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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
One In Ten
Not classified
13,616
Piano & keyboards
Piano solo
2,638
Piano, Voice
1,292
Easy Piano
713
Piano, Vocal and Guitar
513
C Instruments
413
Organ
266
Piano Accompaniment
182
1 Piano, 4 hands
124
Piano (band part)
114
Piano Trio: piano, violin, cello
74
2 Pianos, 4 hands
62
Accordion
29
Piano Quartet: piano, violin, viola, cello
23
Organ, Trumpet (duet)
17
Piano Quartet: piano, 2 violins, cello
12
Piano Quintet: piano, 2 violins, viola, cello
10
Organ, Piano (duet)
8
Harpsichord
6
Keyboard
5
2 Pianos, 8 hands
3
1 Piano, 6 hands
3
2 Accordions
1
Concertina
1
+ 18 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
443
Guitar
387
Guitar (band part)
229
Melody line, (Lyrics) and Chords
99
Ukulele
93
2 Guitars (duet)
38
Bass guitar
31
Mandolin
23
Dulcimer
18
4 Guitars (Quartet)
17
Piano, Guitar (duet)
15
Banjo
12
Lyrics and Chords
8
Baritone Ukulele
8
2 Dulcimers (duet)
8
Guitar Ensemble
6
3 Guitars (trio)
5
Mandolin, Guitar (duet)
4
Mandolin, Piano (duet)
1
2 Ukuleles
1
2 Mandolins (duet)
1
Ukulele Ensemble
1
Guitar, Violin, Cello (trio)
1
+ 18 instrumentations
-
Retract
Voice
Choral SATB
1,867
Choral TTBB
564
Choral 3-part
455
Choral 2-part
397
Choral SSAA
329
Vocal duet, Piano
173
Baritone voice, Piano
138
Choral Unison
133
Soprano voice, Piano
109
Tenor voice, Piano
109
Vocal duet
105
Choral Instrumental Pak
79
Alto voice, Piano
74
High voice
38
Low voice, Piano
21
Medium voice, Piano
20
Choral SSAATTBB
14
Tenor voice
13
Voice solo
11
Low voice
8
Soprano voice
6
Choral
6
Choral SSATB
5
Choral SSATTB
5
Mezzo-Soprano voice, Piano
4
Soli, Mixted choir and accompaniment
3
Voix Masculines
2
Choral SSATBB
2
Voice, Guitar
2
Choral SATBB
2
Soprano voice, Orchestra
1
Choral SAATB A Cappella
1
Choral SSAB, Piano
1
Baritone voice
1
+ 29 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
3,884
Tenor Saxophone
2,450
2 Saxophones (duet)
1,792
Tenor Saxophone and Piano
1,774
Saxophone (band part)
1,718
Saxophone Quintet: 5 Saxophones
1,123
Alto Saxophone and Piano
739
Alto Saxophone
537
3 Saxophones (trio)
533
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
472
Flute and Piano
441
Saxophone ensemble
425
Flute, Oboe, Clarinet, Bassoon
421
Saxophone, Clarinet (duet)
409
2 Clarinets (duet)
396
Clarinet and Piano
388
2 Flutes (duet)
340
Soprano Saxophone and Piano
338
Saxophone
291
Clarinet Quartet: 4 clarinets
291
Clarinet, Violin (duet)
267
Oboe, Piano (duet)
267
Descant (Soprano) Recorder
251
Clarinet, Trumpet (duet)
230
Flute
217
Baritone Saxophone, Piano
216
Clarinet
209
Flute, Clarinet (duet)
190
Flute, Saxophone (duet)
141
Oboe, Clarinet (duet)
141
Oboe, Bassoon (duet)
141
Flute Quartet: 4 flutes
134
Clarinet and Viola
134
Flute, Violin
134
2 Oboes (duet)
125
Clarinet Ensemble
112
Flute, Viola (duet)
112
Oboe, Flute
110
Flute, Trumpet (duet)
105
Oboe (band part)
97
Flute (band part)
84
3 Clarinets (trio)
78
Clarinet Quintet: 5 clarinets
74
English horn, Piano
71
Soprano Saxophone
69
Flute ensemble
64
2 Recorders (duet)
58
Bass Clarinet, Piano
53
Recorder Quartet
50
Clarinet (band part)
46
Flute Trio: 3 flutes
41
Flute and Guitar
38
Flute Quintet : 5 flutes
37
Baritone Saxophone
31
Oboe
29
2 Flutes, Piano
29
3 Recorders (trio)
22
Recorder
22
Flute, Oboe (duet)
21
Treble (Alto) Recorder
20
English Horn
20
Recorder Ensemble
19
Clarinet, Bassoon (duet)
18
Oboe, Violin (duet)
17
Ocarina
17
2 Saxophones, Piano
15
Saxophone and Organ
13
Oboe, Clarinet, Bassoon (trio)
13
Flute, Clarinet and Bassoon.
