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--INSTRUMENTS--
ACCORDION
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BAGPIPE
BANJO
BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
That's It! - Bass
Not classified
3,189
Piano & keyboards
Piano solo
2,229
Piano, Voice
922
Easy Piano
641
Piano, Vocal and Guitar
594
C Instruments
349
Organ
140
Piano Accompaniment
78
Piano Trio: piano, violin, cello
48
Piano (band part)
45
1 Piano, 4 hands
43
2 Pianos, 4 hands
16
Piano Quartet: piano, violin, viola, cello
15
Piano Quintet: piano, 2 violins, viola, cello
8
Big Note Piano
7
Harpsichord
5
Accordion
5
Piano Quartet: piano, 2 violins, cello
4
2 Pianos, 8 hands
2
Organ, Trumpet (duet)
2
Organ, Piano (duet)
1
+ 15 instrumentations
-
Retract
Guitars
Guitar
221
Guitar notes and tablatures
204
Melody line, (Lyrics) and Chords
98
Guitar (band part)
94
Ukulele
58
2 Guitars (duet)
36
Lyrics and Chords
19
Piano, Guitar (duet)
15
Banjo
12
4 Guitars (Quartet)
10
3 Guitars (trio)
10
Dulcimer
10
Mandolin
8
Guitar Ensemble
3
Mandolin, Guitar (duet)
2
Mandolin, Piano (duet)
2
Guitar, Violin, Cello (trio)
1
2 Ukuleles
1
Dobro
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
965
Choral 3-part
321
Choral 2-part
216
Choral TTBB
178
Choral Unison
118
Soprano voice, Piano
114
Choral SSAA
87
Tenor voice, Piano
85
Alto voice, Piano
81
Baritone voice, Piano
43
Vocal duet, Piano
20
Vocal duet
16
High voice
12
Voice solo
7
Medium voice, Piano
6
Soprano voice
3
Tenor voice
3
Soli, Mixted choir and accompaniment
2
Choral SSAATTBB
2
Mezzo-Soprano voice, Piano
1
Choral SSATTB
1
Choral SSATB
1
Choral SATBB
1
Choral
1
+ 19 instrumentations
-
Retract
Woodwind
Saxophone (band part)
383
Saxophone Quartet: 4 saxophones
382
2 Saxophones (duet)
323
Flute and Piano
284
Clarinet and Piano
268
Oboe, Piano (duet)
232
Alto Saxophone and Piano
228
Saxophone Quintet: 5 Saxophones
226
2 Flutes (duet)
200
Flute
193
Alto Saxophone
187
Oboe (band part)
158
Clarinet
154
Tenor Saxophone and Piano
154
Soprano Saxophone and Piano
140
2 Clarinets (duet)
113
Tenor Saxophone
105
Saxophone ensemble
104
Baritone Saxophone, Piano
94
Pennywhistle
80
Clarinet, Violin (duet)
67
Saxophone, Clarinet (duet)
65
Flute, Clarinet (duet)
59
2 Oboes (duet)
59
Flute Quartet: 4 flutes
57
3 Saxophones (trio)
57
English horn, Piano
56
2 Recorders (duet)
52
Clarinet Ensemble
52
Flute (band part)
50
Clarinet, Trumpet (duet)
49
Clarinet Quartet: 4 clarinets
46
Clarinet (band part)
42
Flute Quintet : 5 flutes
38
Oboe, Clarinet (duet)
36
Flute, Violin
35
Soprano Saxophone
34
Clarinet and Viola
34
Oboe
34
Flute, Viola (duet)
32
Descant (Soprano) Recorder
29
Flute and Guitar
28
Flute, Saxophone (duet)
27
Flute, Trumpet (duet)
21
Oboe, Flute
19
Baritone Saxophone
18
Flute, Oboe (duet)
18
Flute, Oboe, Clarinet (trio)
18
Flute, Violoncello
17
Flute, Violin, Piano
16
Flute Trio: 3 flutes
16
3 Clarinets (trio)
16
Flute ensemble
16
Clarinet, Guitar (duet)
15
Clarinet, Cello (duet)
15
Recorder
14
Oboe, Violin (duet)
13
Recorder Quartet
12
Oboe, Cello
12
Flute, Trombone (duet)
11
5 Recorders
11
Clarinet, Trombone (duet)
11
Clarinet Quintet: 5 clarinets
10
Harmonica
9
Descent (Soprano) Recorder, Piano
7
3 Recorders (trio)
6
Oboe, Guitar (duet)
6
Saxophone
6
Treble (Alto) Recorder
6
2 Flutes, Piano
5
Flute, Oboe, Piano (trio)
4
Treble (Alto) Recorder, Piano
4
Piccolo, Piano
4
Bagpipe
3
English Horn
3
Flute, Clarinet, Piano (trio)
3
Oboe and viola (duet)
3
Flute and Strings Trio
3
Ocarina
3
Tenor Recorder
3
2 Saxophones, Piano
3
Saxophone and Harp
2
Oboe, Harp
2
Clarinet, Harp (duet)
2
Flute, Violin and Violoncello
2
Recorder Ensemble
2
Clarinet, Cello, Piano (trio)
2
2 Clarinets, Piano
2
3 Oboes
2
Oboe, Violin, Viola and Violoncello (Quartet)
1
Flute, harp and violin
1
Saxophone and Guitar
1
Flute, trombone and piano
1
Flute, Viola and Piano
1
Piccolo
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Flute, Violin, Violoncello and Piano
1
Saxophone and Organ
1
+ 93 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
440
Trombone (band part)
265
