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Choral 2 parts
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Trumpet, Trombone (duet)
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5 sheet music found
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1
Our Father for brass quartet (2 tpt and 2 trbn)
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Trumpet, Trombone (duet)
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EASY
#
David Warin Solomons
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Our Father for brass quartet
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David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.576630 Composed by David Warin Solomons. 20th Century,Christian...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.576630 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 6 pages. David Warin Solomons #44137. Published by David Warin Solomons (A0.576630). The Our Father setting, which I set as part of my Preces and Responses, is now also published separately in various versions: choral (with doxology and without doxology [1662 BCP version]), brass quartet (various combinations of brass instruments), string quartet, flute quartet, clarinet quartet, saxophone quartet, woodwind quartet, - all in appropriate keys for the various combinations of instruments. ==== The music is lyrical and is reminiscent of the early 1662 settings complete with an English cadence at the end, but with a curious addition of a quote from Tchaikovksy's fate theme at the deliver us from evil section. === The pdf files of the instrumental versions contain score and parts. The sound samples are all electronic previews.
$6.00
Bach Jesu, joy of man's desiring for Brass Quartet 2 Trumpets and 2 Trombones
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Trumpet, Trombone (duet)
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BEGINNER
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Classical
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Johann Sebastian Bach
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Woods Only
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Bach Jesu, joy of man's desiri
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Woods Only, Arrangements
#
SheetMusicPlus
Trombone,Trumpet - Level 1 - Digital Download SKU: A0.956842 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instruct...
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Trombone,Trumpet - Level 1 - Digital Download SKU: A0.956842 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6412345. Published by Woods Only, Arrangements (A0.956842). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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Trumpet, Trombone (duet)
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EASY
#
Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte,
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jmsgu3
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SheetMusicPlus
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest...
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir
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Trumpet, Trombone (duet)
#
EASY
#
Giovanni Gabrieli
#
James M
#
1 Bass Trombone
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest...
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Brass Ensemble Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Blue Christmas
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Trumpet, Trombone (duet)
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INTERMEDIATE/ADVANCED
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Christmas
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Elvis Presley
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Roger Wallace
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Blue Christmas
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Roger Wallace
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SheetMusicPlus
Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.574469 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Roger Wallac...
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Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.574469 By Elvis Presley. By Billy Hayes and Jay Johnson. Arranged by Roger Wallace. Blues,Christmas,Country,Pop. 40 pages. Roger Wallace #183207. Published by Roger Wallace (A0.574469). Christmas Quartet or Trio (or Duet) with Multiple Part Options. Features Part 3 a la “Elvis (Wig Optional). Parts 1 and 2 simulate the choral background, and part 4 provides the “Bass Guitar†accompaniment. Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation. Can be performed as a Trio by omitting Part 2. Can be performed as a Duet by omitting Parts 2 and 4.A full-length audio version can be heard in the YouTube video.The audio sample represents a Brass Duet (Trumpet and Trombone).This arrangement is also available for many other ensembles.Look for more arrangements by Roger Wallace.
$12.99
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