Home page
Browse Sheet Music Books
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Is This It
Not classified
14,597
Piano & keyboards
Piano solo
8,560
Piano, Voice
3,759
Easy Piano
3,157
Piano, Vocal and Guitar
1,602
C Instruments
1,226
Organ
739
Piano Accompaniment
446
1 Piano, 4 hands
266
Piano Trio: piano, violin, cello
151
Piano (band part)
125
2 Pianos, 4 hands
95
Accordion
55
Big Note Piano
50
Piano Quartet: piano, violin, viola, cello
46
Harpsichord
32
Organ, Trumpet (duet)
22
Piano Quintet: piano, 2 violins, viola, cello
21
Organ, Piano (duet)
16
Piano Quartet: piano, 2 violins, cello
15
2 Pianos, 8 hands
7
Keyboard
5
1 Piano, 6 hands
3
Accordion ensemble
2
2 Accordions
2
Melody line, Piano
1
Accordion and Orchestra
1
Fake Book
1
+ 22 instrumentations
-
Retract
Guitars
Guitar
821
Guitar notes and tablatures
693
Guitar (band part)
257
Ukulele
247
Melody line, (Lyrics) and Chords
186
Dulcimer
147
Bass guitar
115
2 Guitars (duet)
95
4 Guitars (Quartet)
56
Mandolin
51
Piano, Guitar (duet)
42
Banjo
37
Guitar Ensemble
25
Lyrics and Chords
21
3 Guitars (trio)
16
Mandolin, Piano (duet)
11
2 Dulcimers (duet)
6
2 Ukuleles
3
Mandolin, Guitar (duet)
3
Ukulele Ensemble
2
Baritone Ukulele
2
2 Mandolins (duet)
2
Zither
1
Guitar, Orchestra
1
Dobro
1
Guitar, Violin, Cello (trio)
1
+ 21 instrumentations
-
Retract
Voice
Choral SATB
4,046
Choral 3-part
1,401
Choral 2-part
897
Choral Unison
775
Choral TTBB
768
Choral SSAA
523
Soprano voice, Piano
152
Tenor voice, Piano
136
Vocal duet, Piano
129
Alto voice, Piano
126
Choral Instrumental Pak
100
Vocal duet
99
Baritone voice, Piano
68
High voice
57
Medium voice, Piano
32
Voice solo
23
Low voice, Piano
19
Tenor voice
15
Choral
11
Choral SSAATTBB
10
Low voice
8
Mezzo-Soprano voice, Piano
7
Soprano voice
6
Choral SSATTB
6
Choral SSATB
5
Soli, Mixted choir and accompaniment
3
Choral SSAATB
1
Choral SATTBB A Cappella
1
Choral SATBB
1
Choral SSAB a cappella
1
Voice, Guitar
1
+ 26 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
1,328
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,141
Flute and Piano
1,133
Clarinet and Piano
878
Saxophone (band part)
877
Flute, Oboe, Clarinet, Bassoon
869
2 Saxophones (duet)
811
Clarinet Quartet: 4 clarinets
789
Oboe, Piano (duet)
734
Alto Saxophone and Piano
640
2 Flutes (duet)
626
Flute
601
Saxophone Quintet: 5 Saxophones
572
Clarinet
532
2 Clarinets (duet)
491
Tenor Saxophone and Piano
441
Flute Quartet: 4 flutes
427
Alto Saxophone
386
Soprano Saxophone and Piano
331
Oboe (band part)
270
Clarinet Ensemble
267
Saxophone ensemble
249
Tenor Saxophone
229
3 Saxophones (trio)
223
Baritone Saxophone, Piano
211
Flute, Clarinet (duet)
197
2 Oboes (duet)
183
Flute ensemble
180
Clarinet Quintet: 5 clarinets
160
2 Recorders (duet)
157
3 Clarinets (trio)
152
Saxophone, Clarinet (duet)
150
Flute Trio: 3 flutes
147
Clarinet, Violin (duet)
139
Flute (band part)
137
Recorder
122
Oboe
121
English horn, Piano
113
Clarinet (band part)
108
Clarinet, Trumpet (duet)
108
Oboe, Bassoon (duet)
104
Flute, Violin
102
Descant (Soprano) Recorder
101
Bass Clarinet, Piano
91
Oboe, Clarinet (duet)
91
Flute Quintet : 5 flutes
85
Flute and Guitar
82
Pennywhistle
81
Clarinet and Viola
73
Recorder Quartet
70
Soprano Saxophone
67
Clarinet, Bassoon (duet)
62
Flute, Viola (duet)
62
Flute, Oboe, Clarinet (trio)
58
Oboe, Clarinet, Bassoon (trio)
58
Flute, Violin, Piano
55
Flute, Saxophone (duet)
54
Baritone Saxophone
53
Flute, Trumpet (duet)
49
Oboe, Flute
48
Flute, Violoncello
48
Flute, Clarinet and Bassoon.
