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106
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97
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83
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277
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48
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47
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46
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42
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29
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24
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23
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21
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20
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19
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12
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7
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You've selected:
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High voice
Sheetmusic to print
83 sheet music found
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See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074256 Composed by Josh…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #678546. Published by Daniel Carter (A0.1074256). John Leland’s descriptive and powerful text captivated Joshua Leavitt who composed a plaintive melody about the Savior’s pleading in our behalf on Judgement Day. This Appalachian folk hymn tune titled PLEADING SAVIOR was first published in “Christians Lyre†in 1830 in the Sacred Harp tradition. Arranged with a descriptive, emotive piano accompaniment that underscores the elegance and depth of the lamenting singer, the words conclude with a peaceful return to the Savior’s loving arms. Arranged for medium-range solo voice, high-range solo voice, and SSAA women’s chorus and piano available at danielcartermusic.com.
$4.99
4.52 €
#
High voice
#
Joshua Leavitt
#
See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
#
Daniel Carter
#
SheetMusicPlus
When I Let God Lead (High Voice)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947834 Composed by Josep…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947834 Composed by Joseph H. Gilmore. Words by Elizabeth Ragsdale, Music by Elizabeth Ragsdale, and William B. Bradbury. Arranged by Elizabeth Ragsdale. Christian,Sacred. 7 pages. Elizabeth Ragsdale #2548741. Published by Elizabeth Ragsdale (A0.947834). This sacred solo explores the when, where, and how of God’s leading. It incorporates a refrain from the well-known hymn He Leadeth Me. With its easy, engaging accompaniment, the music has great audience appeal. Duration: 4:06. Vocal range: C4–E5.
$4.79
4.34 €
#
High voice
#
Joseph H
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When I Let God Lead
#
Elizabeth Ragsdale
#
SheetMusicPlus
WHEN I CAN READ MY TITLE CLEAR
High voice
High Voice,Vocal Solo - Digital Download SKU: A0.962917 Composed by J.C. Lowry. Arr…
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High Voice,Vocal Solo - Digital Download SKU: A0.962917 Composed by J.C. Lowry. Arranged by Sonny Rios. Christian,Contemporary,Jewish,Sacred. 5 pages. Sonny Rios #4278121. Published by Sonny Rios (A0.962917). WHEN I CAN READ MY TITLE CLEAR: This old public domain Christian song, by Isaac Watts and J.C. Lowry, has been arranged by Sonny Rios for solo High Voice. The song’s range is C4-A5 and is in English. The song speaks about a person’s final journey and arrival in his/her heavenly rest. The song may be used in Jewish or Christian services, concerts, and in funerals. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
5.43 €
#
High voice
#
J
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WHEN I CAN READ MY TITLE CLEAR
#
Sonny Rios
#
SheetMusicPlus
Lead Me To The Cross
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.800144 Composed by Brook…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.800144 Composed by Brooke Ligertwood. Arranged by Nancy Frese Tabb. Contemporary,Holiday,Praise & Worship,Sacred,Spiritual. 8 pages. Nancy Frese Tabb #6681737. Published by Nancy Frese Tabb (A0.800144). This arrangement of Brooke Ligertwood's Lead Me to the Cross is arranged as a solo for a High Voice (Soprano or Tenor) and can be easily learned in just a few rehearsals. It is paired with an excerpt of the hymn 'When I Survey the Wondrous Cross' and is a great addition to a Lenten or Holy Week service or Sacred Concert.
$4.99
4.52 €
#
High voice
#
Brooke Ligertwood
#
Lead Me To The Cross
#
Nancy Frese Tabb
#
SheetMusicPlus
BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868828 Composed by Giova…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868828 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4602791. Published by Really Good Music, LLC. (A0.868828). Non posso disperar is the aria from the opera Eraclea (1692), composed by Giovanni BONONCINI (1670 – 1747), although in some publications it was misattributed to Severo De LUCA (1684 – 1734). The aria was realized for voice and piano by Sergei Pichugin. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (Eb4 – G5) for high voice.
$5.95
5.39 €
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High voice
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Giovanni BONONCINI
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BONONCINI Giovanni: Non posso disperar, aria from the opera "Eraclea", - Voice and Piano
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Really Good Music, LLC.
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SheetMusicPlus
It came Upon the Midnight Clear
High voice
High voice, piano (organ) and melody instrument (flute, violin) - intermediate - Digital D…
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High voice, piano (organ) and melody instrument (flute, violin) - intermediate - Digital Download SKU: S9.Q25394 Composed by Richard Storrs Willis. Arranged by Klaus Heizmann. This edition: Sheet music. Downloadable. Schott Music - Digital #Q25394. Published by Schott Music - Digital (S9.Q25394). German.Originaltitel: It came Upon the Midnight Clear.