13
Flute, Violin, Piano
13
5 Recorders
12
Clarinet, Guitar (duet)
11
Tenor Recorder
11
Clarinet, Cello (duet)
10
Flute, Oboe, Clarinet (trio)
10
Saxophone and Guitar
9
Descent (Soprano) Recorder, Piano
9
3 Oboes
9
Flute, Violoncello
8
Oboe, Cello
7
Wind ensemble
7
4 Oboes
7
Flute, Oboe, Bassoon
7
Saxophone and Harp
6
Piccolo, Piano
6
Harmonica
6
Flute, Trombone (duet)
6
Clarinet, Trombone (duet)
5
Flute, Oboe, Piano (trio)
4
Saxophone and Piano
4
2 Clarinets, Piano
4
Oboe and viola (duet)
4
Pennywhistle
4
Flute, harp and violin
4
English Horn, Guitar (duet)
3
Oboe, Guitar (duet)
3
Treble (Alto) Recorder, Piano
3
2 English horns and Pianoforte
3
Flute and Strings Trio
3
Flute, Clarinet, Piano (trio)
3
Flute, Bassoon, and Piano
3
Bass Clarinet
2
Eb Instruments
2
2 Clarinets, Bassoon
2
Piccolo
2
Flute, Violin and Violoncello
2
Oboe, Trombone (duet)
2
Clarinet, Organ
2
Clarinet Quintet: Clarinet, String Quartet
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Flute, Cello, Guitar
1
Pan Flute
1
Oboe, Cello and Piano
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Recorder, Guitar (duet)
1
Saxophone, Bassoon (duet)
1
Clarinet, Cello, Piano (trio)
1
Saxophone and cello
1
Oboe, Bassoon and Piano
1
Saxophone, Tuba (duet)
1
Flute, Organ (duet)
1
Flute, Basso continuo
1
Recorder, Piano
1
Flute, Cello, Piano (trio)
1
Oboe ensemble
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Clarinet, Harp (duet)
1
2 Recorders, Guitar
1
+ 123 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,276
Trombone (band part)
996
Trombone and Piano
936
Brass quartet : 2 trumpets, trombone, tuba
753
Trombone
606
Trumpet (band part)
401
Trumpet, Saxophone (duet)
315
2 Trombones (duet)
311
Brass Quartet: 4 trombones
287
Trumpet
284
Trumpet, Piano
242
Trumpet, Trombone (duet)
238
French Horn and Piano
213
Brass Quartet: 2 trumpets, horn, trombone
213
Trombone ensemble
166
Brass Quartet
152
2 Trumpets (duet)
147
Tuba and Piano
113
Euphonium, Piano (duet)
110
Bb Instruments
103
Trumpet ensemble
95
French horn (band part)
86
Tuba
85
French horn
79
Tuba (band part)
78
English horn, Piano
71
2 French horns (duet)
57
3 Trombones (trio)
40
Brass Quartet: 4 horns
35
2 Tubas (duet)
35
Brass Trio
29
Euphonium
22
2 Euphoniums and 2 Tubas
22
Trumpet, Horn (duert)
22
Horn Ensemble
20
English Horn
20
4 Tubas
19
Bass Trombone
18
Bass Trombone and Piano
16
Brass Quartet: 4 trumpets
16
Euphonium, Tuba (duet)
15
Trombone, Horn (duet)
13
Brass Quartet: 2 trumpets, 2 trombones
13
3 Trumpets (trio)
12
Trombone, Organ
11
3 Tubas (trio)
9
Trombone, Tuba (duet)
8
3 French horns (trio)
7
2 Euphoniums (duet)
7
Tuba and Organ
7
Brass Quintet: 2 trumpets, horn, 2 trombones
6
Horn, Cello (duet)
4
Trombone and Orchestra
4
Bass Clef Instruments
3
English Horn, Guitar (duet)
3
2 English horns and Pianoforte
3
Trombone, cello (duet)
2
2 Trumpets, Keyboard (piano or organ)
2
Trumpet, Euphonium (duet)
2
Trumpet, Bassoon (duet)
2
3 Euphoniums
2
French horn and Basson (duet)
2
Horn, Trumpet, Trombone (trio)
1
Trombone, Violin (duet)
1
2 Trombones, Piano
1
2 French horns, Piano
1
Trumpet, Tuba (duet)
1
Tuba ensemble
1
Clarinet, Horn (duet)
1
Trumpet, Trombone, Piano
1
+ 65 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,113
Violin and Piano
545
Violin, Cello (duet)
443
Violin
402
Cello, Piano
383
Viola, Piano
294
Cello
272
String Trio: violin, viola, cello
258
Harp
210
2 Violins (duet)
198
Violin, Viola (duet)
197
2 Cellos (duet)
179
2 Violas (duet)
151
Doublebass (band part)
138
String Quintet: 2 violins, viola, cello, bass
107
Viola
89
String Trio: 2 violins, cello
78
Double bass, Piano (duet)
71
Double Bass
66
4 Cellos
40
Viola (band part)
38
Violin (band part)
35
Viola, Cello (duet)
31
String Trio: 3 violins
23
String Trio: 3 cellos
23
String Trio: 3 violas
22
Violin ensemble
21
2 Double basses (duet)
20
Piano Trio: Violin, Viola, Piano
19
Viola ensemble
19
Harp, Flute (duet)
18
String quartet: 4 violins
17
2 Harps (duet)
17
Harp, Voice
16
Harp, Violin (duet)
16
Viola and Harp
14
Violin, Bassoon (duet)
14
Violin, Guitar (duet)
14
Cello, Guitar (duet)
13
String Quartet : 4 violas
12
Harp, Cello (duet)
12
String Quintet: 2 violins, 2 violas, cello
7
Harp, Trombone (duet)
6
String Trio: 2 violins, viola
5
Cello, String Bass (duet)
5
Cello, Organ
5
3 Harps
4
Viola, Guitar (duet)
4
String trio
3