46
Treble (Alto) Recorder
45
Flute, Oboe (duet)
44
Saxophone
43
Recorder Ensemble
39
2 Flutes, Piano
34
English Horn
33
5 Recorders
32
Clarinet, Guitar (duet)
27
Clarinet, Cello (duet)
27
Flute, Clarinet, Piano (trio)
25
Flute, Oboe, Bassoon
25
Tenor Recorder
23
3 Recorders (trio)
22
Flute, Violin and Violoncello
22
Oboe, Cello
21
Piccolo, Piano
19
Flute, Trombone (duet)
19
Oboe, Violin (duet)
18
Piccolo
17
Clarinet, Harp (duet)
16
Flute, Cello, Piano (trio)
15
Harmonica
15
Descent (Soprano) Recorder, Piano
13
2 Clarinets, Piano
13
Ocarina
12
Treble (Alto) Recorder, Piano
12
Flute, Bassoon, and Piano
12
4 Oboes
11
Flute, Oboe, Piano (trio)
10
2 Saxophones, Piano
10
Flute, Harp and Cello
10
3 Oboes
8
Oboe and viola (duet)
8
Recorder, Piano
8
Flute and Strings Trio
8
Saxophone and Harp
8
Flute, Viola and Piano
8
2 Clarinets, Bassoon
7
Oboe, Guitar (duet)
7
Clarinet, Cello, Piano (trio)
6
Flute, harp and violin
6
Oboe, Harp
6
Saxophone and Guitar
5
Wind ensemble
5
Clarinet, Trombone (duet)
5
Bass Clarinet
4
Flute, Clarinet, Horn and Bassoon (Quartet)
4
Flute, Clarinet, Violin (trio)
4
Flute, Violin, Violoncello and Piano
4
Flute, Oboe, Violin
4
Saxophone and Organ
4
Oboe ensemble
4
English Horn, Guitar (duet)
3
Flute, trombone and piano
3
Flute, Organ (duet)
3
Flute, Viola and harp
2
2 English horns and Pianoforte
2
Clarinet Quintet: Clarinet, String Quartet
2
Clarinet, Double bass (duet)
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Treble (Alto) Recorder, Basso continuo
2
Bagpipe
2
Clarinet, Tuba
2
Flute, Tuba (duet)
2
2 Recorders, Guitar
1
Eb Instruments
1
2 Oboes, Piano
1
English horn, Harp (duet)
1
Oboe, Clarinet and Piano (Trio)
1
Flute, Basso continuo
1
Pan Flute
1
Saxophone, Tuba (duet)
1
Clarinet, Bassoon, Piano (trio)
1
Flute, Cello, Guitar
1
Oboe, Trombone (duet)
1
Clarinet, trumpet and piano
1
Oboe, Trumpet (duet)
1
Oboe and Orchestra
1
Flute, French horn (duet)
1
Clarinet, Organ
1
Flute, viola, cello and guitar
1
Recorder, Guitar (duet)
1
Saxophone and Piano
1
Oboe, Violin, Piano
1
+ 142 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,204
Brass quartet : 2 trumpets, trombone, tuba
859
Trombone (band part)
655
Trumpet, Piano
621
Trombone and Piano
590
Trumpet
533
Trumpet (band part)
529
French Horn and Piano
479
Trombone
366
French horn
312
Tuba and Piano
281
Brass Quartet: 2 trumpets, horn, trombone
279
Tuba
250
2 Trumpets (duet)
231
2 Trombones (duet)
210
Brass Quartet
188
Euphonium, Piano (duet)
158
French horn (band part)
139
Trumpet, Trombone (duet)
139
Brass Quartet: 4 trombones
137
2 French horns (duet)
129
Tuba (band part)
119
Trumpet, Saxophone (duet)
114
English horn, Piano
113
Trombone ensemble
102
Trumpet ensemble
87
Brass Quartet: 4 horns
87
2 Tubas (duet)
55
2 Euphoniums and 2 Tubas
49
Brass Quartet: 4 trumpets
48
Euphonium
47
