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You've selected:
Seven Jazz Pieces
Flute and Piano
Sheetmusic to print
2 sheet music found
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Flute Collection II - 24 Pieces for Flute + Piano Grade 4-5
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Flute and Piano
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INTERMEDIATE
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Barbara Arens
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Barbara Arens
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Baker Street Blues, etc)
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Flute Collection II - 24 Piece
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Barbara Arens
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.1492424 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Chamber,Contemporary,Contest,Fest...
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Flute,Piano - Level 3 - Digital Download SKU: A0.1492424 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. Chamber,Contemporary,Contest,Festival,Instructional,Jazz. Score and part. 95 pages. Barbara Arens #1069098. Published by Barbara Arens (A0.1492424). Thinking of what I would have liked to have played (besides Telemann and Loeillet) as an Intermediate flute player, I've put a collection together beginning with some rather fun jazzy pieces ('A Cat totally ignoring You'; Baker Street Blues, etc); lots of gripping rhythmic pieces: two tangos, Cha-Cha-Charing-Cross Road, SevenEight; and lots of pieces with literary inspiration by Shakespeare, Malory, R.L.Stevenson, Tolkein, Christina Rosetti... expressive and dramatic. I believe this collection will appeal to intermediate flute students of all ages.
$19.99
Cameos
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Flute and Piano
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INTERMEDIATE
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Richard Lambert
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Cameos
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Forton Music - Digital
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SheetMusicPlus
Fl. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM617 Composed by Richard Lambert. A set of pieces for flute and piano. Score and part. 37 pa...
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Fl. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM617 Composed by Richard Lambert. A set of pieces for flute and piano. Score and part. 37 pages. Forton Music - Digital #FM617. Published by Forton Music - Digital (F2.FM617). ISBN 9790570485161.Abigail's Jig, op. 10 no. 2a, This lively piece for flute and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. The piece demonstrates a range of tone colour for the flute across a wide melodic range. Written originally for alto sax in 1987, the piece was arranged for flute in 1994. Five Short Pieces, Op. 9a, This set of movements for flute and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.
$14.95
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