$3.99
3.62 €
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High voice
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Richard Storrs Willis
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It came Upon the Midnight Clear
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Schott Music - Digital
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.34 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.3 €
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High voice
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Richard Strauss
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Lean Baby (High Voice)
High voice
(High Voice) - Digital Download SKU: HX.470140 Broadway,Jazz,Standards. Real Book -…
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(High Voice) - Digital Download SKU: HX.470140 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470140).
$1.99
1.8 €
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High voice
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Lean Baby
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Hal Leonard - Digital
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SheetMusicPlus
Lean On Me (High Voice)
High voice
(High Voice) - Digital Download SKU: HX.470703 By Bill Withers. Pop,Rock,Standards.…
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(High Voice) - Digital Download SKU: HX.470703 By Bill Withers. Pop,Rock,Standards. Real Book - Melody/Chords/Lyrics. 3 pages. Published by Hal Leonard - Digital (HX.470703).
$1.99
1.8 €
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High voice
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Bill Withers
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Lean On Me
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Hal Leonard - Digital
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SheetMusicPlus
All the Way My Savor Leads Me - Soprano and Tenor Duet with Keyboard
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.753510 Composed by Fanny…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.753510 Composed by Fanny Crosby, Robert Lowry. Arranged by Christina Harmon. Christian,Gospel. 5 pages. Christina Harmon #6600139. Published by Christina Harmon (A0.753510). Scored for Tenor and Soprano Duet and Piano. Performance approx. 3 minutes.
$6.00
5.44 €
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High voice
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Fanny Crosby, Robert Lowry
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All the Way My Savor Leads Me - Soprano and Tenor Duet with Keyboard
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Christina Harmon
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SheetMusicPlus
Autumn Leaves [Jazz version] (arr. Brent Edstrom)
High voice
(High Voice) - Digital Download SKU: HX.453306 Jazz,Pop,Standards. Piano Vocal. 4 p…
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(High Voice) - Digital Download SKU: HX.453306 Jazz,Pop,Standards. Piano Vocal. 4 pages. Published by Hal Leonard - Digital (HX.453306).
$4.99
4.52 €
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High voice
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Autumn Leaves [Jazz version]
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Hal Leonard - Digital
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SheetMusicPlus
In the Bleak Midwinter
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.901494 Composed by Gusta…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.901494 Composed by Gustav Holst. Arranged by M. Benson. Christian,Christmas,Contemporary,Sacred. 10 pages. M. Benson #4347811. Published by M. Benson (A0.901494). A simple and beautiful vocal rendition of the holiday favorite. Scored for a soprano vocalist in the key of F major and moving to G major and is comfortable for a tenor to sing an octave lower. Has been perfect for Christmas church services and programs. Piano accompaniment is on an intermediate level.
$5.99
5.43 €
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High voice
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Gustav Holst
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In the Bleak Midwinter
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M. Benson
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SheetMusicPlus
In the bleak mid-winter
High voice
High voice and piano - Digital Download Arranged by Mack Wilberg. Vocal score. 6 page…
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High voice and piano - Digital Download Arranged by Mack Wilberg. Vocal score. 6 pages. Oxford University Press Digital #9780193549296. Published by Oxford University Press Digita
$3.25
2.95 €
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High voice
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In the bleak mid-winter
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Oxford University Press Digita
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SheetMusicPlus
Softly As I Leave You (High Voice)
High voice
(High Voice) - Digital Download SKU: HX.470482 By Elvis Presley and Frank Sinatra. …
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(High Voice) - Digital Download SKU: HX.470482 By Elvis Presley and Frank Sinatra. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470482).
$1.99
1.8 €
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High voice
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Elvis Presley and Frank Sinatra
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Softly As I Leave You
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Hal Leonard - Digital
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SheetMusicPlus
There's A Boat Dat's Leavin' Soon For New York (High Voice) (from Porgy And Bess)
High voice
(High Voice) - Digital Download SKU: HX.470783 Broadway,Jazz,Standards. Real Book -…
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(High Voice) - Digital Download SKU: HX.470783 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470783).
