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Air On the G String
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429
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31
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20
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19
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19
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18
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16
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16
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15
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14
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14
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12
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11
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10
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9
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9
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8
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8
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8
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7
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7
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4
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3
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3
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64
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34
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6
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You've selected:
Air On the G String
Cello, String Bass (duet)
Sheetmusic to print
5 sheet music found
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1
Air on a G String for Cello and Double Bass Duet
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Cello, String Bass (duet)
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EASY
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Classical
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Johann Sebastian Bach
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David Burndrett
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Air on a G String for Cello an
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David Burndrett
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SheetMusicPlus
Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1226419 Composed by Johann Sebastian Bach. Arranged by David Burndrett. Baroque....
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Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1226419 Composed by Johann Sebastian Bach. Arranged by David Burndrett. Baroque. 4 pages. David Burndrett #822418. Published by David Burndrett (A0.1226419). This works well as a concert piece or just for fun!Download includes the score and both of the parts.
$4.95
AIR ON THE G STRING - CELLO & CONTRABASS
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Cello, String Bass (duet)
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EASY
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Classical
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Johann Sebastian Bach
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Paulo Galvão Filho
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AIR ON THE G STRING - CELLO &
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Paulo Galvao Filho
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.708863 Composed by Johann Sebastian Bach. Arranged by Paulo Ga...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.708863 Composed by Johann Sebastian Bach. Arranged by Paulo Galvão Filho. Baroque. Score and parts. 6 pages. Paulo Galvao Filho #6400119. Published by Paulo Galvao Filho (A0.708863).
$4.99
AIR ON THE G STRING - VIOLIN & CONTRABASS
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Cello, String Bass (duet)
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EASY
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Classical
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Johann Sebastian Bach
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Paulo Galvão Filho
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AIR ON THE G STRING - VIOLIN &
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Paulo Galvao Filho
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.710273 Composed by Johann Sebastian Bach. Arranged by Paulo G...
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Instrumental Duet Double Bass,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.710273 Composed by Johann Sebastian Bach. Arranged by Paulo Galvão Filho. Baroque. Score and parts. 6 pages. Paulo Galvao Filho #6400105. Published by Paulo Galvao Filho (A0.710273).
$4.99
Two Duets for Double Bass (or Cello)
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Cello, String Bass (duet)
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EASY
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Classical
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Johann Sebastian Bach
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Robert E
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Drawn from the works of J
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Two Duets for Double Bass
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R. E. Proctor
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.809908 Composed by Johann Sebastian Bach. Arranged by Robert E...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.809908 Composed by Johann Sebastian Bach. Arranged by Robert E. Proctor. Baroque,Instructional. Score and parts. 5 pages. R. E. Proctor #6051415. Published by R. E. Proctor (A0.809908). Two duets for double bass or cello to provide the student and the teacher an opportunity to move beyond scales and exercises for a little change of pace. Drawn from the works of J.S. Bach. The Bourrée in E Minor, from the Lute Suite in E minor, has suggested phrasing, fingerings, and bowings are for double bass. The Aire on the G String is from the 3rd Orchestral Suite. This does not have any edits beyond phrasing. The student is encouraged to develop his/her own fingerings and bowings and discuss his/her reasons with the instructor. The duration of the Aire is approximately 2:50 and the Bourrée is about 1:30. The student and the teacher should play both parts, perhaps, changing on the repeats.
$5.95
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Cello, String Bass (duet)
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BEGINNER
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Jean-Baptiste Breval
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Yuriy Leonovich, Michele Galva
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Six Sonates d'un genre facile
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leo...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
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