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Time Was
Not classified
3,253
Piano & keyboards
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1,697
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735
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315
Easy Piano
231
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159
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104
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74
Piano Trio: piano, violin, cello
36
1 Piano, 4 hands
30
2 Pianos, 4 hands
23
Piano Quartet: piano, violin, viola, cello
17
Piano Quartet: piano, 2 violins, cello
9
Harpsichord
7
Piano (band part)
4
Piano Quintet: piano, 2 violins, viola, cello
4
Organ, Trumpet (duet)
3
Accordion
3
2 Pianos, 8 hands
2
Big Note Piano
2
Organ, Piano (duet)
1
1 Piano, 6 hands
1
+ 16 instrumentations
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Retract
Guitars
Guitar
182
Guitar notes and tablatures
129
Melody line, (Lyrics) and Chords
84
Bass guitar
38
Mandolin
38
Ukulele
31
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29
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12
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11
Guitar (band part)
8
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7
Banjo
5
4 Guitars (Quartet)
4
3 Guitars (trio)
3
Guitar, Violin, Cello (trio)
2
Mandolin, Piano (duet)
1
Guitar Ensemble
1
2 Mandolins (duet)
1
Guitar, Orchestra
1
+ 14 instrumentations
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Retract
Voice
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731
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208
Choral 2-part
160
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99
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80
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73
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70
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52
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44
Soprano voice, Piano
43
Baritone voice, Piano
35
Vocal duet
29
Voice solo
25
High voice
9
Medium voice, Piano
9
Tenor voice
6
Choral SSAATTBB
4
Low voice, Piano
3
Choral SSAATB
1
Soprano voice
1
+ 15 instrumentations
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Woodwind
2 Saxophones (duet)
519
Flute and Piano
338
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334
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280
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260
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249
2 Clarinets (duet)
221
Flute, Oboe, Clarinet, Bassoon
218
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214
Alto Saxophone and Piano
187
Oboe, Piano (duet)
184
2 Flutes (duet)
182
Clarinet, Violin (duet)
164
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163
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144
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138
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131
Flute
129
Clarinet
120
Flute, Clarinet (duet)
108
Alto Saxophone
106
2 Oboes (duet)
99
Oboe, Bassoon (duet)
87
Flute, Violin
86
Tenor Saxophone
85
Clarinet and Viola
85
Oboe, Clarinet (duet)
84
Saxophone ensemble
84
Flute, Saxophone (duet)
82
English horn, Piano
81
Oboe, Flute
81
Baritone Saxophone, Piano
78
Saxophone (band part)
75
Clarinet Ensemble
69
Flute Quartet: 4 flutes
68
Flute, Trumpet (duet)
65
Flute, Viola (duet)
61
Bass Clarinet, Piano
54
Oboe (band part)
50
Saxophone
45
Flute ensemble
41
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35
3 Saxophones (trio)
34
Clarinet Quintet: 5 clarinets
30
Flute Quintet : 5 flutes
25
2 Recorders (duet)
24
Flute and Guitar
23
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23
3 Clarinets (trio)
22
Flute Trio: 3 flutes
20
Soprano Saxophone
17
Recorder Quartet
16
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15
English Horn
14
Clarinet, Bassoon (duet)
13
Oboe, Clarinet, Bassoon (trio)
10
Flute (band part)
10
Ocarina
9
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8
Flute, Oboe, Clarinet (trio)
8
Treble (Alto) Recorder
8
Oboe
7
3 Recorders (trio)
7
Flute, Violoncello
7
Clarinet, Cello (duet)
7
Recorder
7
Piccolo, Piano
6
Clarinet, Cello, Piano (trio)
6
5 Recorders
6
Flute, Cello, Piano (trio)
5
Treble (Alto) Recorder, Piano
5
Descent (Soprano) Recorder, Piano
5
Clarinet (band part)
5
Harmonica
5
2 English horns and Pianoforte
4
2 Flutes, Piano
4
Flute, Oboe (duet)
4
Oboe, Guitar (duet)
4
Flute, Viola and Piano
3
Flute, Clarinet and Bassoon.