Trumpet, Horn (duert)
46
English Horn
33
3 Trombones (trio)
32
4 Tubas
31
Brass Trio
31
Horn Ensemble
29
Tuba and Organ
25
3 Trumpets (trio)
22
Trombone, Horn (duet)
17
Bass Trombone
13
Bass Trombone and Piano
13
3 Tubas (trio)
12
Euphonium, Tuba (duet)
11
Trombone, Tuba (duet)
10
Horn, Cello (duet)
9
French Horn and Harp
9
Horn, Tuba (duet)
9
3 French horns (trio)
9
Trombone, Organ
8
Brass Quartet: 2 trumpets, 2 trombones
7
Trumpet, Tuba (duet)
7
Trumpet, violin (duet)
5
French horn and Basson (duet)
5
Trumpet, Harp
5
Trumpet, Bassoon (duet)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
English Horn, Guitar (duet)
3
Horn and Organ
3
2 Euphoniums (duet)
3
2 English horns and Pianoforte
2
Trumpet, Cello, Piano
2
Trumpet, Cello (duet)
2
Trumpet, Trombone, Piano
2
Bass Clef Instruments
2
Trombone, Violin (duet)
2
2 French horns, Piano
2
English horn, Harp (duet)
1
2 Trumpets, Keyboard (piano or organ)
1
Trumpet and Guitar
1
Trombone and Orchestra
1
Trumpet, Euphonium (duet)
1
2 Trombones, Piano
1
Cornet and Orchestra
1
3 Euphoniums
1
Bb Instruments
1
4 Euphoniums
1
+ 72 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
2,821
Harp
1,509
Violin and Piano
1,374
Cello, Piano
935
Violin
843
Viola, Piano
836
Cello
666
Violin, Cello (duet)
539
2 Violins (duet)
522
String Trio: violin, viola, cello
420
Viola
363
2 Cellos (duet)
289
String Trio: 2 violins, cello
288
String Quintet: 2 violins, viola, cello, bass
269
Violin, Viola (duet)
266
2 Violas (duet)
252
Double bass, Piano (duet)
251
Double Bass
198
Doublebass (band part)
181
2 Harps (duet)
160
Harp, Flute (duet)
157
Violin (band part)
130
Viola (band part)
126
Viola, Cello (duet)
81
4 Cellos
63
String Trio: 3 violins
61
String Trio: 3 cellos
51
String quartet: 4 violins
51
Violin, Guitar (duet)
45
Harp, Violin (duet)
44
String Quartet : 4 violas
42
String Trio: 3 violas
40
2 Double basses (duet)
37
Piano Trio: Violin, Viola, Piano
35
Violin ensemble
30
Viola ensemble
28
Cello, String Bass (duet)
28
String Trio: 2 violins, viola
24
Cello (band part)
23
Violin, Bassoon (duet)
21
String Quintet: 2 violins, 2 violas, cello
21
Cello, Guitar (duet)
16
Harp, Cello (duet)
16
Viola and Bassoon
14
Harp and mandolin
12
Viola and Harp
12
4 Double Basses
9
Harp, Voice
8
Cello Ensemble
7
Viola, Guitar (duet)
7
Violin, Organ
7
Flute, Doublebass (duet)
6
2 Violins, Piano
6
Harp and Piano
5
Harp, Trombone (duet)
5
String Quintet: 2 violins, viola, 2 cellos
5
Violin, Clarinet, Piano (trio)
5
String trio
4
Violoncello, Basso continuo
4
Harp, String quartet
3
3 Harps
3
Autoharp
3
Harp, Violin, Violoncello
3
Violin, Tuba (duet)
3
4 Harps
3
Cello, Orchestra
2
2 Violas, Piano
2
Harp (band part)
2
Cello, Organ
2
5 Harps
2
2 Cellos, Piano
2
Harp and Organ
1
Viola, Organ
1
+ 68 instrumentations
-
Retract
Orchestra & Percussion
Concert band
