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Spirit Song
Sheetmusicplus
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2,157
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1,006
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474
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326
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76
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19
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19
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13
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11
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9
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5
Harpsichord
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Piano Quartet: piano, violin, viola, cello
4
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93
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179
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41
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36
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32
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20
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19
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18
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17
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16
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14
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9
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7
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1
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1
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1
Oboe, Trumpet (duet)
1
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1
Clarinet, Tuba
1
Recorder Quartet
1
Oboe, Cello
1
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1
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1
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1
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1
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1
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1
Recorder Ensemble
1
Oboe, Violin (duet)
1
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167
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123
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117
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97
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87
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67
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59
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45
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42
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38
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35
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33
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22
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12
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10
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7
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Trumpet, Tuba (duet)
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7
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2
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1
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1
String trio
1
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1
Autoharp
1
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1
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1
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You've selected:
Spirit Song
SheetMusicPlus
High voice
Sheetmusic to print
24 sheet music found
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1
LITANY TO THE HOLY SPIRIT
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High voice
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BEGINNER
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Sacred music
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Will Taylor
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LITANY TO THE HOLY SPIRIT
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Will Taylor's Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.917614 Composed by Will Taylor. Praise & Worship,Sacred,Standards. 3 pages. Will Taylor's Musi...
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High Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.917614 Composed by Will Taylor. Praise & Worship,Sacred,Standards. 3 pages. Will Taylor's Music #5337105. Published by Will Taylor's Music (A0.917614). This is a new setting of verses from Robert Herrick's poem of the same name. The song is written for solo voice, but with the addition of a lower part, it can also be performed as a duet or by upper voice choir.
$3.50
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
Ice! from Songs from the High Sierra
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High voice
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Gwyneth W
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Ice! from Songs from the High
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Comp...
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
Song of Kabir (high voice)
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High voice
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INTERMEDIATE/ADVANCED
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Kate Moody
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Song of Kabir
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CoCo Lounge Presents
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.846867 Composed by Kate Moody. Contemporary,Spiritual. 4 pages. CoCo Lounge Presents #5709105....
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.846867 Composed by Kate Moody. Contemporary,Spiritual. 4 pages. CoCo Lounge Presents #5709105. Published by CoCo Lounge Presents (A0.846867). A mystical setting of a poem by Kabir, 15th-century Indian mystic poet and saint.
$3.50
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
"My soul is awakened..."
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High voice
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William Kersten
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"My soul is awakened..."
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.916017 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007533. Publis...
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High Voice,Vocal Solo - Digital Download SKU: A0.916017 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007533. Published by William Kersten (A0.916017). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten in two versions: wide and normal vocal range Poem by Anne Bronte (1820-1849)　 My soul is awakened, my spirit is soaringAnd carried aloft on the wings of the breeze,For above and around me the wild wind is roaringArousing to rapture the earth and the seas.The long withered grass in the sunshine is glancing,The bare trees are tossing their branches on high,The dead leaves beneath them are merrily dancingThe white clouds are scudding across the blue sky.I wish I could see how the ocean is lashingThe foam of its billows to whirlwinds of spray,I wish I could see how its proud waves are dashing,And hear the wild roar of their thunder today.
$3.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
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High voice
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EASY
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the stream and o'er the mead;<
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Todd Marchand
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The Lamb
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Con Spirito Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito ...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
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High voice
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ADVANCED
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Sacred music
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Daniel Carter
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Daniel Carter
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Amazing Grace—High-Range Voc
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise ...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred,Spiritual. 9 pages. Daniel Carter #678826. Published by Daniel Carter (A0.1074551). John Newton penned the words to “Amazing Grace†around 1764 after he survived a near-death experience on a slave-trading ship that nearly capsized, after which he became a priest. His words were set to music by William Walker who composed the hymn tune NEW BRITAIN, first published in “Southern Harmony in 1847. The hymn is extremely influential in religious and folk music, crossing over successfully into secular music. One of the most recognizable and beloved songs in history, Daniel Carter’s setting has a traditional southern folk song feel. Arranged for solo voice, fiddle obbligato, and piano and is suitable for worship, devotionals, concert settings, and music recitals. The fiddle part is included on the last page of the score. Available for both high-range and medium-range vocal solo, fiddle, and piano at danielcartermusic.com.
