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Here is the Child
Not classified
977
Piano & keyboards
Piano solo
601
Easy Piano
356
Organ
225
Piano, Voice
202
Big Note Piano
162
Piano, Vocal and Guitar
128
1 Piano, 4 hands
37
Piano Accompaniment
32
Piano Trio: piano, violin, cello
27
C Instruments
19
2 Pianos, 4 hands
11
Piano Quartet: piano, violin, viola, cello
4
Keyboard
3
Accordion
2
Piano Quartet: piano, 2 violins, cello
2
Organ, Piano (duet)
1
Harpsichord
1
Piano (band part)
1
+ 13 instrumentations
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Retract
Guitars
Guitar
53
Guitar notes and tablatures
35
Ukulele
15
Melody line, (Lyrics) and Chords
13
Lyrics and Chords
8
4 Guitars (Quartet)
6
2 Guitars (duet)
3
Bass guitar
3
Banjo
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Guitar (band part)
2
Dulcimer
2
Guitar, Orchestra
1
Mandolin
1
+ 8 instrumentations
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Retract
Voice
Choral SATB
300
Choral 2-part
145
Choral Unison
129
Choral 3-part
111
Choral TTBB
30
Choral SSAA
25
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20
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12
Soprano voice, Piano
7
Vocal duet
5
Voice solo
5
High voice
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Soprano voice
2
Choral SSAB, Piano
1
Tenor voice, Piano
1
Medium voice, Piano
1
Baritone voice, Piano
1
Soli, Mixted choir and accompaniment
1
Choral
1
+ 14 instrumentations
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Retract
Woodwind
2 Saxophones (duet)
124
Flute and Piano
86
2 Clarinets (duet)
60
Oboe, Piano (duet)
53
Clarinet and Piano
50
Saxophone, Clarinet (duet)
46
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
42
2 Flutes (duet)
42
2 Recorders (duet)
38
Clarinet
38
Flute, Oboe, Clarinet, Bassoon
37
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35
Tenor Saxophone and Piano
35
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34
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33
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31
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30
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28
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27
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26
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24
Oboe (band part)
22
Flute, Clarinet (duet)
22
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21
Oboe, Clarinet (duet)
20
Flute, Violin
20
Alto Saxophone
19
Oboe, Bassoon (duet)
18
Flute, Saxophone (duet)
17
3 Clarinets (trio)
17
Clarinet and Viola
16
Oboe, Flute
16
Flute, Trumpet (duet)
15
Tenor Saxophone
15
Flute, Viola (duet)
13
Clarinet Ensemble
12
English horn, Piano
11
Bass Clarinet, Piano
11
Flute Trio: 3 flutes
9
Flute ensemble
9
Flute Quartet: 4 flutes
8
3 Saxophones (trio)
7
Descant (Soprano) Recorder
6
Clarinet, Trombone (duet)
6
Saxophone Quintet: 5 Saxophones
5
Oboe
5
Soprano Saxophone
5
Clarinet Quintet: 5 clarinets
5
Flute and Guitar
5
Recorder
4
Flute, Violin, Piano
4
Saxophone and Harp
4
Baritone Saxophone
4
Clarinet, Bassoon (duet)
3
Flute, Oboe (duet)
3
Clarinet, Cello (duet)
3
Flute, Violoncello
3
Flute, Oboe, Clarinet (trio)
3
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3
Bass Clarinet
3
Clarinet, Guitar (duet)
3
English Horn
2
English Horn, Guitar (duet)
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Saxophone ensemble
2
Oboe, Harp
2
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2
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2
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2
Flute, Cello, Piano (trio)
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Recorder, Piano
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1
Flute, Oboe, Bassoon
1
Flute, Oboe, Violin
1
Treble (Alto) Recorder, Piano
1
Oboe, Violin (duet)
1
Descent (Soprano) Recorder, Piano
1
Flute, harp and violin
1
Flute (band part)
1
Harmonica
1
Flute, Oboe, Piano (trio)
1
Saxophone and Organ
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Oboe, Cello
1
+ 79 instrumentations
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Retract
Woodbrass
Trombone and Piano
42
Trumpet
41
Brass Quintet: 2 trumpets, horn, trombone, tuba
40
Brass quartet : 2 trumpets, trombone, tuba
39
French Horn and Piano
32
Trumpet, Saxophone (duet)
32
Trumpet, Piano
31
2 Trombones (duet)
30
2 Trumpets (duet)
29
Brass Quartet: 4 trombones
27
Trombone
22
Tuba and Piano
21
Trumpet, Trombone (duet)
20
French horn
19
Tuba
18
Euphonium, Piano (duet)
16
English horn, Piano
11
2 Euphoniums (duet)
9
2 French horns (duet)
6
Brass Quartet
6
Trumpet (band part)
4
Brass Trio
4
Trombone (band part)
4
French horn and Basson (duet)
3
Horn, Cello (duet)
3
English Horn
2
Trumpet, Tuba (duet)
2
Horn, Tuba (duet)
2
English Horn, Guitar (duet)
2
Tuba and Organ
2
2 Tubas (duet)
2
Trombone, Tuba (duet)
2
French Horn and Harp
2
Brass Quartet: 2 trumpets, horn, trombone
2
2 Euphoniums and 2 Tubas
2
Euphonium
2
Trombone, Horn (duet)
2
Trumpet, Harp
2
Trombone ensemble
2
Brass Quartet: 4 trumpets
2
3 Trumpets (trio)
1
French horn (band part)
1
Tuba (band part)
1
Brass Quartet: 4 horns
1
Trumpet ensemble
1
Bass Clef Instruments
1
+ 41 instrumentations
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Strings
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159
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118
Cello, Piano
90
Viola, Piano
62
2 Violins (duet)
58
Violin
52
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47
Cello
39
String Trio: violin, viola, cello
38
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32
2 Cellos (duet)
30
2 Violas (duet)
23
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22
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21
Viola
19
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19
Double Bass
14
Viola (band part)
11
Viola, Cello (duet)
8
String Quintet: 2 violins, viola, cello, bass
6
String Trio: 3 violins
4
2 Double basses (duet)
3
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3
Viola and Bassoon
3
4 Cellos
2
String Trio: 3 cellos
2
Harp, Cello (duet)
2
Viola and Harp
2
Harp, Flute (duet)
2
String quartet: 4 violins
2
String Trio: 2 violins, viola
2
Harp, Voice
2
2 Harps (duet)
1
4 Double Basses
1
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1
Violin, Bassoon (duet)
1
String Quartet : 4 violas
1
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1
Cello, String Bass (duet)
1
Harp, Trombone (duet)
1
Cello (band part)
1
Cello, Guitar (duet)
1
Violin (band part)
1
+ 38 instrumentations
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Orchestra & Percussion
String Orchestra
97
Concert band
94
Orchestra
63
Brass ensemble
28
Chamber Orchestra
26
Handbells
25
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13
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7
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5
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3
Jazz combo
3
Xylophone, Piano
2
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2
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2
Drum (band part)
1
2 Xylophones
1
Percussion
1
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Here is the Child
High voice
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3 sheet music found
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1
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
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High voice
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EASY
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the stream and o'er the mead;<
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Todd Marchand
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The Lamb
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Con Spirito Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito ...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
23rd Psalm (Pastures of Green) (David) from "The Kings" ACT 1:Song 11
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High voice
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INTERMEDIATE
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McCorkle, Dennis F
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23rd Psalm
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook Publications #11739. Published by DF McCorkle Music and eBook Publications (A0.784825). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’ [Psalm 23 Sacred Melody of David.YAHWEH is My Shepherd I shall not want]. SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
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