Brass quartet : 2 trumpets, trombone, tuba
248
Trumpet (band part)
233
Trumpet
211
Trumpet, Piano
197
Trombone and Piano
192
French Horn and Piano
181
Brass Quartet: 2 trumpets, horn, trombone
137
Trombone
131
French horn
128
Tuba and Piano
103
Tuba
101
2 Trumpets (duet)
83
2 Trombones (duet)
69
Trumpet ensemble
63
Euphonium, Piano (duet)
60
Brass Quartet
59
English horn, Piano
56
French horn (band part)
49
Trumpet, Saxophone (duet)
47
Trumpet, Trombone (duet)
46
Trombone ensemble
45
Tuba (band part)
42
2 French horns (duet)
34
Brass Quartet: 4 trombones
23
Brass Quartet: 4 horns
15
Brass Quartet: 4 trumpets
13
2 Tubas (duet)
12
2 Euphoniums (duet)
12
Horn Ensemble
11
Trumpet, Horn (duert)
10
4 Tubas
10
Brass Trio
8
3 Trombones (trio)
6
Horn, Cello (duet)
6
Tuba and Organ
6
3 French horns (trio)
5
3 Tubas (trio)
5
Trombone, Horn (duet)
4
Euphonium
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
English Horn
3
2 Euphoniums and 2 Tubas
3
3 Trumpets (trio)
3
Trumpet, Cello (duet)
2
French Horn and Harp
1
Euphonium, Tuba (duet)
1
Tuba ensemble
1
Trumpet and Guitar
1
3 Euphoniums
1
Trumpet, Tuba (duet)
1
Tuba or Euphonium or Saxhorn
1
Trumpet, Cello, Piano
1
+ 49 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
752
Violin and Piano
337
Violin
291
Cello, Piano
255
Cello
248
Viola, Piano
241
Violin, Cello (duet)
192
Viola
129
2 Violins (duet)
108
String Trio: violin, viola, cello
104
Harp
102
String Trio: 2 violins, cello
97
2 Cellos (duet)
91
Violin, Viola (duet)
77
2 Violas (duet)
76
Viola (band part)
70
Violin (band part)
62
2 Harps (duet)
56
Viola, Cello (duet)
26
Violin ensemble
24
Viola ensemble
23
4 Cellos
17
String Trio: 3 cellos
14
Cello (band part)
14
String Trio: 3 violins
12
String quartet: 4 violins
11
Piano Trio: Violin, Viola, Piano
9
String Quartet : 4 violas
9
String Quintet: 2 violins, 2 violas, cello
8
String Trio: 3 violas
8
Violin, Guitar (duet)
8
Harp, Flute (duet)
8
Cello, Guitar (duet)
7
Harp, Trombone (duet)
3
Harp, Violin (duet)
3
Violin, Clarinet, Piano (trio)
3
Harp, Voice
3
Viola and Harp
2
Cello, Organ
2
Cello Ensemble
2
Violin, Organ
1
Harp, Cello (duet)
1
String Trio: 2 violins, viola
1
Harp and Piano
1
Harp, Violin, Violoncello
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Concert band
894
Orchestra
280
String Orchestra
221
Jazz Ensemble
194
Brass ensemble
135
Marching band
90
Handbells
75
Chamber Orchestra
69
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50
Jazz combo
26
Percussion (band part)
26
Percussion Ensemble
25
Drums
16
Marimba
13
Xylophone, Piano
12
Vibraphone
5
Percussion
3
Xylophone
3
Brass Quintet: other combinaisons
3
Orchestra, Violin
3
2 Xylophones
2
Timpani (band part)
1
Vibraphone and Marimba
1
Bodhran
1
Xylophone or Marimba or Vibraphone
1
+ 20 instrumentations
-
Retract
Others
Music Theory
1
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You've selected:
That's It! - Bass
High voice
Sheetmusic to print
12 sheet music found
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1
It's Not Climbing Mountains - High edition
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High voice
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INTERMEDIATE
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Sacred music
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Daniel Barta
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It's Not Climbing Mountains -
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Shaw Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1097969 Composed by Daniel Barta. Sacred. 6 pages. Shaw Music #701874. Published by Shaw Music...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1097969 Composed by Daniel Barta. Sacred. 6 pages. Shaw Music #701874. Published by Shaw Music (A0.1097969). Here is a unique musical offering that contemplates the simple, mundane moments in our lives and considers how they bring honor to the Lord. Lyricist and composer Daniel Barta paints a poetic and musical picture that will touch singer and audience alike. (From ALL I CAN DO IS PRAISE: FIVE SONGS FOR VOICE & PIANO).
