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667
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505
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74
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26
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21
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15
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9
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6
C Instruments
6
2 Pianos, 4 hands
5
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5
Organ, Piano (duet)
3
Piano Quintet: piano, 2 violins, viola, cello
1
Accordion ensemble
1
Organ, Trumpet (duet)
1
Harpsichord
1
+ 11 instrumentations
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Retract
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Guitar
39
Guitar (band part)
6
Guitar notes and tablatures
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3
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Banjo
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3 Guitars (trio)
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+ 5 instrumentations
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380
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133
Choral 2-part
73
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49
Choral TTBB
26
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17
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8
High voice
6
Alto voice, Piano
6
Choral SSATB
5
Tenor voice, Piano
4
Soprano voice, Piano
3
Voice solo
3
Vocal duet, Piano
3
Vocal duet
3
Low voice, Piano
3
Tenor voice
1
Choral SSAATTBB
1
Soprano voice
1
Medium voice, Piano
1
Mezzo-Soprano voice, Piano
1
+ 16 instrumentations
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Woodwind
Flute and Piano
56
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
47
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40
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31
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29
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28
Alto Saxophone and Piano
24
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24
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22
Clarinet
20
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19
2 Clarinets (duet)
18
Tenor Saxophone and Piano
18
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15
Flute, Oboe, Clarinet, Bassoon
14
2 Flutes (duet)
13
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12
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11
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11
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11
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10
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7
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7
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6
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6
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6
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6
Saxophone ensemble
5
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5
Oboe
5
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4
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4
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4
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Descant (Soprano) Recorder
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3
Saxophone Quintet: 5 Saxophones
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Flute Trio: 3 flutes
3
Clarinet Quintet: 5 clarinets
2
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2
2 Oboes (duet)
2
Recorder Quartet
2
Piccolo, Piano
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Tenor Recorder
2
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2
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2
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2
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2
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2
Oboe, Clarinet (duet)
1
Clarinet, Bassoon (duet)
1
Clarinette, Viola and Piano (trio)
1
2 Saxophones, Piano
1
Flute, Violoncello
1
Oboe, Bassoon and Piano
1
Flute, Viola and Piano
1
3 Oboes
1
Oboe, Cello
1
Flute, Clarinet and Bassoon.
1
Recorder
1
Saxophone
1
Treble (Alto) Recorder
1
Tenor Saxophone
1
Oboe, Clarinet, Bassoon (trio)
1
2 English horns and Pianoforte
1
5 Recorders
1
Clarinet, Cello (duet)
1
Flute, Violin and Violoncello
1
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1
Clarinet, Harp (duet)
1
Clarinet and Viola
1
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1
Piccolo
1
Flute, Violin, Piano
1
Flute, Trombone (duet)
1
Bass Clarinet
1
Flute, Oboe, Piano (trio)
1
Flute Quintet : 5 flutes
1
Flute, Organ (duet)
1
+ 80 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
52
Trombone and Piano
30
Trombone (band part)
25
Trumpet, Piano
21
French Horn and Piano
21
Brass quartet : 2 trumpets, trombone, tuba
18
Trumpet (band part)
15
Trumpet
10
Trombone
10
Euphonium, Piano (duet)
9
Tuba and Piano
9
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7
French horn
7
Tuba
7
Tuba (band part)
6
2 Trumpets (duet)
6
French horn (band part)
6
Brass Quartet
5
Trumpet, Trombone (duet)
5
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5
Trombone ensemble
4
Trumpet ensemble
4
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4
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4
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3
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2
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2
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2
2 Tubas (duet)
2
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2
Brass Quartet: 4 trumpets
2
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1
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1
2 English horns and Pianoforte
1
4 Tubas
1
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1
Euphonium, Tuba (duet)
1
3 French horns (trio)
1
+ 34 instrumentations
-
Retract
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String Quartet: 2 violins, viola, cello
102
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45
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39
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31
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17
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13
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12
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9
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9
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8
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6
2 Cellos (duet)
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String Quartet : 4 violas
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String Trio: 3 cellos
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2
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2
String Trio: 3 violas
2
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2
String quartet: 4 violins
1
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1
String Quintet: 2 violins, viola, cello, bass
1
String Trio: 3 violins
1
String Quintet: 2 violins, 2 violas, cello
1
Violin, Organ
1
4 Cellos
1
4 Double Basses
1
+ 31 instrumentations
-
Retract
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987
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169
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111
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74
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42
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32
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10
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7
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2 Xylophones
1
Piano and Orchestra
1
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1
Brass Quintet: other combinaisons
1
Drums
1
2 Marimbas
1
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Trumpet, Trombone (duet)
Sheetmusic to print
5 sheet music found
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1
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trumpet, Trombone (duet)
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EASY
#
Giovanni Gabrieli
#
James M
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1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest...
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trumpet, Trombone (duet)
#
EASY
#
Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
#
SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
turlough o'carolan o’carolan’s receipt Trumpet and Trombone sheet music
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Trumpet, Trombone (duet)
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EASY
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Turlough O'carolan
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Arezzo Music
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turlough o'carolan o’carolan
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Arezzo Music
#
SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1506970 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo M...
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - Digital Download SKU: A0.1506970 By Turlough O'carolan. By Turlough O'carolan. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Folk,Irish,Traditional. 3 pages. Arezzo Music #1082352. Published by Arezzo Music (A0.1506970). Turlough o'carolan o’carolan’s receipt Trumpet and Trombone sheet musicTurlough O'Carolan's O’Carolan’s Receipt arranged for Trumpet and Trombone offers a delightful blend of Irish folk music and classical style. The Trumpet carries the flowing, melodic lines with lightness and grace, while the Trombone adds a rich, grounding harmony beneath. This arrangement is ideal for intermediate players, offering a beautiful contrast between the bright, airy sound of the flute and the deep, resonant tones of the Trombone. It’s a wonderful choice for musicians looking to explore traditional Irish music in a chamber music setting. turlough o'carolan o’carolan’s receipt Trumpet and Trombone sheet music
$4.99
Trumpet Tune and Air, by Purcell; Trumpet and Trombone Duet
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Trumpet, Trombone (duet)
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INTERMEDIATE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.587674 Composed by Henry Purcell. Arranged by David McKeown. Ba...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.587674 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 3 pages. David McKeown #4729551. Published by David McKeown (A0.587674). The Trumpet Tune and Air was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a duet for Trumpet and Trombone and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet and Alto Saxophone version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
IAN BUTTERWORTH Fanfare & Scherzino for trumpet & trombone
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Trumpet, Trombone (duet)
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INTERMEDIATE
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Ian Butterworth
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IAN BUTTERWORTH Fanfare & Sche
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Ian Butterworth
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.963769 Composed by Ian Butterworth. 20th Century,Concert. Score...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.963769 Composed by Ian Butterworth. 20th Century,Concert. Score and parts. 8 pages. Ian Butterworth #6400571. Published by Ian Butterworth (A0.963769). Two contrasting short pieces which exploit the full range of both instruments. 3 mins approx. Through the experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk
$7.99
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