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+ 7 instrumentations
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2 sheet music found
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1
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
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High voice
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INTERMEDIATE
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Antonio SARTORIO
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Sergei PICHUGIN
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SARTORIO Antonio: Dolce Amor,
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868656 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868656 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4366442. Published by Really Good Music, LLC. (A0.868656). Dolce Amor, bendato Dio is an aria from the opera Il Massenzio (1673), composed by Antonio SARTORIO (1630 – 1680). Despite the fact that Sartorio’s authorship has been reliably established, various publications of the arrangements of the aria for a long time named Francesco CAVALLI as a composer. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the first publications of the libretto of the opera (Venice, 1673; Rome, 1674) and on comparison of four manuscripts, mostly from the end of seventeenth century. It is available in the original key of A minor (E4 – G5).
$5.95
Già risi - secular lute song (Kapsperger, 1619)
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High voice
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INTERMEDIATE
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Giovanni Girolamo Kapsperger
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Scott S
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Già risi - secular lute song
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Scott S. Stewart
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.955849 Composed by Giovanni Girolamo Kapsperger. Arranged by Scott S. Stewart. Baroque,Concert...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.955849 Composed by Giovanni Girolamo Kapsperger. Arranged by Scott S. Stewart. Baroque,Concert,Instructional,Standards. 7 pages. Scott S. Stewart #6448577. Published by Scott S. Stewart (A0.955849). The original secular lute song, Gia risi, was composed in Italian, with a basso continuo accompaniment. It was first published in 1619 in Libro terzo di villanelle, No.2. This modern arrangement is for soprano or tenor voice and keyboard and hopes to awaken a new appreciation of Kapsperger’s genius. A variety to the accompaniment, and embellishment to the vocal line for each verse of this strophic composition, provides a practical solution for modern recital hall performance. This piece is a fine introduction to the early Baroque style. Performance time: 3:58+
$9.99
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