3,932
Jazz Ensemble
1,143
String Orchestra
1,083
Orchestra
1,043
Handbells
1,017
Brass ensemble
749
Jazz combo
527
Marching band
405
Chamber Orchestra
338
Percussion Ensemble
155
Drums
139
Drum (band part)
134
Percussion (band part)
47
Marimba
31
Xylophone, Piano
23
Vibraphone
20
Xylophone
9
School Ensemble
6
Piano and Orchestra
4
Percussion
4
Brass Quintet: other combinaisons
4
3 Marimbas
3
Orchestra, Violin
2
Marimba, Piano (duet)
2
Woodwind Quintet
2
Xylophone or Marimba or Vibraphone
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
2 Xylophones
2
Big band
2
Snare drums
1
Vibraphone and Marimba
1
Marimba or Xylophone and Piano
1
Bodhran
1
+ 28 instrumentations
-
Retract
Others
Musical course - Solfege
2
Music Theory
1
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Instrumentations
Publishers
Artists
Classroom
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
57
Sheet Music Books
35
Music Equipment
6,781
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Is This It
High voice
Sheetmusic to print
57 sheet music found
<
1
26
51
Does It Matter?
#
High voice
#
ADVANCED
#
Mike Lyons
#
Does It Matter?
#
Lyons Music Services
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #2384...
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
Love Is Little (high voice)
#
High voice
#
INTERMEDIATE
#
David Neff
#
David Neff
#
Love Is Little
#
David Neff
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wed...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. David Neff #801287. Published by David Neff (A0.1202547). This delicate and gentle Shaker tune from 1834 is appropriate for weddings, Maundy Thursday services, and any time we gather to celebrate love. There are several beautiful choral arrangements available, but I was unable to find any setting for solo voice and piano. This arrangement, available in three ranges, gives vocal soloists the opportunity to sing it as well.
$4.99
Baby, It's Cold Outside
#
High voice
#
EASY
#
Film/TV
#
Ray Charles & Betty Carter
#
Stephen DeCesare
#
Baby, It's Cold Outside
#
Exultet Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.622269 By Ray Charles & Betty Carter. By Frank Loesser. Arranged by Stephen DeCesare. Film/TV....
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.622269 By Ray Charles & Betty Carter. By Frank Loesser. Arranged by Stephen DeCesare. Film/TV. 8 pages. Exultet Music #3618727. Published by Exultet Music (A0.622269). One of the most performed songs during the Christmas season has been freshly arranged as a duet for a Soprano and Tenor Solo with Piano accompaniment. Song starts as usual where the Tenor is asking the Soprano to stay, but in this version, in the second verse, the Soprano turns the tables on the Tenor. Accessible and appropriate for any school or concert program. .
