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Flute and Piano
Sheetmusic to print
6 sheet music found
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1
Rondo in C minor, for Flute and Piano
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Flute and Piano
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Steven Shade
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Rondo in C minor, for Flute an
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Steve Shade
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.834332 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. Score and part. 18 pages. Steve ...
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Flute,Piano - Digital Download SKU: A0.834332 Composed by Steven Shade. Concert,Instructional,Romantic Period,Standards. Score and part. 18 pages. Steve Shade #3240755. Published by Steve Shade (A0.834332). Rondo in C minor for Flute and Piano begins with an energetic and aggressive statement of the main theme. The energy of the first section is brought to even higher levels in second section as the piano accompaniment drives the excitement forward with an unsettling tremolo and throbbing syncopation. The second section crashes to an ending, leading to a chromatic re-transition back to the main theme. After this reinstatement, the flute and piano trade-off the melody in a lyrical passage. The first and section sections are repeated before a variation on the main section is introduced. This variation builds into a swift and unbridled coda that drives the piece to a close.The flutist needs nimble fingers to execute the quick passages, and a delicate touch for the lyrical passages. The pianist, while equally as important as the flutist in this Rondo, will share in the limelight by being demanded to play advanced passage work. This piece is re-written for flute from my original composition, Rondo in C minor for Violin and Piano.Contents: Complete score for the pianist and the flute playerDifficulty: AdvancedDuration: About 4 minutes.
$2.95
Recuerdos de la Alhambra
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Flute and Piano
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EASY
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Francisco Tarrega
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Wolfgang Birtel
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Recuerdos de la Alhambra
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - easy to intermediate - Digital Download SKU: S9.Q7043 Memories of the Alhambra. Composed by Francisco Tarrega. Arranged by Wolfg...
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Flute and piano - easy to intermediate - Digital Download SKU: S9.Q7043 Memories of the Alhambra. Composed by Francisco Tarrega. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q7043. Published by Schott Music - Digital (S9.Q7043). Composed in 1886, the tremolo study 'Recuerdos de la Alhambra' is without doubt Tarrega's best-known piece. It evokes memories of the Moorish citadel located on a hill in the Spanish Granada. Thanks to the present arrangement, the enchanting gem with its slightly melancholy tinge - perhaps inspired by Georges Bizet's 'Je crois entendre encore' from The Pearl Fishers - is now also available for instruments other than the guitar.
$4.99
Swan Lake Theme, for Solo Flute and Piano
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Flute and Piano
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Flut
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.587685 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,R...
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Flute,Piano - Level 3 - Digital Download SKU: A0.587685 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737757. Published by David McKeown (A0.587685). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Flute and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Flat as a Flute - Flute solo w piano accompaniment
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Flute and Piano
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ADVANCED
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Mike Lyons
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Flat as a Flute - Flute solo w
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Lyons Music Services
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #347...
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Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
Breeze for Flute and Piano (2023)
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Flute and Piano
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ADVANCED
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Iva Ugrcic, flute and Satoko H
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Breeze for Flute and Piano
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Mary Ellen Haupert
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Cha...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. Score and part. 8 pages. Mary Ellen Haupert #905092. Published by Mary Ellen Haupert (A0.1316351). “Breeze†for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze†was written for flutist Iva UgrÄić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze†is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons†pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze†in a balanced ABA’ form.
$10.00
Breeze for Flute and Piano - FLUTE (2023)
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Flute and Piano
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Iva Ugrcic, flute and Satoko H
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Breeze for Flute and Piano - F
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Mary Ellen Haupert
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert. 21st Century,Chamber,Classical. Scor...
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Flute,Piano - Digital Download SKU: A0.1316354 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert. 21st Century,Chamber,Classical. Score and part. 3 pages. Mary Ellen Haupert #905095. Published by Mary Ellen Haupert (A0.1316354). “Breeze†for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze†was written for flutist Iva UgrÄić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze†is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons†pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze†in a balanced ABA’ form.
$5.00
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