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--INSTRUMENTS--
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Don S
Not classified
3,913
Piano & keyboards
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5,146
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3,465
Piano, Vocal and Guitar
614
Easy Piano
491
C Instruments
216
Accordion
165
Piano (band part)
113
Organ
83
Big Note Piano
79
1 Piano, 4 hands
77
Piano Trio: piano, violin, cello
30
Piano Accompaniment
25
2 Pianos, 4 hands
16
Piano Quartet: piano, violin, viola, cello
10
Organ, Trumpet (duet)
6
Harpsichord
3
2 Pianos, 8 hands
3
Piano Quintet: piano, 2 violins, viola, cello
3
Organ, Piano (duet)
2
Melody line, Piano
1
2 Accordions
1
Solo instrument and Organ
1
Piano Quartet: piano, 2 violins, cello
1
+ 18 instrumentations
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Retract
Guitars
Guitar notes and tablatures
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Guitar
219
Guitar (band part)
213
Bass guitar
147
Melody line, (Lyrics) and Chords
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Lyrics and Chords
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Piano, Guitar (duet)
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Mandolin, Guitar (duet)
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2 Ukuleles
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Banjo
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4 Guitars (Quartet)
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Guitar Ensemble
3
Ukulele Ensemble
3
3 Guitars (trio)
3
2 Dulcimers (duet)
2
Guitar, Violin, Cello (trio)
1
+ 16 instrumentations
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Retract
Voice
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1,642
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272
Choral 3-part
264
Choral SSAA
198
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194
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86
Voice solo
32
Soprano voice, Piano
25
Choral
17
Vocal duet, Piano
16
Vocal duet
15
Baritone voice, Piano
11
Choral Instrumental Pak
11
Tenor voice, Piano
11
High voice
7
Low voice, Piano
5
Alto voice, Piano
5
Medium voice, Piano
4
Choral SSAATTBB
4
Voice, Guitar
2
Soprano voice
2
Tenor voice
1
Choral SSATTB
1
Lyrics only
1
Choral SAATB A Cappella
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Mezzo-Soprano voice, Piano
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+ 21 instrumentations
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598
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334
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317
Flute
262
2 Saxophones (duet)
255
Clarinet
247
Flute and Piano
247
Clarinet and Piano
225
Flute (band part)
218
Flute, Oboe, Clarinet, Bassoon
207
Saxophone Quintet: 5 Saxophones
205
Alto Saxophone
176
Oboe, Piano (duet)
174
Alto Saxophone and Piano
163
Tenor Saxophone
134
Tenor Saxophone and Piano
134
2 Flutes (duet)
131
Soprano Saxophone and Piano
114
2 Clarinets (duet)
113
Clarinet Quartet: 4 clarinets
111
Baritone Saxophone, Piano
86
Saxophone
85
Oboe
83
Clarinet Quintet: 5 clarinets
78
Flute Quartet: 4 flutes
72
Saxophone ensemble
65
3 Clarinets (trio)
62
3 Saxophones (trio)
61
Flute Quintet : 5 flutes
58
2 Oboes (duet)
58
Recorder
54
2 Recorders (duet)
50
Descant (Soprano) Recorder
45
Soprano Saxophone
44
Clarinet Ensemble
42
Flute, Clarinet (duet)
40
English horn, Piano
39
Baritone Saxophone
38
Flute Trio: 3 flutes
32
Treble (Alto) Recorder
28
Recorder Ensemble
28
Tenor Recorder
22
Flute ensemble
20
Flute, Clarinet and Bassoon.
19
Flute, Oboe, Bassoon
17
Flute, Oboe, Clarinet (trio)
17
Oboe, Clarinet (duet)
15
Flute, Oboe (duet)
14
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14
Oboe, Bassoon (duet)
14
Clarinet, Violin (duet)
14
Recorder Quartet
14
Clarinet, Bassoon (duet)
13
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13
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13
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11
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10
Flute, Violin
10
Flute, Oboe, Piano (trio)
9
Oboe, Clarinet, Bassoon (trio)
9
Piccolo
9
Flute, Violin, Piano
9
Clarinet, Guitar (duet)
8
Flute, Viola (duet)
7
Harmonica
7
Clarinet, Cello (duet)
7
Treble (Alto) Recorder, Piano
7
Clarinet and Viola
6
Flute, Saxophone (duet)
6
Piccolo, Piano
5
5 Recorders
5
Recorder, Piano
4
Oboe, Cello
4
Clarinet, Cello, Piano (trio)
4
Oboe, Flute
4
2 Clarinets, Piano
3
Descent (Soprano) Recorder, Piano
3
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3
Flute, Violin and Violoncello
3
2 Flutes, Piano
3
Flute, Violoncello
3
Oboe, Guitar (duet)
2
Flute, harp and violin
2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
Flute, Clarinet, Piano (trio)
1
2 Saxophones, Piano
1
English Horn, Guitar (duet)
1
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1
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1
2 English horns and Pianoforte
1
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1
3 Recorders (trio)
1
Oboe and viola (duet)
1
Pennywhistle
1
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1
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Ocarina
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834
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438
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285
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270
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265
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250
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226
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208
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199
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181
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172
Tuba and Piano
158
Tuba
155
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120
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110
Brass Quartet: 2 trumpets, horn, trombone
77
2 Trumpets (duet)
75
2 Trombones (duet)
71
Euphonium, Piano (duet)
71
Brass Quartet
49
2 French horns (duet)
44
English horn, Piano
39
Trumpet, Trombone (duet)
31
2 Tubas (duet)
22
Bass Trombone
19
Trumpet ensemble
16
Brass Quartet: 4 horns
16
4 Tubas
15
Trumpet, Horn (duert)
14
Euphonium
13
Trumpet, Saxophone (duet)
12
3 Trombones (trio)
12
Bass Trombone and Piano
11
English Horn
11
Brass Quartet: 4 trumpets
11
3 Euphoniums
9
Brass Trio
9
2 Euphoniums and 2 Tubas
6
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5
Horn Ensemble
4
Trombone, Horn (duet)
4
Trombone, Organ
4
3 Trumpets (trio)
4
Euphonium, Tuba (duet)
3
Trumpet, Cello (duet)
2
Tuba and Organ
2
Horn, Cello (duet)
2
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2 French horns, Piano
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Tuba ensemble
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
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1
English Horn, Guitar (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
French horn and Basson (duet)
1
Trumpet, Bassoon (duet)
1
Trumpet, Tuba (duet)
1
3 French horns (trio)
1
2 English horns and Pianoforte
1
Trumpet, violin (duet)
1
2 Trumpets, Keyboard (piano or organ)
1
Trumpet, Cello, Piano
1
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299
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226
