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Vocal duet, Piano
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3 sheet music found
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1
Hänsel und Gretel
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Vocal duet, Piano
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INTERMEDIATE
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the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet...
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
Be Merciful to Me ~ Psalm 57 (for Vocal Duet with Piano accompaniment)
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Vocal duet, Piano
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Be Merciful to Me ~ Psalm 57
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Sharon Wilson
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.565305 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,East...
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.565305 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Contemporary,Easter,Holiday,Praise & Worship,Sacred. 17 pages. Sharon Wilson #3872549. Published by Sharon Wilson (A0.565305). This Scripture song based on Psalm 57 verses 1 and 7-10 is formatted as a vocal duet with piano accompaniment. This arrangement is in the key of G major with the vocal ranges the same for both parts: the first B below middle C to the first B above middle C (B3 to B4). The limited, moderate vocal range makes this song accessible to just about every combination of voices (SA, AA, AB, TB, etc.) It is a very straight-forward arrangement with the SOPRANO (Part 1) carrying the melody throughout and the ALTO (Part 2) adding a non-complex harmony. Duration 3:00.This Psalm is a prayer written by David while in a cave when he was fleeing from Saul (1 Samuel 22). It is presented here as a song of meditation and praise, drawing the listeners into an atmosphere of prayer and trust in God. The simplicity of the melody allows the vocalists to focus on the words and dynamics as the audience is drawn to the beauty of God's Word expressed musically. The purchase price includes the 9-page combined score with both vocal and piano parts on each page plus a separate VOCALS only score (4 pages) and a PIANO only score (3 pages). To purchase multiple copies for 2-part choral use, this arrangement is available separately at a reduced price.  The lyrics were adapted from the King James Version (KJV) and the World English Version (WEB) and are printed below:Lyrics:VERSE 1Be merciful to me, O God, be merciful to me,For my soul takes refuge in you,In the shadow of your wings.Be merciful to me, O God, be merciful to me, For in the shadow of your wingsMy soul will always findRefuge, refuge, refuge in You.VERSE 2My heart is fixed on you, O God, my heart is fixed on you.I’ll sing and give you praises.I’ll wake up at dawn and give you thanks.I’ll sing your praises to all people,For your love is great.You loving kindness reaches far beyond the starry skies.Wake up, wake up, wake up and sing.ENDINGBe merciful to me, O God, be merciful to me,For my soul takes refuge in the shadow of your wings.For my soul takes refuge in the shadow of your wings.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
What Wondrous Love Is This
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Vocal duet, Piano
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INTERMEDIATE
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Sacred music
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Unknown
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Sandy McIntire
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What Wondrous Love Is This
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Sandy McIntire
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.697600 Composed by Unknown. Arranged by Sandy McIntire. Country,Easter,Praise & Worship...
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.697600 Composed by Unknown. Arranged by Sandy McIntire. Country,Easter,Praise & Worship,Sacred,Traditional. 9 pages. Sandy McIntire #5999723. Published by Sandy McIntire (A0.697600). What Wondrous Love Is This is arranged here for an Soprano-Alto Duet with a piano accompaniment. This American Christian hymn is taken from William Walker's Southern Harmony (1835), a shape note hymnal. The lyrics of the hymn were first published in 1811 and the melody is older with sources referring to various origins. Four verses are sung in this arrangement building from a quiet presentation of the melody and lyric theme to a victorious ending. Each of the following verses builds on the melody and seeks to replicate musically the meaning of the lyrics which are particularly appropriate for Lent and Easter.
$4.50
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