$5.99
My Livin' Shall not be in Vain
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High voice
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Gospel/Spiritual
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Sacred music
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Roy Jennings
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My Livin' Shall not be in Vain
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Arch Angel
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.886386 Composed by Roy Jennings. Christian,Contemporary,Sacred,Spiritual. 10 pages. Arch Angel #4321813....
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High Voice,Vocal Solo - Digital Download SKU: A0.886386 Composed by Roy Jennings. Christian,Contemporary,Sacred,Spiritual. 10 pages. Arch Angel #4321813. Published by Arch Angel (A0.886386). An art song with text based on an Emily Dickinson poem for voice and piano, which concludes with the African-American spiritual, This Little Light of Mine.Solo arrangement of the African-American Spiritual; Solo arrangement of the Negro Spiritual; Concert MusicFor more information visit www.roy-jennings.com
$4.50
BLIND BARTIMEUS
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High voice
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ADVANCED
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Sacred music
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Sonny Rios
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BLIND BARTIMEUS
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962908 Composed by Sonny Rios. Christian,Praise & Worship,Sacred,Spiritual. 8 pages. Sonny Rio...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.962908 Composed by Sonny Rios. Christian,Praise & Worship,Sacred,Spiritual. 8 pages. Sonny Rios #4277105. Published by Sonny Rios (A0.962908). BLIND BARTIMEUS: A song in the religious classical genre by Sonny Rios for High Voice. The song’s lyrics are in English and tell the biblical story, as found in the gospel of Mark chapter 10, verses 46-52, when Jesus Christ restored the blind Bartimeus’ sight. Its range is from D4-Ab5. The song may be used in Christian church services or religious or classical concerts, and UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this song, please obtain a license by emailing: tenor@sonnyrios.com.
$6.99
PEACE
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High voice
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Sacred music
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Gospel/Spiritual
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Sonny Rios
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PEACE
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.962913 Composed by Sonny Rios. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 6 pages. Sonny Rios #...
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High Voice,Vocal Solo - Digital Download SKU: A0.962913 Composed by Sonny Rios. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 6 pages. Sonny Rios #4278099. Published by Sonny Rios (A0.962913). PEACE: A contemporary Christian song written and composed by Sonny Rios. It deals with how one can obtain lasting peace in a troublesome world through Jesus Christ. It’s for solo Medium High Voice and is in English. It has a range of D4-F5. The song may be sung in Christian services and religious concerts. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
Listen to the Lambs (high-voice solo)
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High voice
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EASY
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Traditional African-American S
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David Neff
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Listen to the Lambs
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.829054 Composed by Traditional African-American Spiritual. Arranged by David Neff. Christian,S...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.829054 Composed by Traditional African-American Spiritual. Arranged by David Neff. Christian,Sacred,Spiritual. 3 pages. David Neff #6475227. Published by David Neff (A0.829054). Here is a fresh arrangement for solo voice and piano of Listen to the Lambs, one of the most hauntingly beautiful spirituals in the African-American heritage. The song is best known in a choral arrangement by Nathaniel Dett, but it cries out for solo treatment as well. This is a high-voice arrangement. Medium-voice and high-voice arrangements will also be available.
$4.99
My Lord What A Morning
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High voice
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ADVANCED
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Brenda A
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My Lord What A Morning
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Brenda A. McGee
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.984951 Arranged by Brenda A. McGee. Christian,Concert,Gospel,Sacred,Spiritual. 7 pages. Brenda...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.984951 Arranged by Brenda A. McGee. Christian,Concert,Gospel,Sacred,Spiritual. 7 pages. Brenda A. McGee #4804883. Published by Brenda A. McGee (A0.984951). My Lord What a Morning is a new piano arrangement of the African American spiritual for soprano and piano accompaniment. The audio recording is sung by Laura Bohn. This song is about the day when Jesus returns to earth at the Last Day. My Lord What a Morning is appropriate for all church services or at a recital. Brenda A. McGee is affiliated with BMI. Ms. McGee can be contacted at facebook.com/thepianoladybamcgee, www.brendaamcgee.com, or a bamcgee@brennieproductions.com.