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
#
High voice
#
David Conte
#
The Unquiet Grave from America
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
(+)
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
#
High voice
#
INTERMEDIATE/ADVANCED
#
Stuart Brown
#
Idylls - five songs for solo h
#
Stuart Brown Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
I'd Rather Have Jesus
#
High voice
#
INTERMEDIATE
#
Sacred music
#
George Beverly Shea and Rhea F
#
David Neff
#
I'd Rather Have Jesus
#
David Neff
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Centu...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
Silent Night (arr. D. Howell - Tenor/Soprano - C)
#
High voice
#
INTERMEDIATE
#
Christmas
#
Music by Franz Gruber, Words b
#
Doug Howell
#
Silent Night
#
Creative Measures
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christmas,Pop,Sacred,Spiritual. 8 pages. Creative Measures #4992825. Published by Creative Measures (A0.896322). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?
$1.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
#
High voice
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
#
High voice
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Farewell! Old Cottage (High voice)
#
High voice
#
INTERMEDIATE/ADVANCED
#
Stephen Foster
#
Judith L
#
Farewell! Old Cottage
#
Maggs
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821425 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 4 pa...
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821425 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 4 pages. Maggs #6357769. Published by Maggs (A0.821425). This is a lesser known song written by American composer Stephen Foster, but it’s well worth singing. This arrangement, in the key of Bb, is appropriate for a high singer, with a range of just over an octave (F to G). It is also available on SMP for medium low voice (Key of F - range C to D) and medium high voice (Key of G - range D to E).
$2.99
Hard Times Come Again No More (High Voice)
#
High voice
#
INTERMEDIATE/ADVANCED
#
Stephen Foster
#
Judith L
#
Hard Times Come Again No More
#
Maggs
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Tr...
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Traditional. 4 pages. Maggs #6345195. Published by Maggs (A0.821411). Stephen Foster wrote this American parlor song in the mid eighteen hundreds. It was very popular in its day, and is still sung. This arrangement is appropriate for a high singer, with an octave range from G to G. It is also available on SMP for medium high voice (Key of Eb - range Eb to Eb) and low voice (Key of C - range C to C).
$2.99
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
#
High voice
#
EASY
#
the stream and o'er the mead;<
#
Todd Marchand
#
The Lamb
#
Con Spirito Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito ...
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Ave Maria - vocal solo-high
#
High voice
#
EASY
#
Phil Beaman
#
Ave Maria - vocal solo-high
#
Phil Beaman
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil...
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773. Published by Phil Beaman (A0.844444). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more.The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility.The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F.The accompaniment is a circling minimalist 2 chord ostinato for the entire piece.Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it.(4 pages, 3:45 minutes)
$4.99
Come, Thou Fount of Every Blessing
#
High voice
#
INTERMEDIATE
#
Sacred music
#
Traditional American Melody
#
Laurie Jeanne Crockett
#
Come, Thou Fount of Every Bles
#
Laurie Crockett
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.914290 Composed by Traditional American Melody. Arranged by Laurie Jeanne Crockett. Christian,...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.914290 Composed by Traditional American Melody. Arranged by Laurie Jeanne Crockett. Christian,Folk,Gospel,Praise & Worship,Sacred. 4 pages. Laurie Crockett #4290933. Published by Laurie Crockett (A0.914290). This arrangement of Come, Thou Fount, by Laurie Jeanne Crockett, is perfectly suited for a solo vocalist. This traditional American melody has been adapted to amplify its folk-style tune with a piano arrangement at the intermediate level, making it a very accessible piece for special worship music. It is best suited for the soprano or tenor vocalist.
$3.99
People Get Ready
#
High voice
#
INTERMEDIATE
#
Sacred music
#
Rod Stewart
#
David Neff
#
People Get Ready
#
David Neff
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pages. David Neff #741130. Published by David Neff (A0.1140878). Curtis Mayfield’s gospel-influenced R&B hit, People Get Ready was named by Rolling Stone magazine as the 24th greatest song of all time, and it was dubbed by Martin Luther King, Jr, the unofficial anthem of the Civil Rights Movement. The song has been covered by top-tier singers from Bob Dylan, Bob Marley, Aretha Franklin, and the Staple Singers, to Jeff Beck and Rod Stewart. I decided to use it in a church context during the season of Advent, a time of expectation and getting ready. Here is the high-voice version of the arrangement I performed in December 2022. This sheet music is also available on this site for low voice and piano.