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184
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174
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159
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120
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105
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103
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102
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92
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86
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74
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67
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64
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62
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25
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16
2 Double basses (duet)
15
4 Cellos
13
String Trio: 3 violins
12
String Quintet: 2 violins, 2 violas, cello
12
String Trio: 3 cellos
10
String Trio: 2 violins, viola
9
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8
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8
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7
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5
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4
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3
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2
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2
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2
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1
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1
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1
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1
4 Double Basses
1
2 Violins, Piano
1
Violoncello, Basso continuo
1
Harp and Piano
1
Violin, Basso continuo
1
+ 50 instrumentations
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915
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310
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303
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266
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210
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170
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155
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104
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89
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65
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59
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51
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36
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15
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8
Marimba
7
Xylophone
5
Vibraphone
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2
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2
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Don S
High voice
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7 sheet music found
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1
PORPORA Nicola: Già la notte s'avvicina, aria from the cantata, - Voice and Piano (G maj
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High voice
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INTERMEDIATE/ADVANCED
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Nicola PORPORA
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Sergei PICHUGIN
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PORPORA Nicola: Già la notte
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868704 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Con...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868704 Composed by Nicola PORPORA (1686–1768). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4404622. Published by Really Good Music, LLC. (A0.868704). Già la notte s'avvicina is an aria from Solo cantata VI, written by the eminent Italian composer Nicola PORPORA (1686 – 1768). The cantatas were composed on the poetry of Pietro Metastasio, famous Italian librettist and poet, who once took music lessons from Porpora. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on early publication of the composer’s twelve cantatas (London, 1735). The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – G5) for high voice.
$5.95
Bright Star
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High voice
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INTERMEDIATE/ADVANCED
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Contemporary
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Nicola Jane Buttigieg
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Bright Star
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Nicola Jane Buttigieg
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004577 Composed by Nicola Jane Buttigieg. Contemporary. 5 pages. Nicola Jane Buttigieg #36263...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004577 Composed by Nicola Jane Buttigieg. Contemporary. 5 pages. Nicola Jane Buttigieg #3626355. Published by Nicola Jane Buttigieg (A0.1004577). 'Bright Star' is a setting of the poem with the same name by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the second piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
$1.99
Lady in the Meads
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High voice
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INTERMEDIATE/ADVANCED
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Contemporary
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Nicola Jane Buttigieg
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Lady in the Meads
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Nicola Jane Buttigieg
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004580 Composed by Nicola Jane Buttigieg. Contemporary. 3 pages. Nicola Jane Buttigieg #36263...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004580 Composed by Nicola Jane Buttigieg. Contemporary. 3 pages. Nicola Jane Buttigieg #3626385. Published by Nicola Jane Buttigieg (A0.1004580). 'Lady in the Meads' is a setting from the poem 'La Belle Dame sans Merci' by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the fifth piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
$1.99
They Glide, Like Phantoms
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High voice
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INTERMEDIATE/ADVANCED
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Contemporary
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Nicola Jane Buttigieg
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They Glide, Like Phantoms
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Nicola Jane Buttigieg
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004579 Composed by Nicola Jane Buttigieg. Contemporary. 4 pages. Nicola Jane Buttigieg #36263...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004579 Composed by Nicola Jane Buttigieg. Contemporary. 4 pages. Nicola Jane Buttigieg #3626381. Published by Nicola Jane Buttigieg (A0.1004579). 'They Glide, Like Phantoms' is a setting from the poem 'The Eve of St Agnes' by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the fourth piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
$1.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
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