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You've selected:
Coming Home Song
Flute and Piano
Sheetmusic to print
3 sheet music found
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11/6/64
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Flute and Piano
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INTERMEDIATE
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Steven Curtis Chapman
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Jeff Tincher
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11/6/64
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Jeff Tincher
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.582760 By Steven Curtis Chapman. By Steven Curtis Chapman. Arranged by Jeff Tincher. Christian,Gospel. S...
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Flute,Piano - Level 3 - Digital Download SKU: A0.582760 By Steven Curtis Chapman. By Steven Curtis Chapman. Arranged by Jeff Tincher. Christian,Gospel. Score and part. 31 pages. Jeff Tincher #3483031. Published by Jeff Tincher (A0.582760). This is a C instrument and Piano arrangement of one of Steven Curtis Chapman's hits from his All About Love CD. This song, I am assuming, is about how a 2 year old reacts to a new sibling coming home. The nice thing about this song is that you can change the date to a date that is significant for your situation and it fits well. In the original key, this song is great for any live venue or playing along with the recording. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
Away In A Manger: for Flute & Piano
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Flute and Piano
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BEGINNER
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Christmas
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Flute &
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - Digital Download SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #33...
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Flute,Piano - Level 1 - Digital Download SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published by jmsgu3 (A0.548476). Traditional Christmas song arranged for Flute & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Fauré: Élégie Op. 24 for Flute & Piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Fl
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romant...
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Flute,Piano - Level 4 - Digital Download SKU: A0.549725 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531379. Published by jmsgu3 (A0.549725). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
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