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11 sheet music found
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1
Hänsel und Gretel
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Vocal duet, Piano
#
INTERMEDIATE
#
the way, the ‘cock-a-doo
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
#
SheetMusicPlus
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet...
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
What am I Doing Here PVG
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Vocal duet, Piano
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INTERMEDIATE
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Steven H
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Ashley Ivers
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What am I Doing Here PVG
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Boothe Publishing
#
SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. ...
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. Boothe Publishing #4360965. Published by Boothe Publishing (A0.984013). One of my auntie's got killed coming home from work late one evening by a drunk driver who was not obeying the traffic signals. I remember thinking to myself that this wasn't fair. It wasn't right. This was the first time that someone close to me was ushered out of this world. I started looking at my own life. Was I ready to leave this world behind? My auntie didn't get to decide. One moment she was here. The next she was gone, leaving her children behind. As I looked at myself I noticed there were a lot of flaws in my character. I liked some things about myself, however, there were a lot of other character traits where I felt that I was lacking in integrity and honesty. The question, What am I doing here? made me want to correct those flaws so that I could feel good about meeting God when I leave this world. I have found that change is possible.
$3.99
O Cessate di Piagarmi (Vocal duet)
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Vocal duet, Piano
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INTERMEDIATE
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Opera
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Classical
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Alessandro Scarlatti
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John Ross
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O Cessate di Piagarmi
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John Ross
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.741860 Composed by Alessandro Scarlatti. Arranged by John Ross. Baroque,Opera. 4 pages....
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.741860 Composed by Alessandro Scarlatti. Arranged by John Ross. Baroque,Opera. 4 pages. John Ross #3447535. Published by John Ross (A0.741860). Alessandro Scarlatti's O Cessate di Piagarmi from his 1683 opera Pompeo is a favourite of singers and singing teachers, being one of the early Italian arias often used in vocal tuition. This arrangement adds a second soloist, providing a decorative balancing part to the original aria's melodic line. Scarlatti repeats his melody line in the original aria. In this arrangement it is shared between the singers - soloist 1 singing it the first time, with soloist 2 singing a second part. On the repeat the singers swap roles. In this way each singer has the main tune once during this arrangement. There are additional decorations and ornaments in the repeated version. Creating a duet from a solo aria gives singers the chance to participate in some vocal chamber music and add another dimension to their performance skills.
$1.99
Our Lady Of Fatima
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Vocal duet, Piano
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EASY
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Sacred music
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Gladys E Gollahon and Samuel L
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Stephen DeCesare
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Our Lady Of Fatima
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Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.908723 Composed by Gladys E Gollahon and Samuel Lewis. Arranged by ...
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.908723 Composed by Gladys E Gollahon and Samuel Lewis. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. 7 pages. Exultet Music #514596. Published by Exultet Music (A0.908723). The song about Our Lady of Fatima that was popular in the 50's has now been freshly arranged as a duet for a Soprano and Tenor solo with Piano accompaniment. Also includes the poem that is read after the first time the song is sung through. Accessible and appropriate for any church or concert setting.
$4.99
Our Lady Of Fatima
#
Vocal duet, Piano
#
EASY
#
Sacred music
#
Gladys E Gollahon and Samuel L
#
Stephen DeCesare
#
Our Lady Of Fatima
#
Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.911290 Composed by Gladys E Gollahon and Samuel Lewis. Arranged by Ste...
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Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.911290 Composed by Gladys E Gollahon and Samuel Lewis. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. 7 pages. Exultet Music #515022. Published by Exultet Music (A0.911290). The song about Our Lady of Fatima that was popular in the 50's has now been freshly arranged as a duet for a Tenor and Bass solo with Piano accompaniment. Also includes the poem that is read after the first time the song is sung through. Accessible and appropriate for any church or concert setting.
$4.99
Our Lady Of Fatima
#
Vocal duet, Piano
#
EASY
#
Sacred music
#
Gladys E Gollahon and Samuel L
#
Stephen DeCesare
#
Our Lady Of Fatima
#
Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.908705 Composed by Gladys E Gollahon and Samuel Lewis. Arranged by S...
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Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.908705 Composed by Gladys E Gollahon and Samuel Lewis. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. 7 pages. Exultet Music #513751. Published by Exultet Music (A0.908705). The song about Our Lady of Fatima that was popular in the 50's has now been freshly arranged as a duet for a Soprano and an Alto solo with Piano accompaniment. Also includes the poem that is read after the first time the song is sung through. Accessible and appropriate for any church or concert setting.
$4.99
Let Us Go Rejoicing (Duet for Soprano and Tenor solo)
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Vocal duet, Piano
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BEGINNER
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Sacred music
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Christian contemporary
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Stephen DeCesare
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Let Us Go Rejoicing
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Exultet Music
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SheetMusicPlus
Voice Duet Soprano voice,Tenor Voice - Level 1 - Digital Download SKU: A0.1106899 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,Contemporary...
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Voice Duet Soprano voice,Tenor Voice - Level 1 - Digital Download SKU: A0.1106899 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,Contemporary,Praise & Worship,Sacred. 7 pages. Exultet Music #709765. Published by Exultet Music (A0.1106899). Majestic arrangement based on Psalm 122 that is scored as a duet for a Soprano and Tenor solo with Organ accompaniment. Can be used for various times throughout the liturgical year but especially during the last weeks of Ordinary Time and the First Week of Advent. An accompaniment track is also available.
$4.99
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
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Vocal duet, Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Jacques Leguerney
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Jacques Leguerney: De L'Abîme
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. ...
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano. Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
$12.95
Moses and Miriam
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Vocal duet, Piano
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EASY
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John W
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Moses and Miriam
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John Fisher
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.1262356 Composed by John W. Fisher. Christian,Contemporary,Instructional,Jewish,Spiritu...
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.1262356 Composed by John W. Fisher. Christian,Contemporary,Instructional,Jewish,Spiritual. 8 pages. John Fisher #855396. Published by John Fisher (A0.1262356). I am creating a new genre of sacred music - THE SERMON SONG. Last summer, 2022, I published Sing to the Lord which I gave to my choir director, Rev. Roger Peterson, who preached on the text of the music, and he was so impressed he had us sing it to First Presbyterian Church the next Sunday. Moses and Miriam was based on Numbers 12: 1-16 in a sermon preached by our Fort Myers Florida senior pastor Dr. Paul de Jong on June 4, 2023. It is a ballad for one or two voices with piano, or organ or guitar accompaniment. Its six verses tell the tale of what happened to Miriam, Moses' sister when she put up a great fuss when her famous brother married a black woman. It is a lesson from Bible times, that racism is unacceptable. As of July 11, 2023, three more SERMON SONGS are in the pipe line for Sheet Music Plus, Pray for the Church, Barnabus, and Moses Slipped up.
$7.00
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