$5.99
GOD SO LOVED (Solo for High Voice, optional flute)
#
High voice
#
EASY
#
Richard Donn
#
GOD SO LOVED
#
Cartecay River Music Publishing
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay Riv...
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3260171. Published by Cartecay River Music Publishing (A0.891175). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is rated medium-easy. Also available: SATB (soprano solo, opt. flute, piano), Medium voice solo (opt. flute), and Low voice solo (opt. flute).
$4.95
Life On Mars
#
High voice
#
INTERMEDIATE/ADVANCED
#
Rock
#
David Bowie
#
Austin Ralphson
#
Life On Mars
#
Austin Ralphson
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.563641 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. 28 pages. Austin...
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.563641 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. 28 pages. Austin Ralphson #4351211. Published by Austin Ralphson (A0.563641). This arrangement of the David Bowie classic from 1971 will bring a suitably vibrant, emotion-filled element to any programme, serving as a fitting tribute to a hugely influential and popular musician. It works well in pretty much any concert due to its popularity and the variations in dynamics, timbre, texture and, or course, the incredibly unpredictable harmonies.I have kept much of the piano accompaniment the same as David Bowie composed. The soloist should really go for it on the octave leaps into the choruses. An essential addition to any programme, this pack provides piano and vocal parts in C, D and (the original) E major keys to cater for different vocal ranges. It is a great crowd-pleaser!
$9.99
You're Not Replaceable
#
High voice
#
EASY
#
Brenda A
#
You're Not Replaceable
#
Brenda A. McGee
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.984957 Composed by Brenda A. McGee. Christian,Concert,Gospel. 14 pages. Brenda A. McGee #57098...
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.984957 Composed by Brenda A. McGee. Christian,Concert,Gospel. 14 pages. Brenda A. McGee #5709851. Published by Brenda A. McGee (A0.984957). You're Not Replaceable is for soprano voice and piano accompaniment.It is a piece to comfort those who have been rejected by their mother or father. This work is appropriate for recording for a CD selection on a album. This work is appropriate for adult performers and high school or college performers at all church services or at a recital. Brenda A. McGee is affiliated with BMI. Ms. McGee can be contacted at facebook.com/thepianoladybamcgee, www.brendaamcgee.com, or bamcgee@brennieproductions.com.
$5.86
FLOW, RIVERS FLOW
#
High voice
#
ADVANCED
#
Sonny Rios
#
FLOW, RIVERS FLOW
#
Sonny Rios
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962900 Composed by Sonny Rios. Broadway,Contemporary,Film/TV,Musical/Show. 5 pages. Sonny Rios...
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962900 Composed by Sonny Rios. Broadway,Contemporary,Film/TV,Musical/Show. 5 pages. Sonny Rios #3924885. Published by Sonny Rios (A0.962900). FLOW, RIVERS FLOW: A love-song by Sonny Rios in the classical crossover genre for solo High Voice. It is in English and its range is C#4-A5. This song may be sung in all sorts of venues, as well as UIL competitions. It has been registered with the US Copyright Office and ASCAP. The song may be obtained in a fully orchestrated accompaniment CD with and without English lead vocals by emailing: tenor@sonnyrios.com. And if you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
God So Loved the World (Solo voice version)
#
High voice
#
INTERMEDIATE
#
Sacred music
#
contrast, the verse is almost
#
Robert A
#
God So Loved the World
#
Robert A. Howard
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064397. Published by Robert A. Howard (A0.998804). This is a simple E minor setting of the familiar Good Friday words, using a repeated binary structure, almost in the manner of an alternating verse/chorus form. The piece is a counterpart to Howard's own 2016 setting of the Ave Verum Corpus, with which it shares the same key (also available via Sheet Music Plus). The chorus displays a clearly morose yearning in its appoggiaturas, upward leap and consequent falling phrase. By contrast, the verse is almost a recitative, featuring tense repetitions on one tone above a series of chromatically descending triads and pedal point. The piece is appropriate for most standards of solo soprano or tenor. The accompaniment can be on piano or organ. Two other versions of this piece, for SATB choir, and for SA choir, are also available from Sheet Music Plus.
