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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
B.B. King
Sheetmusicplus
Not classified
1,966
Piano & keyboards
Piano solo
354
C Instruments
283
Piano, Voice
231
Easy Piano
167
Piano, Vocal and Guitar
152
Piano Accompaniment
37
Organ
29
Piano Trio: piano, violin, cello
14
1 Piano, 4 hands
13
Piano Quartet: piano, 2 violins, cello
5
2 Pianos, 4 hands
4
Piano Quartet: piano, violin, viola, cello
3
Harpsichord
2
Big Note Piano
2
Accordion
2
Piano (band part)
2
Organ, Trumpet (duet)
1
Piano Quintet: piano, 2 violins, viola, cello
1
Keyboard
1
+ 14 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
252
Melody line, (Lyrics) and Chords
61
Guitar
42
Bass guitar
30
Lyrics and Chords
20
Ukulele
19
Mandolin
8
Piano, Guitar (duet)
6
Dulcimer
6
Guitar (band part)
4
Banjo
3
2 Guitars (duet)
2
Guitar Ensemble
1
Electric Bass (band part)
1
4 Guitars (Quartet)
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
174
Choral TTBB
126
Choral SSAA
124
Choral 3-part
44
Choral 2-part
31
Soprano voice, Piano
11
Choral Unison
10
Alto voice, Piano
9
Vocal duet, Piano
8
Tenor voice, Piano
7
High voice
5
Vocal duet
4
Choral Instrumental Pak
4
Baritone voice, Piano
4
Medium voice, Piano
2
Voice solo
1
Soprano voice, Orchestra
1
Tenor voice
1
Mezzo-Soprano voice, Piano
1
Choral
1
+ 15 instrumentations
-
Retract
Woodwind
Clarinet and Piano
572
Clarinet
409
Clarinet (band part)
103
Saxophone (band part)
96
Flute and Piano
78
Flute, Clarinet (duet)
72
Oboe, Piano (duet)
60
Flute
59
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
57
Alto Saxophone
50
Tenor Saxophone and Piano
50
Alto Saxophone and Piano
48
Saxophone Quartet: 4 saxophones
48
Clarinet, Cello (duet)
47
Clarinet, Bassoon (duet)
45
2 Saxophones (duet)
42
2 Flutes (duet)
42
Flute, Oboe, Clarinet, Bassoon
40
Clarinet Quartet: 4 clarinets
37
Bass Clarinet, Piano
37
2 Clarinets (duet)
36
Oboe, Clarinet (duet)
36
Tenor Saxophone
33
Saxophone Quintet: 5 Saxophones
33
Clarinet, Violin (duet)
32
Clarinet and Viola
25
Recorder Ensemble
24
Clarinet Ensemble
23
Oboe (band part)
20
3 Clarinets (trio)
20
Bass Clarinet
18
Soprano Saxophone and Piano
15
3 Saxophones (trio)
14
Clarinet Quintet: 5 clarinets
13
Baritone Saxophone, Piano
13
Oboe
10
Soprano Saxophone
9
Flute, Clarinet, Piano (trio)
9
Flute, Oboe, Clarinet (trio)
8
Clarinet, Double bass (duet)
8
Flute, Clarinet and Bassoon.
8
Clarinet, Harp (duet)
7
Flute, Trumpet (duet)
7
Oboe, Clarinet, Bassoon (trio)
7
2 Recorders (duet)
6
Clarinet, Trombone (duet)
6
2 Saxophones, Piano
6
Flute Quartet: 4 flutes
6
2 Oboes (duet)
6
Flute (band part)
5
Harmonica
5
English horn, Piano
5
Clarinet, Tuba
4
Baritone Saxophone
4
Flute, Oboe, Bassoon
4
Flute Quintet : 5 flutes
4
Ocarina
4
Flute ensemble
4
Treble (Alto) Recorder
4
Flute and Guitar
4
2 Clarinets, Piano
3
Descant (Soprano) Recorder
3
Flute, Violin and Violoncello
2
Oboe, Bassoon (duet)
2
Flute, harp and violin
2
Saxophone ensemble
2
Recorder Quartet
2
Flute, trombone and piano
1
Clarinet, Trumpet (duet)
1
Oboe, Trumpet (duet)
1
2 Clarinets, Bassoon
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Saxophone and Piano
1
Piccolo, Piano
1
Pennywhistle
1
Clarinet, trumpet and piano
1
Saxophone and Organ
1
Flute, Cello, Piano (trio)
1
Flute, Violoncello
1
2 Flutes, Piano
1
Clarinet, Cello, Piano (trio)
1
Flute Trio: 3 flutes
1
Flute, Violin, Piano
1
+ 78 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
469
Trumpet
445
Trumpet (band part)
121
Brass Quintet: 2 trumpets, horn, trombone, tuba
98
Trombone and Piano
90
Trumpet, Trombone (duet)
80
Trombone (band part)
61
Tuba
56
Trombone
48
Tuba and Piano
41
French Horn and Piano
36
Trumpet, Horn (duert)
31
Brass quartet : 2 trumpets, trombone, tuba
30
French horn
26
2 Trumpets (duet)
24
2 Trombones (duet)
23
Brass Quartet
18
Brass Quartet: 2 trumpets, horn, trombone
17
Trumpet, Cello (duet)
14
Euphonium, Piano (duet)
13
Trumpet, Tuba (duet)
11
Trumpet, Bassoon (duet)
11
Trumpet ensemble
9
Trumpet, violin (duet)
8
Tuba (band part)
8
2 French horns (duet)
6
Euphonium
6
Trumpet, Saxophone (duet)
6
Trumpet, Harp
6
Brass Trio
5
Trombone ensemble
5
English horn, Piano
5
French horn (band part)
4
Trumpet, Trombone, Piano
4
Bass Trombone
3
Trumpet and Guitar
3
Tuba or Euphonium or Saxhorn