$3.95
Does It Matter?
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High voice
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ADVANCED
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #2384...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Periwinkle
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High voice
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INTERMEDIATE/ADVANCED
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Alicia Willard
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Periwinkle
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Alicia Santee-Davis
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-D...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
The War Prayer (Downloadable)
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High voice
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Steven Mark Kohn
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The War Prayer
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. P...
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High voice and piano - Medium - Digital Download SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. Published by E. C. Schirmer Music Company - Digital (MQ.8673-E). English.This text has been adapted from Mark Twain's The War Prayer, which he wrote in 1904-5 to protest America’s involvement in the Spanish-American War. His family convinced him to keep if from publication, fearing it was too controversial. Published after his death, Twain makes the case that if God causes all things to happen and blesses select people, then He must also, willingly, deny others his blessing. It is the other side of prayer, the unspoken side, which Twain so brilliantly characterized in The War Prayer. Duration 8:00.
$10.00
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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High voice
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkl...
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High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Arise, my love (Downloadable)
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High voice
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Wedding/Ballad
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Julian Wachner
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Song of Solomon 2
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Arise, my love
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice, piano - Moderately Difficult - Digital Download SKU: MQ.6181-E Composed by Julian Wachner. Wedding. 5 pages. E. C. Schirmer Music Company - D...
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High voice, piano - Moderately Difficult - Digital Download SKU: MQ.6181-E Composed by Julian Wachner. Wedding. 5 pages. E. C. Schirmer Music Company - Digital #6181-E. Published by E. C. Schirmer Music Company - Digital (MQ.6181-E). English. Song of Songs 2; Song of Solomon 2.The text is from The Song of Solomon, King James Version of the Bible. The setting uses ascending lines to accentuate bold phrases, and the piano either plays a triplet figure or sustained notes often in blocked chords. Additionally, the ending leaves the audience wondering if the lover ever did arise, as there are four repeated descending figures in the piano followed by the lowest notes in the piece ending the song. It's exciting writing that allows for multiple interpretations.
$7.75
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
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High voice
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INTERMEDIATE
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Antonio SARTORIO
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Sergei PICHUGIN
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SARTORIO Antonio: Dolce Amor,
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868656 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868656 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4366442. Published by Really Good Music, LLC. (A0.868656). Dolce Amor, bendato Dio is an aria from the opera Il Massenzio (1673), composed by Antonio SARTORIO (1630 – 1680). Despite the fact that Sartorio’s authorship has been reliably established, various publications of the arrangements of the aria for a long time named Francesco CAVALLI as a composer. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the first publications of the libretto of the opera (Venice, 1673; Rome, 1674) and on comparison of four manuscripts, mostly from the end of seventeenth century. It is available in the original key of A minor (E4 – G5).
$5.95
Die Stadt | Kunstlied for Soprano or Tenor
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High voice
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INTERMEDIATE
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Michael Barrera
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Die Stadt | Kunstlied for Sopr
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Michael Barrera
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998585 Composed by Michael Barrera. Classical,Contemporary,Romantic Period. 6 pages. Michael B...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998585 Composed by Michael Barrera. Classical,Contemporary,Romantic Period. 6 pages. Michael Barrera #6860425. Published by Michael Barrera (A0.998585). Https://www.michaelbarreraflute.com/shop/p/die-stadt Program Notes Die Stadt is a piece modeled after a Kunstlied, a type of art song that sets text to music, typically with a voice part and instrumental accompaniment. The text is translated from Heinrich Heine’s poem of the same name. Originally sketched a few years back, it has been reworked and polished, giving the text a beautifully rich setting. The beginning is mysterious and misty like the evening twilight before the wind picks up as the piano swells with huge sweeping arpeggios. The calm returns as all sounds fade into the mist. Instrumentation Soprano Piano Soprano may be substituted with other voice parts, although the range is written best for soprano and tenor.
$7.99
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