4 Double Basses
3
Cello (band part)
3
5 Harps
2
Viola and orchestra
2
String Quintet: 2 violins, viola, 2 cellos
2
Violin, Organ
2
Flute, Doublebass (duet)
2
Cello Ensemble
2
Cello, Orchestra
2
Violoncello, Basso continuo
2
4 Harps
1
Violin, Clarinet, Piano (trio)
1
Harp, String quartet
1
2 Violins, Piano
1
Harp and Piano
1
Violin, Basso continuo
1
+ 60 instrumentations
-
Retract
Orchestra & Percussion
Concert band
3,899
Jazz Ensemble
1,217
Orchestra
668
Brass ensemble
612
String Orchestra
475
Jazz combo
255
Chamber Orchestra
210
Marching band
177
Handbells
141
Drum (band part)
111
Percussion Ensemble
79
Drums
32
Marimba
29
Xylophone, Piano
26
Percussion (band part)
19
Vibraphone
12
Big band
8
School Ensemble
7
2 Xylophones
5
Xylophone
4
Piano and Orchestra
3
Orchestra, Violin
2
Flexible Instrumentation
2
Cajon
2
Brass Quintet: other combinaisons
1
Woodwind Quintet
1
3 Percussions
1
Bongos
1
Percussion
1
+ 24 instrumentations
-
Retract
Others
Musical course - Solfege
7
Music Theory
1
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HARMONICA
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ORGAN - ORG…
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PIANO
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One In Ten
High voice
Sheetmusic to print
38 sheet music found
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1
26
Ten Thousand Miles Away (Downloadable)
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High voice
#
INTERMEDIATE
#
Steven Mark Kohn
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Ten Thousand Miles Away
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8668-01E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-01E...
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High voice and piano - Medium - Digital Download SKU: MQ.8668-01E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-01E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
I Dream of You, to Wake (Soprano or Tenor and Piano)
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High voice
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INTERMEDIATE/ADVANCED
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243....
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
#
Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
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High voice
#
EASY
#
the stream and o'er the mead;<
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Todd Marchand
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The Lamb
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Con Spirito Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito ...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Silent Night (arr. D. Howell - Tenor/Soprano - C)
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High voice
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INTERMEDIATE
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Christmas
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Music by Franz Gruber, Words b
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Doug Howell
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Silent Night
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Creative Measures
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christmas,Pop,Sacred,Spiritual. 8 pages. Creative Measures #4992825. Published by Creative Measures (A0.896322). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?
$1.99
CARISSIMI, Giacomo: Crudo amore, cantata for Voice (Soprano/Tenor) and Piano (G minor)
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High voice
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INTERMEDIATE
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Giacomo CARISSIMI
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Sergei PICHUGIN
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CARISSIMI, Giacomo: Crudo amor
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868630 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroqu...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868630 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365796. Published by Really Good Music, LLC. (A0.868630). The cantata Crudo amore was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune is available in the original key of G minor (D4 – F5).