3
Cornet
3
2 Trumpets, Keyboard (piano or organ)
3
Brass Quartet: 4 trombones
3
Tuba and Organ
2
2 Euphoniums (duet)
2
2 Tubas (duet)
2
Trumpet, Euphonium (duet)
1
Trombone and Orchestra
1
Euphonium, Tuba (duet)
1
2 Trombones, Piano
1
Bass Trombone and Piano
1
2 Euphoniums and 2 Tubas
1
Trombone, Violin (duet)
1
+ 45 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
139
Violin and Piano
94
Violin
66
Cello
63
Cello, Piano
63
Viola, Piano
59
Harp
40
Viola
32
Violin, Cello (duet)
32
2 Violins (duet)
29
String Quintet: 2 violins, viola, cello, bass
22
2 Cellos (duet)
22
String Trio: violin, viola, cello
21
Double bass, Piano (duet)
16
2 Violas (duet)
15
Violin, Viola (duet)
15
Double Bass
13
String Trio: 2 violins, cello
11
Viola (band part)
8
String Quintet: 2 violins, viola, 2 cellos
4
Violin, Clarinet, Piano (trio)
4
2 Harps (duet)
4
String Trio: 2 violins, viola
3
2 Cellos, Piano
2
Viola ensemble
2
2 Double basses (duet)
2
Piano Trio: Violin, Viola, Piano
2
Cello, Orchestra
2
2 Violins, Piano
2
String Quintet: 2 violins, 2 violas, cello
2
Cello, Guitar (duet)
1
Harp, Voice
1
Doublebass (band part)
1
String Trio: 3 violas
1
Violin ensemble
1
Violin, Bassoon (duet)
1
Viola, Cello (duet)
1
Violin, Guitar (duet)
1
Viola, Guitar (duet)
1
String Trio: 3 cellos
1
4 Cellos
1
Harp, Flute (duet)
1
String Trio: 3 violins
1
+ 38 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,004
Orchestra
60
Jazz Ensemble
58
Marching band
42
Handbells
40
String Orchestra
33
Drums
26
Brass ensemble
25
Jazz combo
22
Chamber Orchestra
11
Percussion Ensemble
10
Piano and Orchestra
6
Drum (band part)
6
Marimba
4
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Vibraphone
2
Orchestra, Violin
2
Xylophone, Piano
1
2 Snare Drums (duet)
1
Xylophone
1
Percussion (band part)
1
School Ensemble
1
Marimba, Piano (duet)
1
Vibraphone (band part)
1
+ 19 instrumentations
-
Retract
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High voice
Sheetmusic to print
5 sheet music found
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1
Every Day I Have The Blues (High Voice)
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High voice
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B
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Every Day I Have The Blues
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Digital Download SKU: HX.470318 By B.B. King. Blues,Jazz,Rock. Real Book - Melody/Chords/Lyrics. 3 pages. Published by Hal Leonard - Digit...
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(High Voice) - Digital Download SKU: HX.470318 By B.B. King. Blues,Jazz,Rock. Real Book - Melody/Chords/Lyrics. 3 pages. Published by Hal Leonard - Digital (HX.470318).
$1.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
I Dream of You, to Wake (Soprano or Tenor and Piano)
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High voice
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INTERMEDIATE/ADVANCED
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243....
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
People Get Ready
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High voice
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INTERMEDIATE
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Sacred music
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Rod Stewart
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David Neff
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People Get Ready
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pages. David Neff #741130. Published by David Neff (A0.1140878). Curtis Mayfield’s gospel-influenced R&B hit, People Get Ready was named by Rolling Stone magazine as the 24th greatest song of all time, and it was dubbed by Martin Luther King, Jr, the unofficial anthem of the Civil Rights Movement. The song has been covered by top-tier singers from Bob Dylan, Bob Marley, Aretha Franklin, and the Staple Singers, to Jeff Beck and Rod Stewart. I decided to use it in a church context during the season of Advent, a time of expectation and getting ready. Here is the high-voice version of the arrangement I performed in December 2022. This sheet music is also available on this site for low voice and piano.
$5.99
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