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--INSTRUMENTS--
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BAGPIPE
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CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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Not classified
610
Piano & keyboards
Piano solo
809
Easy Piano
375
C Instruments
263
Piano, Voice
261
Piano, Vocal and Guitar
97
Organ
46
1 Piano, 4 hands
16
Big Note Piano
13
Piano Accompaniment
11
Piano Trio: piano, violin, cello
8
Accordion
4
Piano Quartet: piano, violin, viola, cello
3
Piano (band part)
3
2 Pianos, 4 hands
1
Harpsichord
1
Piano Quintet: piano, 2 violins, viola, cello
1
Piano Quartet: piano, 2 violins, cello
1
Organ, Trumpet (duet)
1
+ 13 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
71
Guitar
58
Guitar notes and tablatures
43
Ukulele
22
Bass guitar
9
Lyrics and Chords
6
Guitar (band part)
5
Dulcimer
4
2 Guitars (duet)
4
Banjo
3
Mandolin
3
2 Ukuleles
2
Piano, Guitar (duet)
1
+ 8 instrumentations
-
Retract
Voice
Choral SATB
213
Choral 3-part
76
Choral 2-part
38
Tenor voice
25
Alto voice, Piano
24
Soprano voice
23
Choral TTBB
21
Baritone voice, Piano
20
Choral
13
Choral SSAA
8
Choral Unison
5
Choral SSATB
3
Vocal duet, Piano
2
Mezzo-Soprano voice, Piano
2
High voice
2
Low voice, Piano
2
Choral SSATTB
1
Soprano voice, Piano
1
Choral SSAATTBB
1
Vocal duet
1
Choral SATTBB A Cappella
1
Medium voice, Piano
1
+ 17 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
166
2 Flutes (duet)
108
Alto Saxophone
105
Clarinet
99
Flute
98
Flute and Piano
95
Clarinet and Piano
92
Oboe, Piano (duet)
84
Alto Saxophone and Piano
80
Saxophone (band part)
79
Tenor Saxophone
69
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
68
Oboe
63
Flute, Oboe, Clarinet, Bassoon
62
Tenor Saxophone and Piano
61
Saxophone Quintet: 5 Saxophones
60
Soprano Saxophone and Piano
58
Saxophone Quartet: 4 saxophones
56
Baritone Saxophone, Piano
50
2 Clarinets (duet)
45
Oboe (band part)
42
Soprano Saxophone
37
Baritone Saxophone
34
Clarinet (band part)
34
2 Oboes (duet)
32
Oboe, Bassoon (duet)
27
2 Recorders (duet)
24
Oboe, Cello
24
Clarinet, Cello (duet)
20
Flute, Violoncello
17
Clarinet, Bassoon (duet)
15
Treble (Alto) Recorder
14
Descant (Soprano) Recorder
14
Recorder
14
Flute (band part)
13
Tenor Recorder
12
Flute, Clarinet (duet)
12
3 Saxophones (trio)
10
Clarinet, Violin (duet)
9
Clarinet Ensemble
8
Flute Quartet: 4 flutes
8
Flute, Clarinet and Bassoon.
8
English horn, Piano
7
Flute, Viola (duet)
7
Oboe, Clarinet (duet)
7
Clarinet Quartet: 4 clarinets
7
Flute, Oboe, Clarinet (trio)
7
Flute, Violin
7
3 Clarinets (trio)
7
English Horn
7
Saxophone, Clarinet (duet)
6
Clarinet Quintet: 5 clarinets
6
Clarinet and Viola
5
Flute ensemble
5
Oboe, Clarinet, Bassoon (trio)
4
Clarinet, Trumpet (duet)
4
Flute, Oboe, Bassoon
4
Bass Clarinet
3
Oboe and viola (duet)
3
Flute, Trumpet (duet)
3
Flute Trio: 3 flutes
3
Flute, Basso continuo
3
Bass Clarinet, Piano
2
3 Recorders (trio)
2
Flute, Saxophone (duet)
2
Descent (Soprano) Recorder, Piano
2
Recorder Quartet
2
Piccolo
2
Oboe, Violin (duet)
2
Oboe, Flute
2
Oboe, Violin, Viola and Violoncello (Quartet)
1
Flute, Violin, Piano
1
Saxophone and Piano
1
Clarinet, Trombone (duet)
1
Flute, Trombone (duet)
1
Flute and Strings Trio
1
Flute, Cello, Piano (trio)
1
Flute, Viola and Piano
1
Clarinet, Double bass (duet)
1
Flute Quintet : 5 flutes
1
+ 75 instrumentations
-
Retract
Woodbrass
Trumpet
98
French horn
86
Trombone and Piano
85
Trumpet, Piano
81
Trombone
78
French Horn and Piano
72
Tuba
70
Brass Quintet: 2 trumpets, horn, trombone, tuba
70
Tuba and Piano
68
Brass Quartet: 2 trumpets, horn, trombone
47
Trombone (band part)
44
2 Trombones (duet)
36
2 Trumpets (duet)
34
2 French horns (duet)
32
Trumpet (band part)
27
French horn (band part)
20
Tuba (band part)
17
2 Tubas (duet)
15
Horn, Cello (duet)
14
Trumpet, Trombone (duet)
12
Trumpet, Cello (duet)