$5.95
CARISSIMI, Giacomo: Crudo amore, cantata for Voice (Soprano/Tenor) and Piano (B minor)
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High voice
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INTERMEDIATE
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Giacomo CARISSIMI
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Sergei PICHUGIN
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CARISSIMI, Giacomo: Crudo amor
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868631 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroqu...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868631 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365804. Published by Really Good Music, LLC. (A0.868631). The cantata Crudo amore was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune was transposed into B minor (F#4 – A5). .
$5.95
Listen to the Lambs (high-voice solo)
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High voice
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EASY
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Traditional African-American S
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David Neff
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Listen to the Lambs
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.829054 Composed by Traditional African-American Spiritual. Arranged by David Neff. Christian,S...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.829054 Composed by Traditional African-American Spiritual. Arranged by David Neff. Christian,Sacred,Spiritual. 3 pages. David Neff #6475227. Published by David Neff (A0.829054). Here is a fresh arrangement for solo voice and piano of Listen to the Lambs, one of the most hauntingly beautiful spirituals in the African-American heritage. The song is best known in a choral arrangement by Nathaniel Dett, but it cries out for solo treatment as well. This is a high-voice arrangement. Medium-voice and high-voice arrangements will also be available.
$4.99
I Want to Know - from Rogue One: A Star Wars Musical
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High voice
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INTERMEDIATE
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Steve Danielson
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I Want to Know - from Rogue On
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Steve Danielson
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1006779 Composed by Steve Danielson. Contemporary,Film/TV,Musical/Show. 8 pages. Steve Daniels...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1006779 Composed by Steve Danielson. Contemporary,Film/TV,Musical/Show. 8 pages. Steve Danielson #5308807. Published by Steve Danielson (A0.1006779). The the second hit single from Rogue One: A Star Wars Musical - the non-existent musical that is sweeping the galaxy. Also available in a lower key by contacting the publisher (though, it will be available soon).
$4.00
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
A New Theology, Edward Hirsch, poem. (Often paired with "The Sweetness."
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High voice
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INTERMEDIATE/ADVANCED
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Mary Ann Joyce
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A New Theology, Edward Hirsch,
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Mary Ann Joyce-Walter
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.989239 Composed by Mary Ann Joyce. Concert,Contemporary,Holiday. 5 pages. Mary Ann Joyce-Walte...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.989239 Composed by Mary Ann Joyce. Concert,Contemporary,Holiday. 5 pages. Mary Ann Joyce-Walter #6209129. Published by Mary Ann Joyce-Walter (A0.989239). A New Theology, Edward Hirsch,poem. God looks at Adam and Eve in the Garden of Paradise and....He couldn't bear their happiness when he saw them laughing together, eating pomegranates, and celebrating life.... The poet decides that thewhole shebang about the apple and the serpent was a set up because God couldn't stand being alone with his own creation....exactly like us, love. Exactly like us. A humorous, but serious poem and musical setting.
$4.99
CARISSIMI, Giacomo: Piangete, ohimè piangete, cantata for Voice (Soprano/Tenor) and Piano (G minor)
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High voice
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Giacomo CARISSIMI
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Sergei PICHUGIN
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CARISSIMI, Giacomo: Piangete,
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.868639 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,...
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High Voice,Vocal Solo - Digital Download SKU: A0.868639 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4365834. Published by Really Good Music, LLC. (A0.868639). The cantata Piangete, ohimè piangete was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune is available in the original key of G minor (D4 – A5) for high voice. .
$5.95
CARISSIMI, Giacomo: No, no, non si speri, cantata for Voice (Soprano/Tenor) and Piano (E minor)
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High voice
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INTERMEDIATE
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Giacomo CARISSIMI
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Sergei PICHUGIN
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CARISSIMI, Giacomo: No, no, no
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868636 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroqu...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868636 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365826. Published by Really Good Music, LLC. (A0.868636). The cantata No, no, non si speri was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque, and arranged for voice and piano by Sergei Pichugin. The cantata may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (C#4 – A5).
$5.95
The Farmer’s Curst Wife (Downloadable)
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High voice
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Steven Mark Kohn
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The Farmer’s Curst Wife
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8668-03E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-03E...
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High voice and piano - Medium - Digital Download SKU: MQ.8668-03E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-03E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
California (Downloadable)
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High voice
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Steven Mark Kohn
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California
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8668-10E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-10E...
