemporary. Score and part. 31 pages. River Island Music #3120563. Published by River Island Music (A0.1027976). Illuminations was premiered in 2016 by flutist Kristin Grant, to whom it is dedicated, and pianist Adam Haas. The first of two movements, Vellum, has a veiled quality, beginning with a free, quasi-recitative passage and leading to two lyric themes. Freeflight has an aggressive character, as if in a perilous flight over rocky terrain.
$18.00
Cinderella's Stepsisters - Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Arthur Breur
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Cinderella's Stepsisters - Flu
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Floating Home Music
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.913976 Composed by Arthur Breur. 20th Century,Children,Contemporary. Score and part. 5 pages. Floating H...
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Flute,Piano - Level 3 - Digital Download SKU: A0.913976 Composed by Arthur Breur. 20th Century,Children,Contemporary. Score and part. 5 pages. Floating Home Music #4758839. Published by Floating Home Music (A0.913976). A bold but ugly fanfare in the piano starts this musical picture of Cinderella's two sisters, who prance and pose as if they are the most delightful and deserving maidens in the land, but who are spiteful and nasty from the inside out.DURATION: 3m15sy19m09d13 revision: flutter tongue added to final ascending scale.
$7.00
Sonatina of Time for early intermediate flute
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Flute and Piano
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INTERMEDIATE
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Rebecca Maughan Cook
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Sonatina of Time for early int
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Rebecca Maughan Cook
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.908188 Composed by Rebecca Maughan Cook. Contemporary,Standards. Score and part. 12 pages. Rebecca Maugh...
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Flute,Piano - Level 3 - Digital Download SKU: A0.908188 Composed by Rebecca Maughan Cook. Contemporary,Standards. Score and part. 12 pages. Rebecca Maughan Cook #6873209. Published by Rebecca Maughan Cook (A0.908188). This wonderful Sonatina is in 3 movements for the intermediate flutist. It is a finalist for the 2022 New Voices for Young Flutists competition. Set in the band friendly Key of B-flat major, Movement 1 is a Classical Sonata Allegro Form with an accessible flute part and a piano part that makes it BIG!  It's called 'Clockworks' because of the type of clock sounds used, especially in the piano part. The range for the flutist is Low A to High D.   Movement 2 is called 'Time for Caring.' I wrote the melody I wanted to play. It's lovely and makes you want to develop an even more beautiful sound. It's range is Low F to High D with a fast scale going from Low F up to mid B-flat.  This is also in the Key of B-flat.  The 3rd Movement is also in the Key of B-flat. I called it 'Time to Grow.' It's rhythm is in 8/8, usually divided into 3+3+2, although there are a few measures where it is easier for the flutist to think of it in 2+2+2+2.  It has a lot of drive in the rhythm and I think has a Broadway kind of sound, as if people were moving and walking across a busy stage while singing. I'm uploading a recording of this which I hope you enjoy! The piano part is much more challenging. Each of these movements is accessible, musical, interesting and when paired with the accompaniment a full ensemble kind of sound.  Enjoy!
$5.99
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
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Flute and Piano
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INTERMEDIATE
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Classical
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Deuxième
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score ...
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
In the Bleak Midwinter (Trio for Flute, Alto Sax and Piano)
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Flute and Piano
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INTERMEDIATE
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Christmas
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Gustav Holst
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John A
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.523771 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Chris...
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Small Ensemble Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.523771 Composed by Gustav Holst. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 15 pages. John A. Dempsey #3882863. Published by John A. Dempsey (A0.523771). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant trio for flute, alto sax and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  11 pages of music (that includes separate two-page parts for flute and alto sax).  Concert Key (Piano): F major.  Flute Key: F major.  Alto Sax Key: D major.  Flute/Alto Sax Level: Intermediate.  Piano Level: Late Intermediate   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
Downton Abbey (theme)
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Flute and Piano
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INTERMEDIATE
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Film/TV
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John Lunn
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HELEN MARPLE-HORVAT
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Downton Abbey
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Helen Marple-Horvat
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.749210 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. H...
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Flute,Piano - Level 3 - Digital Download SKU: A0.749210 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-Horvat #3557755. Published by Helen Marple-Horvat (A0.749210). Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for violin and piano, as well as for cello and piano, and string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, Downton Abbey, you can see and hear the live version. The harmony and structure is exactly the same. I have chosen a key that would be suitable for ABRSM Grade 3 and above. At bar 16 however, the pianist will need to pick up the end of the phrase from the flute without breaking the melodic line. Make sure that you grow through the phrases with your pianist. It is a piece that requires a great deal of ebb and flow with lots of crescendo and diminuendo throughout for you to feel together! Please do send me a recording of your playing it, even if it is done on a phone. Send me a message on Facebook. I hope you enjoy playing this piece!
$12.99
Rain After That
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Joe Hisaishi
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Eileen Gilligan
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Rain After That
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The Flautist
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Fi...
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014). The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or BHarmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.If feeling super inspired sing the low register chromatically into the flute whilst fingering it.Do a lot of legato slurred work to warm up before commencing articulation.Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.
$6.95
Valse - Scherzo op.34 for flute and piano
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Flute and Piano
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Piotr Tchaikovski
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James Strauss
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Valse - Scherzo op.34 for flut
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James Strauss
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score ...
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Flute,Piano - Digital Download SKU: A0.1035219 Composed by Piotr Tchaikovski. Arranged by James Strauss. Halloween,Hanukkah,Romantic Period,World. Score and part. 16 pages. James Strauss #5297983. Published by James Strauss (A0.1035219). Writing to his brother Modest on 18/30 January 1877, Tchaikovsky mentioned that the violinist Iosif Kotek had ordered a piece from him for a forthcoming concert. Four days later Kotek wrote to Tchaikovsky: Thank you in advance for the waltz; it will surely be wonderful, as is everything that you compose... this shall be a piece to impress everybody. In another letter from mid/late February, we read: Incidentally, about the waltz. Why force yourself if you are tired? Of course, I would be delighted and infinitely glad if you were to write the waltz, especially since it is for me. I am still very glad that you have even started to think about this.In the period from March to August, we find no further references to work on the Valse. But, given that in March and April, Tchaikovsky wrote his Fourth Symphony, and that in May he was completely absorbed in composing the opera Yevgeny Onegin, it is likely that by this time the Valse had already been completed.It seems that the waltz was partly or wholly orchestrated by Kotek after Tchaikovsky completed the version for violin with piano. This is suggested by two letters from Kotek to Tchaikovsky: in October 1878, the violinist reported to Tchaikovsky on an unsuccessful performance of the piece: Could my instrumentation be the reason that the waltz did not please?, and early in 1879 he wrote: I think that I badly orchestrated the Waltz ... what extraordinarily empty sounds!. None of Tchaikovsky's letters refer to the orchestration of the piece.Here for the very first time in aversion for flute and piano - I tried to not transcribe the violin part, but re-write the solo part as it was made for flute.
$11.99
Bach-Gounod: Ave Maria for Alto Flute & Piano
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Flute and Piano
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EASY
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Weddi...
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Flute,Piano - Level 2 - Digital Download SKU: A0.549354 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490015. Published by jmsgu3 (A0.549354). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Flute & Piano, S0.661753. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Flute & Piano
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Flute and Piano
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EASY
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Flu
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Weddi...
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Flute,Piano - Level 2 - Digital Download SKU: A0.549353 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490009. Published by jmsgu3 (A0.549353). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Flute & Piano -S0.661745. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Bass Flute & Piano
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Flute and Piano
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INTERMEDIATE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Co...
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549355 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3490019. Published by jmsgu3 (A0.549355). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
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