$2.99
Somewhere Only We Know
#
High voice
#
EASY
#
Film/TV
#
Keane
#
Teresa OConnell (BMI)
#
Somewhere Only We Know
#
Teresa O'Connell
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConne...
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConnell (BMI). Film/TV. 7 pages. Teresa O'Connell (BMI) #6235521. Published by Teresa O'Connell (BMI) (A0.956050). Somewhere Only We Know is a beautiful ballad by the band, Keane. Arranged for voice (soprano or tenor) with early intermediate piano accompaniment, it is the perfect recital piece for singers. The singer's melody is built in to the piano accompaniment, which instilsl confidence in the singer. Lyrics are appropriate and easy to learn. Teachers, your students will love to sing this emotional, melodic, haunting piece. This is a great arrangement to encourage young pianists to play and sing at the same time! Highly recommended!
$4.99
AT THE CROSS
#
High voice
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
R
#
Sonny Rios
#
AT THE CROSS
#
Sonny Rios
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.962905 Composed by R.E. Hudson. Arranged by Sonny Rios. Christian,Gospel,Praise & Worship,Sacr...
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.962905 Composed by R.E. Hudson. Arranged by Sonny Rios. Christian,Gospel,Praise & Worship,Sacred. 6 pages. Sonny Rios #4277077. Published by Sonny Rios (A0.962905). AT THE CROSS: This popular public domain song, composed by R.E. Hudson and written by Isaac Watts, has been masterfully arranged by Sonny Rios for solo High Voice. The lyrics, in this arrangement, are in English, Spanish and Cherokee, and are a testimony of how one came to Christ for salvation. The song is ideal for Christian services, as well as religious and secular concerts. It has a range of Eb4-Bb5. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
There Was a Time - High voice
#
High voice
#
INTERMEDIATE
#
Stephen Foster
#
Judith L
#
There Was a Time - High voice
#
Maggs
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th C...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th Century,Traditional. 4 pages. Maggs #6443939. Published by Maggs (A0.821426). This is a lesser known, but lovely song written by American composer Stephen Foster, with lyrics by James D. Byrne. This arrangement, in the key of C, is appropriate for a high singer, with a range of an octave (G to G). It is also available on SMP for medium low voice (Key of F - range C to C) and medium high voice (Key of Ab - range Eb to Eb).
$2.99
Beautiful Dreamer (High voice)
#
High voice
#
INTERMEDIATE/ADVANCED
#
Stephen Foster
#
Judith L
#
Beautiful Dreamer
#
Maggs
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821422 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Standards,Traditi...
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821422 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Standards,Traditional. 5 pages. Maggs #6349087. Published by Maggs (A0.821422). This is one of the most well-known and well-loved songs of American composer Stephen Foster This arrangement, in the key of F, is appropriate for a high singer, with a range from E above middle C to high G. (An octave lower for the male voice.) It is also available on SMP for medium high voice (Key of Eb - range D to F) and medium low voice (Key of C - range B to D).
$2.99
Bist du bei mir / When you are near - High voice, Piano
#
High voice
#
INTERMEDIATE
#
G
#
John Ross
#
Bist du bei mir / When you are
#
John Ross
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1159768 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1159768 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding. 5 pages. John Ross #760027. Published by John Ross (A0.1159768). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725). This arrangement, in the key of D, is for high voice and piano. It is also available for medium voice (key of C) or low voice (key of Bb). Added to the original German words are new lyrics, When you are near, making this song ideal for weddings, anniversaries, and special occasions.
$3.99
<
1
26
51
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
