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1,095
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277
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184
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80
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54
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48
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47
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35
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26
Piano Trio: piano, violin, cello
16
1 Piano, 4 hands
10
2 Pianos, 4 hands
8
Big Note Piano
7
Piano Quartet: piano, violin, viola, cello
3
+ 8 instrumentations
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Guitar (band part)
53
Guitar notes and tablatures
28
Ukulele
27
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26
Guitar
24
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10
Bass guitar
9
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4
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2
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2
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1
2 Ukuleles
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250
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40
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503
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89
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66
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45
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31
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29
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25
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21
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19
Baritone Saxophone, Piano
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18
Tenor Saxophone
17
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15
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14
Clarinet (band part)
13
Saxophone
12
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11
3 Clarinets (trio)
11
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11
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9
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7
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6
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5
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3
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
Flute, trombone and piano
1
Oboe, Violin (duet)
1
Flute, Bassoon, and Piano
1
+ 87 instrumentations
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Retract
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196
Trombone (band part)
138
Trumpet (band part)
103
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99
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97
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93
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40
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38
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31
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16
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11
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108
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103
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102
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99
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96
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95
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89
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60
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56
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32
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Mandolin, Guitar (duet)
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1 sheet music found
Carolan: 174
#
Mandolin, Guitar (duet)
#
INTERMEDIATE/ADVANCED
#
Turlough Ó Carolan
#
Gordon Jackson
#
Carolan: 174
#
Gordon Jackson
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - Digital Download SKU: A0.1017672 Composed by Turlough Ó Carolan. Arranged by Gordon J...
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Instrumental Duet Guitar,Instrumental Duet,Mandolin - Level 4 - Digital Download SKU: A0.1017672 Composed by Turlough Ó Carolan. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 2 pages. Gordon Jackson #6434379. Published by Gordon Jackson (A0.1017672). 174Turlough Ó Carolan (1670-1738) was an Irish harper and composer. Carolan’s music does not sit comfortably in any one particular musical tradition. He was the product of a long line of Irish harpers dating from medieval times or before. He was also aware of Irish folk music, with many of his tunes having a ‘trad’ quality, particularly in his jig-like compositions. Finally, Carolan was influenced by the music of Italian Baroque composers that he would have heard played at the great houses he visited. Carolan’s Draught is an example of the latter.The rather prosaically titled ‘174’ is simply the result of the air’s original name being lost in the mists of time, and Donal O’Sullivan, in his Carolan: The Life Times and Music of an Irish Harper [sic.] allocated numbers to the tunes that had no titles (171-180). I have arranged this primarily for solo mandolin, although I’m sure it can be adapted for other instruments. The piece is played three times through: first, the basic unadorned melody; second, with just a few simple double stops and open strings; third, a fully-realised romp with many, often quite tricky, double stops (and open strings, of course, but they’re pretty easy!). I’ve added guitar chords above the staff (letter names only), not that it necessarily needs further accompaniment. The melody is so heavily arpeggiated the chords more or less wrote themselves. A word of warning – easily discovered for yourselves, really – beware of attempting to play this too fast lest those runs of quavers (16th notes) catch you unawares!
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