Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
This Too, Is
Not classified
1,152
Piano & keyboards
Piano solo
755
Piano, Voice
457
Easy Piano
207
Piano, Vocal and Guitar
116
C Instruments
62
Organ
42
2 Pianos, 4 hands
38
1 Piano, 4 hands
27
Piano (band part)
24
Piano Trio: piano, violin, cello
15
Piano Accompaniment
9
Accordion
9
Big Note Piano
6
Harpsichord
3
Organ, Trumpet (duet)
2
Organ, Piano (duet)
2
Piano Quartet: piano, violin, viola, cello
2
Piano Quintet: piano, 2 violins, viola, cello
1
+ 13 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
79
Guitar
70
Guitar (band part)
48
Ukulele
14
Bass guitar
13
4 Guitars (Quartet)
11
2 Guitars (duet)
11
Piano, Guitar (duet)
6
Melody line, (Lyrics) and Chords
5
3 Guitars (trio)
4
Mandolin
4
Banjo
2
Lyrics and Chords
2
Guitar Ensemble
1
Dobro
1
Mandolin, Guitar (duet)
1
Dulcimer
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
346
Choral 2-part
238
Choral 3-part
147
Choral TTBB
71
Choral SSAA
57
Choral Unison
38
Vocal duet, Piano
8
High voice
7
Soprano voice, Piano
6
Alto voice, Piano
5
Vocal duet
3
Voice solo
3
Tenor voice, Piano
3
Medium voice, Piano
2
Choral SSAB a cappella
1
Soprano voice
1
Low voice, Piano
1
+ 12 instrumentations
-
Retract
Woodwind
Saxophone (band part)
145
Saxophone Quartet: 4 saxophones
120
2 Saxophones (duet)
100
Flute and Piano
100
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
98
Clarinet
69
Clarinet and Piano
69
Oboe, Piano (duet)
68
2 Flutes (duet)
68
Flute, Oboe, Clarinet, Bassoon
67
Alto Saxophone and Piano
67
Flute
65
Clarinet Quartet: 4 clarinets
59
Saxophone Quintet: 5 Saxophones
55
Alto Saxophone
44
2 Clarinets (duet)
43
Oboe (band part)
40
Tenor Saxophone and Piano
38
Tenor Saxophone
34
2 Oboes (duet)
34
Soprano Saxophone and Piano
33
3 Saxophones (trio)
27
Flute Quartet: 4 flutes
27
Clarinet Ensemble
27
Flute ensemble
26
Baritone Saxophone, Piano
24
Flute (band part)
22
Oboe
18
3 Clarinets (trio)
18
Soprano Saxophone
18
Baritone Saxophone
17
Saxophone ensemble
16
Flute Quintet : 5 flutes
16
Clarinet Quintet: 5 clarinets
15
Oboe, Clarinet, Bassoon (trio)
14
Flute and Guitar
14
Flute, Clarinet (duet)
13
Saxophone, Clarinet (duet)
13
Recorder
9
Descant (Soprano) Recorder
9
English horn, Piano
9
Oboe, Clarinet (duet)
9
Clarinet, Violin (duet)
8
Flute, Oboe, Clarinet (trio)
8
Flute, Clarinet and Bassoon.
8
Clarinet, Guitar (duet)
7
Clarinet, Trumpet (duet)
7
Oboe, Bassoon (duet)
7
Flute, Violin
7
Flute Trio: 3 flutes
7
Clarinet (band part)
6
Oboe, Flute
5
Treble (Alto) Recorder
5
Flute, Saxophone (duet)
5
Piccolo
4
Clarinet and Viola
4
English Horn
4
Recorder Quartet
3
2 Recorders (duet)
3
Bass Clarinet, Piano
3
Flute, Trumpet (duet)
3
Flute, Violin, Violoncello and Piano
2
Descent (Soprano) Recorder, Piano
2
Flute, Oboe, Bassoon
2
Flute, Violin and Violoncello
2
Ocarina
2
5 Recorders
2
English Horn, Guitar (duet)
2
Harmonica
2
Flute, Cello, Piano (trio)
1
Clarinet, Bassoon (duet)
1
2 Saxophones, Piano
1
3 Recorders (trio)
1
Saxophone and Guitar
1
Recorder Ensemble
1
Saxophone and Organ
1
2 Clarinets, Piano
1
Flute, Organ (duet)
1
Flute and Strings Trio
1
Flute, Violoncello
1
Saxophone
1
Oboe, Bassoon and Piano
1
+ 77 instrumentations
-
Retract
Woodbrass
Trombone (band part)
122
Brass Quintet: 2 trumpets, horn, trombone, tuba
119
Trumpet (band part)
97
Trumpet
59
Brass quartet : 2 trumpets, trombone, tuba
52
Brass Quartet: 2 trumpets, horn, trombone
50
French horn
50
Trombone and Piano
48
2 Trombones (duet)
45
Trumpet, Piano
44
Trombone
43
French Horn and Piano
36
Tuba
35
Tuba and Piano
31
2 Trumpets (duet)
27
French horn (band part)
20
2 French horns (duet)
19
Tuba (band part)
18
Trumpet, Saxophone (duet)
11
2 Euphoniums (duet)
9
2 Tubas (duet)
9
Trombone ensemble
9
English horn, Piano
9
Brass Quartet: 4 trombones
9
Trumpet, Trombone (duet)
9
Brass Quartet
8
Euphonium
7
Brass Quartet: 4 horns
4
2 Euphoniums and 2 Tubas
4
Euphonium, Piano (duet)
4
English Horn
4
Trumpet ensemble
3
Brass Quartet: 4 trumpets
2
4 Tubas
2
English Horn, Guitar (duet)
2
Tuba and Organ
2
3 Trombones (trio)
2
Trombone, Organ
2
