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9
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70
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30
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18
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98
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+ 27 instrumentations
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Retract
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Violin, Viola (duet)
Sheetmusic to print
6 sheet music found
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1
Awake, Awake to Love and Work
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Violin, Viola (duet)
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INTERMEDIATE
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Sacred music
#
Traditional
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Dee Braxton-Pellegrino
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Awake, Awake to Love and Work
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Dee Braxton-Pellegrino
#
SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1287218 Composed by Traditional. Arranged by Dee Braxton-Pellegrino. Christian,Folk,P...
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Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1287218 Composed by Traditional. Arranged by Dee Braxton-Pellegrino. Christian,Folk,Praise & Worship,Religious,Sacred. 4 pages. Dee Braxton-Pellegrino #878231. Published by Dee Braxton-Pellegrino (A0.1287218). This hymn, also known as Morning Song, is based on an old English tune and was first published in the US in Kentucky Harmony of 1816. Here it is arranged as a sprightly duet for violin and viola that is perfect for any church service as a prelude, call to worship or offeratory. With a slight change of tempo it would be suitable as prenuptial music. I arranged this tune along with another published duet, We'll Work 'til Jesus Comes, to be played the Sunday after Labor Day! Though it is modally minor, it is upbeat and joyful!
$15.00
Still Waters (Duet for Violin and Viola)
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Violin, Viola (duet)
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EASY
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Adam Lenhart
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Still Waters
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Adam Lenhart
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.949398 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam ...
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Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.949398 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 3 pages. Adam Lenhart #6704865. Published by Adam Lenhart (A0.949398). Still Waters is just as the title describes: simple and beautiful. This flowing duet features call-and-response phrases, as well as contrasting dynamics to give the song a push-and-pull feeling. A great early-intermediate piece to display the player's ability to use dynamics in a beautiful and emotional way.---------------------------Adam Lenhart is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
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Violin, Viola (duet)
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ADVANCED
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Classical
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pag...
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Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
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Violin, Viola (duet)
#
ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Kamada, Mikio
#
Toccata and Fuge in d-Moll BWV
#
ACORDO Sheet Music
#
SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pag...
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Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
String Duo No 31 for Violin and Viola "Creative Conflict"
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Violin, Viola (duet)
#
Contemporary
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Ken Turley
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String Duo No 31 for Violin an
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Ken Turley
#
SheetMusicPlus
Instrumental Duet,Viola,Violin - Digital Download SKU: A0.926016 Composed by Ken Turley. 20th Century. 51 pages. Ken Turley #4885985. Published by Ken Tu...
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Instrumental Duet,Viola,Violin - Digital Download SKU: A0.926016 Composed by Ken Turley. 20th Century. 51 pages. Ken Turley #4885985. Published by Ken Turley (A0.926016). This four movement sonata is classical in form yet infused with elements of rock and blues, technically challenging and musically rewarding. Includes score and individual parts for violin and viola for all four movements. Audio clip is of the first movement, the longest of the four.
$9.00
Schumann, R. - Traumerei for Violin and Viola
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Violin, Viola (duet)
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INTERMEDIATE
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Classical
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R
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Linda M
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Schumann, R. - Traumerei for V
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Linda M Scott
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.540540 Composed by R. Schumann. Arranged by Linda M. Scott. Classic...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.540540 Composed by R. Schumann. Arranged by Linda M. Scott. Classical. Score and parts. 3 pages. Linda M Scott #4295845. Published by Linda M Scott (A0.540540). Robert Schumann (1810-1856) was a talented pianist, music critic, and composer. This work, written in 1838, is one of his most well known pieces for piano. He described the inspiration for the Scenes from Childhood†in a letter to his wife as follows: “ I often seemed like a child to you – in short, I felt as if I were in pinafores again†..I wrote thirty quaint little things, about twelve of which I have selected and called Scenes from Childhoodâ€. This charming arrangement for a duo of two cellos is accessible to intermediate students, amateurs and professionals. The rhythm is a little complex, but the left hand work is all in first position.
$5.99
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