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Work Song
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2,372
Piano & keyboards
Piano, Voice
2,075
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1,214
Easy Piano
426
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290
C Instruments
281
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111
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30
Piano Trio: piano, violin, cello
22
Piano Accompaniment
18
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12
2 Pianos, 4 hands
8
Harpsichord
5
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Piano (band part)
3
Accordion, Voice
2
Piano Quartet: piano, 2 violins, cello
2
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1
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1
Piano Quintet: piano, 2 violins, viola, cello
1
+ 14 instrumentations
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138
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120
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99
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19
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831
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388
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264
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145
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114
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109
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55
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43
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39
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24
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22
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21
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19
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17
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14
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2
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2
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1
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1
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1
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1
+ 23 instrumentations
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335
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330
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322
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268
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210
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199
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176
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155
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126
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102
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96
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81
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59
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55
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52
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42
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35
3 Saxophones (trio)
33
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25
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20
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18
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18
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17
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14
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11
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11
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11
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9
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9
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3
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2
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2
4 Oboes
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2
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1
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1
Ocarina
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1
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1
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1
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1
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1
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1
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1
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1
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1
Clarinet, Harp (duet)
1
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1
3 Oboes
1
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256
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181
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164
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144
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121
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77
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72
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41
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35
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28
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27
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25
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25
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22
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18
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18
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18
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17
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13
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9
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9
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8
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7
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4
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2
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2
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1
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English horn, Harp (duet)
1
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476
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367
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297
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295
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143
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89
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71
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71
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70
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69
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55
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44
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36
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26
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21
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18
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17
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17
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15
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15
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11
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9
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8
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7
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5
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4
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4
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127
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116
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Work Song
2 Harps (duet)
Sheetmusic to print
4 sheet music found
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1
Melodies of the Spirit - Harp I
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2 Harps (duet)
#
INTERMEDIATE
#
Sacred music
#
Afro-American Songs and George
#
Serena O’Meara
#
Melodies of the Spirit - Harp
#
O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803906 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena Oââ...
(+)
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803906 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk,Praise & Worship,Sacred,Spiritual,Traditional. 5 pages. O'Meara Music #5361623. Published by O'Meara Music (A0.803906). Both Michael Row the Boat Ashore and There is a Balm in Gilead are Afro-American Spirituals. Charles Pickard Ware wrote down Michael Row the Boat Ashore after listening to slaves sing it as they worked on the plantations or rowed across water. The words ask Archangel Michael for help. There is a Balm in Gilead comes from both the Old and New Testaments. Unitarian Minister, George Willis Cooke wrote a song in the later 1800’s that has become a campfire mainstay. I chose to list it as Down in My Heart. It’s also known as I’ve Got the Joy, I’ve Got that Joy, Joy, Joy and Joy, Joy, Joy. This arrangement is playable on either Lever or Pedal harps. Dynamics are clearly marked.ÂÂ
$5.00
Melodies of the Spirit - Harp II
#
2 Harps (duet)
#
INTERMEDIATE
#
Sacred music
#
Afro-American Songs and George
#
Serena O’Meara
#
Melodies of the Spirit - Harp
#
O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803904 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena Oââ...
(+)
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803904 Composed by Afro-American Songs and George Willis Cooke. Arranged by Serena O’Meara. Folk,Praise & Worship,Sacred,Spiritual,Traditional. 5 pages. O'Meara Music #5361625. Published by O'Meara Music (A0.803904). Both Michael Row the Boat Ashore and There is a Balm in Gilead are Afro-American Spirituals. Charles Pickard Ware wrote down Michael Row the Boat Ashore after listening to slaves sing it as they worked on the plantations or rowed across water. The words ask Archangel Michael for help. There is a Balm in Gilead comes from both the Old and New Testaments. Unitarian Minister, George Willis Cooke wrote a song in the later 1800’s that has become a campfire mainstay. I chose to list it as Down in My Heart. It’s also known as I’ve Got the Joy, I’ve Got that Joy, Joy, Joy and Joy, Joy, Joy. This arrangement is playable on either Lever or Pedal Harps. Dynamics are clearly marked.ÂÂ
$5.00
Come, Thou Fount of Every Blessing, Harp II
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2 Harps (duet)
#
INTERMEDIATE
#
Anonymous, or perhaps John Wye
#
Serena O'Meara
#
Come, Thou Fount of Every Bles
#
O'Meara Music
#
SheetMusicPlus
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803789 Composed by Anonymous, or perhaps John Wyeth. Arranged by Serena O'Meara. Folk,P...
(+)
Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803789 Composed by Anonymous, or perhaps John Wyeth. Arranged by Serena O'Meara. Folk,Praise and Worship,Sacred,Traditional,Wedding. 3 pages. O'Meara Music #4717917. Published by O'Meara Music (A0.803789). The words of this hymn that we know today first appeared in 1758 in a collection of poetry used in a church meeting in Cambridge, UK. The folk melody, named Hallelujah or Good Shepherd, appeared in 1813 in A Repository of Sacred Music, Part Second published by John Wyeth in Pennsylvania. Wyeth was a compiler of music for the purpose of publishing, not a musician. The tune of the hymn is called Nettleton. Asahel Nettleton was an evangelist from Connecticut who worked in New England. There is no indication that he wrote any music. The first appearance of this melody with the Come, Thou Fount of Every Blessing lyrics was published by Darius Jones in 1852. Charles Ives used this folk melody in two of his compositions: First String Quartet and the song The Innate.This duet is in the key of D. The melody is divided evenly between parts. Dynamics are clearly marked.Â
$3.00
Come, Thou Fount of Every Blessing, Harp I
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2 Harps (duet)
#
INTERMEDIATE
#
Sacred music
#
Anonymous, or perhaps John Wye
#
Serena O'Meara
#
Come, Thou Fount of Every Bles
#
O'Meara Music
#
SheetMusicPlus
Instrumental Duet Folk Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.803788 Composed by Anonymous, or perhaps John Wyeth. Arranged by Seren...
(+)
Instrumental Duet Folk Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.803788 Composed by Anonymous, or perhaps John Wyeth. Arranged by Serena O'Meara. Folk,Praise & Worship,Sacred,Traditional,Wedding. Score and parts. 3 pages. O'Meara Music #4717915. Published by O'Meara Music (A0.803788). The words of this hymn that we know today first appeared in 1758 in a collection of poetry used in a church meeting in Cambridge, UK. The folk melody, named Hallelujah or Good Shepherd, appeared in 1813 in A Repository of Sacred Music, Part Second published by John Wyeth in Pennsylvania. Wyeth was a compiler of music for the purpose of publishing, not a musician. The tune of the hymn is called Nettleton. Asahel Nettleton was an evangelist from Connecticut who worked in New England. There is no indication that he wrote any music. The first appearance of this melody with the Come, Thou Fount of Every Blessing lyrics was published by Darius Jones in 1852. Charles Ives used this folk melody in two of his compositions: First String Quartet and the song The Innate.This duet is in the key of D. The melody is divided evenly between parts. Dynamics are clearly marked.
$3.00
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1
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