10
English horn, Piano
7
Brass quartet : 2 trumpets, trombone, tuba
7
English Horn
7
Brass Quartet
5
Trumpet, Bassoon (duet)
4
Trumpet, Saxophone (duet)
4
French horn and Basson (duet)
4
Euphonium
3
Euphonium, Piano (duet)
3
Tuba and Organ
3
Bass Trombone
3
Trumpet, Horn (duert)
2
Trumpet ensemble
2
Brass Quartet: 4 trombones
2
Trombone and Orchestra
2
Trombone, Violin (duet)
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
Trumpet and Guitar
1
Horn Ensemble
1
2 Euphoniums and 2 Tubas
1
Trombone ensemble
1
Brass Trio
1
+ 38 instrumentations
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Retract
Strings
Violin and Piano
151
Violin
132
Cello
127
Cello, Piano
118
Viola, Piano
106
Viola
103
String Quartet: 2 violins, viola, cello
99
Double Bass
61
Double bass, Piano (duet)
59
Violin (band part)
46
2 Cellos (duet)
44
String Quintet: 2 violins, viola, cello, bass
43
2 Violins (duet)
41
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38
2 Violas (duet)
37
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21
Viola (band part)
21
Viola, Cello (duet)
18
Doublebass (band part)
17
2 Double basses (duet)
16
Viola and Bassoon
16
Violin, Viola (duet)
13
String Trio: violin, viola, cello
11
String Trio: 2 violins, cello
10
Cello (band part)
10
Harp
10
String Quintet: 2 violins, viola, 2 cellos
5
Violin, Guitar (duet)
3
Piano Trio: Violin, Viola, Piano
3
String Quintet: 2 violins, 2 violas, cello
3
Violin, Organ
2
String Trio: 3 violins
2
Cello, String Bass (duet)
2
Autoharp
1
4 Double Basses
1
String Trio: 3 cellos
1
Flute, Doublebass (duet)
1
String Trio: 2 violins, viola
1
Violoncello, Basso continuo
1
2 Violins, Piano
1
String Trio: 3 violas
1
Harp, Violin, Violoncello
1
2 Cellos, Piano
1
Violin, Cello, Clarinet
1
Violin, Tuba (duet)
1
+ 40 instrumentations
-
Retract
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Concert band
900
String Orchestra
98
Orchestra
34
Percussion (band part)
27
Marching band
26
Jazz Ensemble
15
Handbells
14
Drums
10
Marimba
9
Percussion
9
Xylophone
8
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
6
Timpani (band part)
6
Xylophone, Piano
3
Jazz combo
3
Vibraphone
2
Drum (band part)
2
Chamber Orchestra
2
Brass ensemble
1
+ 14 instrumentations
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Retract
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Musical course - Solfege
1
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2 sheet music found
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1
The Lord bless you and keep you (solo/high)
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High voice
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Sacred music
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John Rutter
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The Lord bless you and keep yo
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Oxford University Press Digital
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SheetMusicPlus
Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550636. Published by Oxford University Press Digital...
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Composed by John Rutter (1945-). Sheet music. 4 pages. Oxford University Press Digital #9780193550636. Published by Oxford University Press Digital
ISBN 9780193550636.
A much-loved setting of the Aaronic Blessing (Numbers 6: 24), this simple but highly expressive work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the Director of Music at Highgate School, where John Rutter was a pupil. It is arranged here for solo high voice and piano (which may be adapted for performance on the organ), originally published in Oxford Solo Songs: Sacred. Also available in versions for solo low. voice and piano, SATB and organ/strings, SAB and piano, and SA and piano/organ/strings.
$4.00
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
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