$4.37
Didn't My Lord Deliver Daniel? (high voice)
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High voice
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INTERMEDIATE
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Gospel/Spiritual
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Sacred music
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David Neff
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Didn't My Lord Deliver Daniel?
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829020 Composed by David Neff. Sacred,Spiritual,Traditional. 5 pages. David Neff #3575379. Pub...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829020 Composed by David Neff. Sacred,Spiritual,Traditional. 5 pages. David Neff #3575379. Published by David Neff (A0.829020). The anonymous song Didn’t My Lord Deliver Daniel is one of many African-American spirituals that borrow biblical imagery to talk about hope for freedom from oppression. The classic arrangement of this spiritual by H. T. Burleigh will no doubt remain a standard, but I hope the rhythmic variety, jazz harmonies, and big finish of this version will add spice to your church and recital repertoire.  This arrangement (which tops out at a high G#) will also be available in medium-high, medium- and low-voice editions.
$5.99
People Get Ready
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High voice
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INTERMEDIATE
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Sacred music
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Rod Stewart
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David Neff
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People Get Ready
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pages. David Neff #741130. Published by David Neff (A0.1140878). Curtis Mayfield’s gospel-influenced R&B hit, People Get Ready was named by Rolling Stone magazine as the 24th greatest song of all time, and it was dubbed by Martin Luther King, Jr, the unofficial anthem of the Civil Rights Movement. The song has been covered by top-tier singers from Bob Dylan, Bob Marley, Aretha Franklin, and the Staple Singers, to Jeff Beck and Rod Stewart. I decided to use it in a church context during the season of Advent, a time of expectation and getting ready. Here is the high-voice version of the arrangement I performed in December 2022. This sheet music is also available on this site for low voice and piano.
$5.99
Light, My Light
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High voice
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INTERMEDIATE/ADVANCED
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William P
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Light, My Light
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William P. Gorton
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.999880 Composed by William P. Gorton. 20th Century,Concert,Contemporary,Spiritual. 8 pages. Wi...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.999880 Composed by William P. Gorton. 20th Century,Concert,Contemporary,Spiritual. 8 pages. William P. Gorton #6116565. Published by William P. Gorton (A0.999880). Light, My Light, captures the ecstasy we can feel in the experience of divine energy and the joy of living, or the brilliant natural light of the life-giving sunshine, if you like. The text by Tagore is characteristically exuberant, full of enthusiasm and celebration - something the world really could use! This work is more appropriate for the advanced or professional singer, great material for a conservatory recital by faculty or student, or for an art song concert in a public venue. It could also make a great wedding song. See other compositions by Dr. Gorton to make a set.
$8.95
Thirst
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High voice
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ADVANCED
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William P
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Thirst
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William P. Gorton
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gort...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gorton #6116907. Published by William P. Gorton (A0.999888). Thirst is a powerful outcry against one's inner demons, a rebuttal to the negative thoughts that we all have experienced at times, and a prayer for peace. Broad and dramatic, with a virtuosic and powerful piano accompaniment, this song will provide great dramatic contrast and substance to any vocal program. More appropriate for the advanced singer, this piece would work well as part of a set (see other Gorton compositions for ideas). Your pianist will love this piece!
$6.95
Ave Maria - vocal solo-high
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High voice
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EASY
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Phil Beaman
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Ave Maria - vocal solo-high
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Phil Beaman
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773. Published by Phil Beaman (A0.844444). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more.The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility.The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F.The accompaniment is a circling minimalist 2 chord ostinato for the entire piece.Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it.(4 pages, 3:45 minutes)
$4.99
I See You
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High voice
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INTERMEDIATE
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Chas Hathaway
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I See You
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Chas Hathaway
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.742248 Composed by Chas Hathaway. Christian,Sacred,Spiritual. 5 pages. Chas Hathaway #4765101....
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.742248 Composed by Chas Hathaway. Christian,Sacred,Spiritual. 5 pages. Chas Hathaway #4765101. Published by Chas Hathaway (A0.742248). Christian vocal/piano ballad, I See You, by Chas Hathaway. Inspired by Sharon Milliman's near-death experience, as shared in her book, A Song in the Wind. .
$4.99
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