Trumpet, Trombone, Piano
1
Horn and Organ
1
Brass Trio
1
Bass Trombone and Piano
1
2 Trumpets, Keyboard (piano or organ)
1
3 Tubas (trio)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Horn, Tuba (duet)
1
Euphonium, Tuba (duet)
1
Bass Trombone
1
3 Trumpets (trio)
1
Trombone, Horn (duet)
1
+ 45 instrumentations
-
Retract
Strings
Harp
323
String Quartet: 2 violins, viola, cello
235
Violin and Piano
87
Cello, Piano
77
Violin
75
Cello
65
Viola, Piano
55
Viola
45
2 Cellos (duet)
45
String Trio: violin, viola, cello
43
2 Violins (duet)
43
Violin, Cello (duet)
31
2 Violas (duet)
28
Doublebass (band part)
28
Double bass, Piano (duet)
26
Double Bass
25
String Quintet: 2 violins, viola, cello, bass
23
Violin, Viola (duet)
18
String Trio: 2 violins, cello
16
Violin (band part)
11
Viola (band part)
11
2 Double basses (duet)
9
4 Cellos
8
String Trio: 3 cellos
4
Violin, Organ
4
Cello (band part)
4
Viola, Cello (duet)
4
String Quintet: 2 violins, viola, 2 cellos
4
Viola ensemble
3
Violin, Guitar (duet)
3
String Quintet: 2 violins, 2 violas, cello
3
String Trio: 3 violins
3
4 Harps
3
String Quartet : 4 violas
3
Violin ensemble
3
Harp, Flute (duet)
2
Harp, Voice
2
String quartet: 4 violins
2
String Trio: 3 violas
2
2 Harps (duet)
2
Cello, Organ
2
4 Double Basses
2
Harp, Violin (duet)
1
Violin, Clarinet, Piano (trio)
1
Piano Trio: Violin, Viola, Piano
1
Harp and Piano
1
Viola, Organ
1
+ 42 instrumentations
-
Retract
Orchestra & Percussion
Concert band
375
Jazz Ensemble
132
String Orchestra
129
Orchestra
77
Brass ensemble
54
Marching band
34
Handbells
25
Chamber Orchestra
25
Drum (band part)
23
Jazz combo
21
Drums
17
Percussion Ensemble
14
Percussion (band part)
4
Piano and Orchestra
2
Xylophone, Piano
2
2 Xylophones
1
Vibraphone and Marimba
1
2 Snare Drums (duet)
1
Marimba
1
Xylophone
1
Vibraphone
1
Xylophone or Marimba or Vibraphone
1
+ 17 instrumentations
-
Retract
Others
Musical course - Solfege
1
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
7
Sheet Music Books
6
Music Equipment
521
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Active criteria:
This Too, Is
High voice
Sheetmusic to print
7 sheet music found
<
1
The Unquiet Grave from American Death Ballads (Downloadable)
#
High voice
#
David Conte
#
The Unquiet Grave from America
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
(+)
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
#
High voice
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
#
High voice
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
I'd Rather Have Jesus
#
High voice
#
INTERMEDIATE
#
Sacred music
#
George Beverly Shea and Rhea F
#
David Neff
#
I'd Rather Have Jesus
#
David Neff
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Centu...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
The War Prayer (Downloadable)
#
High voice
#
Steven Mark Kohn
#
The War Prayer
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. P...
(+)
High voice and piano - Medium - Digital Download SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. Published by E. C. Schirmer Music Company - Digital (MQ.8673-E). English.This text has been adapted from Mark Twain's The War Prayer, which he wrote in 1904-5 to protest America’s involvement in the Spanish-American War. His family convinced him to keep if from publication, fearing it was too controversial. Published after his death, Twain makes the case that if God causes all things to happen and blesses select people, then He must also, willingly, deny others his blessing. It is the other side of prayer, the unspoken side, which Twain so brilliantly characterized in The War Prayer. Duration 8:00.
$10.00
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
#
High voice
#
EASY
#
the stream and o'er the mead;<
#
Todd Marchand
#
The Lamb
#
Con Spirito Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito ...
(+)
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
#
High voice
#
McCorkle, Dennis F
#
Come Lie with Me
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkl...
(+)
High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
<
1
