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TWO BEATS
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Flute and Piano
Sheetmusic to print
2 sheet music found
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In the Garden for flute solo and piano
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Flute and Piano
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EASY
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C
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c
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In the Garden for flute solo a
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C.E. Walz
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.767669 Composed by C. Austin Miles. Arranged by c.e. walz. Christian,Contemporary,Sacred. Score and part...
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Flute,Piano - Level 2 - Digital Download SKU: A0.767669 Composed by C. Austin Miles. Arranged by c.e. walz. Christian,Contemporary,Sacred. Score and part. 6 pages. C.E. Walz #4798039. Published by C.E. Walz (A0.767669). Maestro says that In the Garden was made for an early intermediate flute solo. That clear, sweet tone is ideal for this lovely old favorite. My arrangement is in the key of G with no key changes. The piano score (with flute reduction) is four pages long. The separate flute part is two pages at the end, for a total of 6 pages. The tempo is marked at 50 mm. for the 6/8 meter, so count two beats per measure. A practice tip: begin at a slower pace, say 44 mm. and work your way up. You don't want the performance tempo to drag. Performance time-- 1:48.(Note: I have a piano solo for In the Garden also posted on my SMP page. It is NOT the same as the accompaniment you see here for the flute solo.).
$4.99
O Come, Emmanuel - jazz flute and piano
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Flute and Piano
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EASY
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Phil Beaman
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O Come, Emmanuel - jazz flute
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Phil Beaman
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SheetMusicPlus
Flute,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1350487 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 p...
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Flute,Instrumental Duet,Keyboard - Level 2 - Digital Download SKU: A0.1350487 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #935296. Published by Phil Beaman (A0.1350487). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, 3rd space C to high E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
$4.99
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