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There is a Time
Not classified
2,298
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704
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335
Easy Piano
121
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89
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58
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57
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19
Piano Trio: piano, violin, cello
17
Piano Accompaniment
11
1 Piano, 4 hands
10
2 Pianos, 4 hands
10
Piano (band part)
6
Piano Quintet: piano, 2 violins, viola, cello
4
Piano Quartet: piano, violin, viola, cello
4
Organ, Piano (duet)
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Accordion
1
Organ, Trumpet (duet)
1
Piano Quartet: piano, 2 violins, cello
1
Harpsichord
1
2 Accordions
1
2 Pianos, 8 hands
1
+ 16 instrumentations
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112
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65
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25
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13
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Guitar Ensemble
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2
Mandolin, Guitar (duet)
2
Guitar, Orchestra
1
+ 10 instrumentations
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Voice
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386
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319
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91
Choral 2-part
84
Choral TTBB
54
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30
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15
Alto voice, Piano
10
Voice solo
7
Baritone voice, Piano
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Tenor voice, Piano
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Soprano voice, Piano
5
Medium voice, Piano
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High voice
3
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2
Tenor voice
1
Choral SSAATTBB
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Low voice, Piano
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+ 14 instrumentations
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725
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392
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317
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263
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144
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62
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58
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57
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44
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43
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37
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34
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33
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33
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30
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Oboe
29
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24
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23
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22
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22
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19
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13
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10
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7
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5
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3 Recorders (trio)
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2
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2
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1
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1
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1
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1
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1
Flute, Bassoon, and Piano
1
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Recorder, Piano
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Saxophone
1
Flute, harp and violin
1
Flute, Clarinet, Violin (trio)
1
Piccolo
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273
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153
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148
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136
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96
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96
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76
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72
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62
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55
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49
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42
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41
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37
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37
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33
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29
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28
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27
Trumpet (band part)
23
Brass Quartet
19
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8
3 Trumpets (trio)
8
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4
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66
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50
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49
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28
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17
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9
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2 Violins, Piano
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Cello, Orchestra
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You've selected:
There is a Time
High voice
Sheetmusic to print
3 sheet music found
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1
There Was a Time - High voice
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High voice
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INTERMEDIATE
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Stephen Foster
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Judith L
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There Was a Time - High voice
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th C...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th Century,Traditional. 4 pages. Maggs #6443939. Published by Maggs (A0.821426). This is a lesser known, but lovely song written by American composer Stephen Foster, with lyrics by James D. Byrne. This arrangement, in the key of C, is appropriate for a high singer, with a range of an octave (G to G). It is also available on SMP for medium low voice (Key of F - range C to C) and medium high voice (Key of Ab - range Eb to Eb).
$2.99
Ice! from Songs from the High Sierra
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High voice
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Gwyneth W
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Ice! from Songs from the High
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Comp...
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
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