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Dances

Moonlight Festival Dances (for Mallet Percussion Solo)

#Moonlight Festival Dances

Moonlight Festival Dances (for Mallet Percussion Solo) #Marimba #INTERMEDIATE/ADVANCED #Contemporary #Adam Lenhart #2-mallets, unaccompanied #Moonlight Festival Dances #Adam Lenhart #SheetMusicPlus

Marimba Solo - Level 4 - Digital Download SKU: A0.949340 Composed by Adam Lenhart. Contemporary. Individual part. 5 pages. Adam Lenhart #4969133. Publish...(+)

Marimba Solo - Level 4 - Digital Download SKU: A0.949340 Composed by Adam Lenhart. Contemporary. Individual part. 5 pages. Adam Lenhart #4969133. Published by Adam Lenhart (A0.949340). This intense mallet solo uses mixed meter to evoke an exciting and slightly chaotic of the climax of a town celebration. Each section embodies a different group of people celebrating and dancing in their own unique style, as if the audience were in the center of the dance looking around at the variety of cultures contained in the festival. Moonlight Festival Dances is an original piece that encompasses a variety of emotions and tones and requires the player to swiftly change between time signatures, styles and keys.Suitable for 3-octave marimba, xylophone or vibes; 2-mallets, unaccompanied.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associationâ€™s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Menâ€™s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.

Eight Tarot Cards for Madam Rubio ... Il Saltimbanco (1997) for two marimbas #Marimba #INTERMEDIATE/ADVANCED #Thomas Oboe Lee #Eight Tarot Cards for Madam Ru #Thomas Oboe Lee #SheetMusicPlus

Marimba Solo - Level 4 - Digital Download SKU: A0.869369 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual pa...(+)

Marimba Solo - Level 4 - Digital Download SKU: A0.869369 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. 6 pages. Thomas Oboe Lee #33645. Published by Thomas Oboe Lee (A0.869369). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]