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High voice and piano - Medium - Digital Download SKU: MQ.8668-10E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-10E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
The Bachelor’s Lay (Downloadable)
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High voice
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Steven Mark Kohn
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The Bachelor’s Lay
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8668-06E Composed by Steven Mark Kohn. 7 pages. E. C. Schirmer Music Company - Digital #8668-06E...
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High voice and piano - Medium - Digital Download SKU: MQ.8668-06E Composed by Steven Mark Kohn. 7 pages. E. C. Schirmer Music Company - Digital #8668-06E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-06E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
Down, Down, Down (Downloadable)
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High voice
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Steven Mark Kohn
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Down, Down, Down
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8668-07E Composed by Steven Mark Kohn. 5 pages. E. C. Schirmer Music Company - Digital #8668-07E...
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High voice and piano - Medium - Digital Download SKU: MQ.8668-07E Composed by Steven Mark Kohn. 5 pages. E. C. Schirmer Music Company - Digital #8668-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-07E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
The Gallows Tree (Downloadable)
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High voice
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INTERMEDIATE
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Steven Mark Kohn
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The Gallows Tree
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8668-11E Composed by Steven Mark Kohn. 7 pages. E. C. Schirmer Music Company - Digital #8668-11E...
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High voice and piano - Medium - Digital Download SKU: MQ.8668-11E Composed by Steven Mark Kohn. 7 pages. E. C. Schirmer Music Company - Digital #8668-11E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-11E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
God So Loved the World (Solo voice version)
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High voice
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INTERMEDIATE
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Sacred music
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contrast, the verse is almost
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Robert A
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God So Loved the World
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Robert A. Howard
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064397. Published by Robert A. Howard (A0.998804). This is a simple E minor setting of the familiar Good Friday words, using a repeated binary structure, almost in the manner of an alternating verse/chorus form. The piece is a counterpart to Howard's own 2016 setting of the Ave Verum Corpus, with which it shares the same key (also available via Sheet Music Plus). The chorus displays a clearly morose yearning in its appoggiaturas, upward leap and consequent falling phrase. By contrast, the verse is almost a recitative, featuring tense repetitions on one tone above a series of chromatically descending triads and pedal point. The piece is appropriate for most standards of solo soprano or tenor. The accompaniment can be on piano or organ. Two other versions of this piece, for SATB choir, and for SA choir, are also available from Sheet Music Plus.
$2.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
TE DESEO LO MEJOR
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High voice
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ADVANCED
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Sonny Rios
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TE DESEO LO MEJOR
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962902 Composed by Sonny Rios. Concert,Holiday,Latin,Love,World. 6 pages. Sonny Rios #3926325....
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962902 Composed by Sonny Rios. Concert,Holiday,Latin,Love,World. 6 pages. Sonny Rios #3926325. Published by Sonny Rios (A0.962902). TE DESEO LO MEJOR: This love song was composed and written by Sonny Rios. The Spanish lyrics deal with someone who has been left for another, but, nonetheless, wishes the one who left the best. The song is for solo High Voice and has a range of D4-Ab5. The song has been registered with the US Copyright Office and ASCAP. The song may be obtained in a fully orchestrated accompaniment CD without lead vocals by emailing: tenor@sonnyrios.com. And if you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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High voice
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkl...
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High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Marietta's Song
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High voice
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Erich Wolfgang Korngold
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Marietta's Song
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Schott Music - Digital
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SheetMusicPlus
High voice and piano - Digital Download SKU: S9.Q475 From the opera The Dead City. Composed by Erich Wolfgang Korngold. This edition: Sheet music....
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High voice and piano - Digital Download SKU: S9.Q475 From the opera The Dead City. Composed by Erich Wolfgang Korngold. This edition: Sheet music. Downloadable. Op. 12. Duration 5 minutes. Schott Music - Digital #Q475. Published by Schott Music - Digital (S9.Q475). German • English.Marietta’s Lied “Glück, das mir verblieb†from the opera Die tote Stadt is one of the most popular soprano arias of the 20th century. Its sensual, dreamlike atmosphere drenched with a yearning for love allows a beautiful submerged world to resurface before its listeners, and the tender soaring cantilena continues to seduce audiences the world over. In the opera, this vocal scene is actually a duet between the unhappy widower Paul and the attractive Marietta. In Paul’s eyes, Marietta gradually takes on an ever closer resemblance to his deceased wife Marie against the morbid background of Bruges; the figures of the two women merge fatally with each other in the duet.
$7.99
Does It Matter?
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High voice
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ADVANCED
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #2384...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
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