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Instruments: 1 Oboe 1 Piano
Flute and Piano
Sheetmusic to print
3 sheet music found
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JS Bach meets Aura Lee - Flute/Oboe/Recorder & Piano
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Flute and Piano
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BEGINNER
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JS Bach / traditional
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Derek Hasted
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JS Bach meets Aura Lee - Flute
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Derek Hasted
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SheetMusicPlus
Small Ensemble Flute,Piano - Level 1 - Digital Download SKU: A0.797838 Composed by JS Bach / traditional. Arranged by Derek Hasted. Classical,Folk,Patrio...
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Small Ensemble Flute,Piano - Level 1 - Digital Download SKU: A0.797838 Composed by JS Bach / traditional. Arranged by Derek Hasted. Classical,Folk,Patriotic. Score and part. 8 pages. Derek Hasted #6532255. Published by Derek Hasted (A0.797838). LOVE ME TENDER (Aura Lee) - FLUTE and GUITAR duet (Suits Oboe or recorder in C too)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Aura Lee, written about the America Civil War, was published in 1861, but is now a Public Domain melody (see the Public Domain Information project at www.pdinfo.com).You may know it better as Elvis Presley’s Love Me Tender, although the words make that version a copyright song.It’s a perfect beginner’s piece for flute, oboe or recorder in C.The piano part is a homage to Bach’s famous Prelude in C Major, from “The Well Tempered Clavier.About 50% of the Prelude features in this accompaniment to a beginner’s version of “Aura Leeâ€, and it turns it from a straightforward and perhaps uninspiring study into a concert item the audience will love!I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$1.99
Clémence de Grandval : Suite for flute and piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Clémence de Grandval
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Paul Wehage (édition)
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Clémence de Grandval : Suite
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Pe...
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Flute,Piano - Level 4 - Digital Download SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Period. Score and part. 79 pages. Musik Fabrik Music Publishing #950947. Published by Musik Fabrik Music Publishing (A0.1366608). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.1. Prélude2. Scherzo3. Menuet4. Romance5. Finale.
$24.95
Flûte en suite
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Flute and Piano
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ADVANCED
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano ...
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
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