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That's It! - Trombone 3
Not classified
1,913
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1,156
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491
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209
Easy Piano
199
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63
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43
Piano Trio: piano, violin, cello
30
1 Piano, 4 hands
24
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11
Piano Quartet: piano, violin, viola, cello
10
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2
2 Pianos, 8 hands
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Organ, Trumpet (duet)
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2 Pianos, 4 hands
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Accordion ensemble
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Organ, Piano (duet)
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22
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15
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12
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1
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1
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1
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1
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1
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1
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English horn, Harp (duet)
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1
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1
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1
Flute, harp and violin
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9
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4
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1
Trumpet, Tuba (duet)
1
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3 Euphoniums
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241
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212
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176
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102
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54
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49
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45
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10
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10
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9
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9
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7
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5
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5
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219
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You've selected:
That's It! - Trombone 3
High voice
Sheetmusic to print
8 sheet music found
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1
It's Not Climbing Mountains - High edition
#
High voice
#
INTERMEDIATE
#
Sacred music
#
Daniel Barta
#
It's Not Climbing Mountains -
#
Shaw Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1097969 Composed by Daniel Barta. Sacred. 6 pages. Shaw Music #701874. Published by Shaw Music...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1097969 Composed by Daniel Barta. Sacred. 6 pages. Shaw Music #701874. Published by Shaw Music (A0.1097969). Here is a unique musical offering that contemplates the simple, mundane moments in our lives and considers how they bring honor to the Lord. Lyricist and composer Daniel Barta paints a poetic and musical picture that will touch singer and audience alike. (From ALL I CAN DO IS PRAISE: FIVE SONGS FOR VOICE & PIANO).
$3.95
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High voice
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ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High voice
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
I'd Rather Have Jesus
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High voice
#
INTERMEDIATE
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Sacred music
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George Beverly Shea and Rhea F
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David Neff
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I'd Rather Have Jesus
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Centu...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
Bist du bei mir (High Voice and Keyboard with Optional Instruments)
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High voice
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INTERMEDIATE
#
Classical
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Jubal's Lyre Music
#
Martin Dicke
#
Bist du bei mir
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Jubal's Lyre Music Publishers
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1077436 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroqu...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1077436 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #681625. Published by Jubal's Lyre Music Publishers (A0.1077436). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for High Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for Medium-High Voice (D major), Medium Voice (C major), Medium-Low Voice (Bb major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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High voice
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkl...
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High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
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High voice
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INTERMEDIATE
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Antonio SARTORIO
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Sergei PICHUGIN
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SARTORIO Antonio: Dolce Amor,
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868656 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868656 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4366442. Published by Really Good Music, LLC. (A0.868656). Dolce Amor, bendato Dio is an aria from the opera Il Massenzio (1673), composed by Antonio SARTORIO (1630 – 1680). Despite the fact that Sartorio’s authorship has been reliably established, various publications of the arrangements of the aria for a long time named Francesco CAVALLI as a composer. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the first publications of the libretto of the opera (Venice, 1673; Rome, 1674) and on comparison of four manuscripts, mostly from the end of seventeenth century. It is available in the original key of A minor (E4 – G5).
$5.95
Die Stadt | Kunstlied for Soprano or Tenor
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High voice
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INTERMEDIATE
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Michael Barrera
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Die Stadt | Kunstlied for Sopr
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Michael Barrera
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998585 Composed by Michael Barrera. Classical,Contemporary,Romantic Period. 6 pages. Michael B...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.998585 Composed by Michael Barrera. Classical,Contemporary,Romantic Period. 6 pages. Michael Barrera #6860425. Published by Michael Barrera (A0.998585). Https://www.michaelbarreraflute.com/shop/p/die-stadt Program Notes Die Stadt is a piece modeled after a Kunstlied, a type of art song that sets text to music, typically with a voice part and instrumental accompaniment. The text is translated from Heinrich Heine’s poem of the same name. Originally sketched a few years back, it has been reworked and polished, giving the text a beautifully rich setting. The beginning is mysterious and misty like the evening twilight before the wind picks up as the piano swells with huge sweeping arpeggios. The calm returns as all sounds fade into the mist. Instrumentation Soprano Piano Soprano may be substituted with other voice parts, although the range is written best for soprano and tenor.
$7.99
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