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I Was Here
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1,428
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76
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35
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13
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8
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4
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3
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3
Piano Quartet: piano, 2 violins, cello
3
2 Pianos, 8 hands
2
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2
Piano Quintet: piano, 2 violins, viola, cello
1
Keyboard
1
Organ, Trumpet (duet)
1
Piano (band part)
1
+ 15 instrumentations
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80
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58
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17
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343
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58
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26
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24
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12
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11
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9
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7
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148
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74
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64
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58
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49
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9
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9
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5
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5
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4
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3
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3
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3
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2
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Ocarina
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2
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2
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2
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2
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2
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2
Clarinet Quintet: Clarinet, String Quartet
1
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1
Oboe, Harp
1
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1
2 Flutes and Harp
1
2 Recorders (duet)
1
Flute, Oboe (duet)
1
Oboe, Clarinet, Bassoon (trio)
1
4 Oboes
1
2 Saxophones, Piano
1
Clarinet, Bassoon (duet)
1
Piccolo, Piano
1
Piccolo
1
+ 81 instrumentations
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Brass Quintet: 2 trumpets, horn, trombone, tuba
125
Brass quartet : 2 trumpets, trombone, tuba
113
Trombone and Piano
37
Trumpet
35
Brass Quartet
34
Trombone ensemble
30
Brass Quartet: 2 trumpets, horn, trombone
30
Trumpet, Piano
25
Trombone
23
Trumpet ensemble
20
English horn, Piano
18
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16
2 Trombones (duet)
16
Tuba
15
French Horn and Piano
15
French horn
13
2 Trumpets (duet)
12
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12
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9
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9
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7
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6
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5
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3
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3
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3
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3
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3
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3
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2
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2
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2
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1
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1
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1
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1
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1
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Trumpet, Euphonium (duet)
1
2 Euphoniums (duet)
1
4 Euphoniums
1
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190
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85
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53
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50
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43
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41
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38
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31
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22
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18
2 Cellos (duet)
17
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17
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17
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16
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15
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9
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9
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7
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6
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6
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2
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2
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2
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1
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1
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1
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1
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1
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1
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96
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87
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55
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42
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5
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3
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3
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1
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1
2 Marimbas
1
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I Was Here
SheetMusicPlus
High voice
Sheetmusic to print
6 sheet music found
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1
I'd Rather Have Jesus
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High voice
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INTERMEDIATE
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Sacred music
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George Beverly Shea and Rhea F
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David Neff
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I'd Rather Have Jesus
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Centu...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
Love Is Little (high voice)
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High voice
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INTERMEDIATE
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David Neff
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David Neff
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Love Is Little
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wed...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. David Neff #801287. Published by David Neff (A0.1202547). This delicate and gentle Shaker tune from 1834 is appropriate for weddings, Maundy Thursday services, and any time we gather to celebrate love. There are several beautiful choral arrangements available, but I was unable to find any setting for solo voice and piano. This arrangement, available in three ranges, gives vocal soloists the opportunity to sing it as well.
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
People Get Ready
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High voice
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INTERMEDIATE
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Sacred music
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Rod Stewart
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David Neff
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People Get Ready
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pages. David Neff #741130. Published by David Neff (A0.1140878). Curtis Mayfield’s gospel-influenced R&B hit, People Get Ready was named by Rolling Stone magazine as the 24th greatest song of all time, and it was dubbed by Martin Luther King, Jr, the unofficial anthem of the Civil Rights Movement. The song has been covered by top-tier singers from Bob Dylan, Bob Marley, Aretha Franklin, and the Staple Singers, to Jeff Beck and Rod Stewart. I decided to use it in a church context during the season of Advent, a time of expectation and getting ready. Here is the high-voice version of the arrangement I performed in December 2022. This sheet music is also available on this site for low voice and piano.
$5.99
Silent Night (arr. D. Howell - Tenor/Soprano - C)
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High voice
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INTERMEDIATE
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Christmas
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Music by Franz Gruber, Words b
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Doug Howell
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Silent Night
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Creative Measures
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christmas,Pop,Sacred,Spiritual. 8 pages. Creative Measures #4992825. Published by Creative Measures (A0.896322). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?
$1.99
Does It Matter?
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High voice
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ADVANCED
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #2384...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
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