$1.99
1.8 €
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High voice
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There's A Boat Dat's Leavin' Soon For New York
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Hal Leonard - Digital
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SheetMusicPlus
Leaden & Golden Echo
High voice
High voice and piano - Digital Download SKU: S9.Q3192 Kantate. Composed by E…
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High voice and piano - Digital Download SKU: S9.Q3192 Kantate. Composed by Egon Wellesz. This edition: vocal/piano score. Downloadable, vocal/piano score. Op. 61. Duration 12 minutes. Schott Music - Digital #Q3192. Published by Schott Music - Digital (S9.Q3192).
$19.99
18.12 €
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High voice
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Egon Wellesz
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Leaden & Golden Echo
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Schott Music - Digital
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SheetMusicPlus
What Did I Have That I Don't Have? (High Voice) (from On A Clear Day You Can See Forever)
High voice
(High Voice) - Digital Download SKU: HX.470812 Broadway,Jazz,Standards. Real Book -…
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(High Voice) - Digital Download SKU: HX.470812 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470812).
$1.99
1.8 €
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High voice
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What Did I Have That I Don't Have?
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Hal Leonard - Digital
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SheetMusicPlus
Learn of Love’s Design (High Voice)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947824 Composed by Eliza…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947824 Composed by Elizabeth Ragsdale. Christian,Sacred. 7 pages. Elizabeth Ragsdale #2548715. Published by Elizabeth Ragsdale (A0.947824). This swinging, upbeat song is based on seven synonyms for God. The thought-provoking, yet accessible, lyrics engage the listener; the memorable, bluesy melody rewards the singer; and the simple accompaniment appeals to the pianist. Duration: 3:28. Vocal range: C4–D5.
$4.79
4.34 €
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High voice
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Elizabeth Ragsdale
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Learn of Love’s Design
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Elizabeth Ragsdale
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SheetMusicPlus
Please Be Kind (High Voice)
High voice
(High Voice) - Digital Download SKU: HX.470684 By Sammy Cahn. Jazz,Standards. Real …
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(High Voice) - Digital Download SKU: HX.470684 By Sammy Cahn. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470684).
$1.99
1.8 €
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High voice
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Sammy Cahn
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Please Be Kind
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Hal Leonard - Digital
#
SheetMusicPlus
Baby, Won't You Please Come Home (High Voice)
High voice
(High Voice) - Digital Download SKU: HX.470695 By Bessie Smith. Jazz,Standards. Rea…
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(High Voice) - Digital Download SKU: HX.470695 By Bessie Smith. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470695).
$1.99
1.8 €
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High voice
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Bessie Smith
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Baby, Won't You Please Come Home
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Hal Leonard - Digital
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.17 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
God So Loved the World (Solo voice version)
High voice
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998804 Composed by Rober…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064397. Published by Robert A. Howard (A0.998804). This is a simple E minor setting of the familiar Good Friday words, using a repeated binary structure, almost in the manner of an alternating verse/chorus form. The piece is a counterpart to Howard's own 2016 setting of the Ave Verum Corpus, with which it shares the same key (also available via Sheet Music Plus). The chorus displays a clearly morose yearning in its appoggiaturas, upward leap and consequent falling phrase. By contrast, the verse is almost a recitative, featuring tense repetitions on one tone above a series of chromatically descending triads and pedal point. The piece is appropriate for most standards of solo soprano or tenor. The accompaniment can be on piano or organ. Two other versions of this piece, for SATB choir, and for SA choir, are also available from Sheet Music Plus.
$2.99
2.71 €
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High voice
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contrast, the verse is almost a recitative, featuring tense repetitions on one tone above a series of chromatically descending triads and pedal point
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Robert A
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God So Loved the World
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Robert A. Howard
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SheetMusicPlus
Life On Mars
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.563641 By David Bowie. B…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.563641 By David Bowie. By David Bowie. Arranged by Austin Ralphson. Pop,Rock. 28 pages. Austin Ralphson #4351211. Published by Austin Ralphson (A0.563641). This arrangement of the David Bowie classic from 1971 will bring a suitably vibrant, emotion-filled element to any programme, serving as a fitting tribute to a hugely influential and popular musician. It works well in pretty much any concert due to its popularity and the variations in dynamics, timbre, texture and, or course, the incredibly unpredictable harmonies.I have kept much of the piano accompaniment the same as David Bowie composed. The soloist should really go for it on the octave leaps into the choruses. An essential addition to any programme, this pack provides piano and vocal parts in C, D and (the original) E major keys to cater for different vocal ranges. It is a great crowd-pleaser!
$9.99
9.06 €
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High voice
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David Bowie
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Life On Mars
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Austin Ralphson
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SheetMusicPlus
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