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My Love My Life
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You've selected:
My Love My Life
High voice
Sheetmusic to print
5 sheet music found
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1
Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
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High voice
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INTERMEDIATE
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Natha...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
With my love my life was nestled (Ornamented version from Christ Church Library, MS Mus 439)
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High voice
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Classical
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Thomas Morley
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Early Music Scores
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With my love my life was nestl
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Early Music Scores
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.1287178 Composed by Thomas Morley. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores ...
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High Voice,Vocal Solo - Digital Download SKU: A0.1287178 Composed by Thomas Morley. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #878187. Published by Early Music Scores (A0.1287178). Voice and continuoComposed by Thomas Morley (1557-1602). From Oxford, Christ Church Library, MS Mus 439, f. 37. Edited by Felipe Dias. 2 pages.
$6.99
Birthday
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High voice
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William Kersten
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Birthday
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.916015 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007519. Publis...
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High Voice,Vocal Solo - Digital Download SKU: A0.916015 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007519. Published by William Kersten (A0.916015). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti (1830-1894) 　 My heart is like a singing birdWhose nest is in a watered shoot;My heart is like an apple-treeWhose boughs are bent with thick-set fruit;My heart is like a rainbow shellThat paddles in a halcyon sea;My heart is gladder than all theseBecause my love is come to me.Raise me a dais of silk and down;Hang it with vair and purple dyes;Carve it in doves and pomegranates,And peacocks with a hundred eyes;Work it in gold and silver grapes,In leaves and silver fleurs-de-lys;Because the birthday of my lifeIs come, my love is come to me.
$3.99
Echo
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High voice
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Contemporary
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William Kersten
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Echo
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Publis...
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High Voice,Vocal Solo - Digital Download SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti　 Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.
$3.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
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