3
2 Clarinets, Piano
3
Tenor Recorder
3
Flute, Violin, Piano
3
Saxophone and Organ
2
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2
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2
Flute, Oboe, Piano (trio)
2
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2
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2
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2
English Horn, Guitar (duet)
2
Saxophone and Guitar
2
Recorder, Piano
2
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1
Bagpipe
1
Baritone Saxophone
1
Flute, Oboe, Bassoon
1
Flute, Clarinet, Violin (trio)
1
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1
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1
Piccolo
1
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1
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1
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1
Clarinette, Viola and Piano (trio)
1
Oboe, Cello
1
English horn, Harp (duet)
1
Wind ensemble
1
Flute, Organ (duet)
1
+ 104 instrumentations
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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
423
Brass quartet : 2 trumpets, trombone, tuba
221
Trombone and Piano
180
Trumpet, Saxophone (duet)
174
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145
Trumpet
136
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105
French Horn and Piano
101
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99
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97
2 Trumpets (duet)
95
Trombone
89
Euphonium, Piano (duet)
86
English horn, Piano
81
Brass Quartet: 2 trumpets, horn, trombone
55
Tuba and Piano
45
Trombone ensemble
37
Trumpet ensemble
36
French horn
33
Trumpet (band part)
29
Brass Quartet: 4 trombones
27
Tuba
22
Brass Quartet: 4 horns
20
Trombone (band part)
19
2 French horns (duet)
19
2 Euphoniums and 2 Tubas
16
English Horn
14
Horn Ensemble
14
Brass Trio
9
Euphonium
6
2 Tubas (duet)
5
Trumpet, Horn (duert)
5
Brass Quartet: 4 trumpets
5
4 Tubas
5
2 English horns and Pianoforte
4
Tuba and Organ
4
Tuba (band part)
4
French horn (band part)
4
Bass Trombone and Piano
3
3 Trombones (trio)
3
3 Trumpets (trio)
2
2 Trumpets, Keyboard (piano or organ)
2
3 Tubas (trio)
2
Euphonium, Tuba (duet)
2
Trombone, Horn (duet)
2
2 Euphoniums (duet)
2
English Horn, Guitar (duet)
2
2 French horns, Piano
1
3 French horns (trio)
1
Tuba ensemble
1
Trumpet, Euphonium (duet)
1
Trombone and Orchestra
1
Trumpet, Cello (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone, Tuba (duet)
1
English horn, Harp (duet)
1
Bass Trombone
1
+ 52 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
572
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341
Viola, Piano
256
Cello, Piano
256
Violin
177
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176
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127
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121
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107
2 Cellos (duet)
107
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106
Violin, Viola (duet)
105
Harp
95
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82
String Quintet: 2 violins, viola, cello, bass
82
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60
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47
Double bass, Piano (duet)
32
Viola (band part)
21
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18
4 Cellos
16
Double Bass
15
Violin ensemble
15
String Trio: 3 cellos
13
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13
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13
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11
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9
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8
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8
String Trio: 3 violas
6
String Quartet : 4 violas
6
String Quintet: 2 violins, 2 violas, cello
6
String quartet: 4 violins
6
String Trio: 3 violins
6
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5
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4
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3
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3
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2
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2
4 Double Basses
2
2 Double basses (duet)
2
Cello Ensemble
2
Cello (band part)
2
3 Harps
1
Viola, Organ
1
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1
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1
Harp and mandolin
1
String Trio: 2 violins, viola
1
Harp, Trombone (duet)
1
Viola and Harp
1
+ 49 instrumentations
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870
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247
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228
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154
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112
Chamber Orchestra
96
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43
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42
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35
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20
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19
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4
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4
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3
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2
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2
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1
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1
2 Marimbas
1
Voice Mezzo-Soprano, Orchestra
1
Xylophone
1
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You've selected:
Time Was
High voice
Sheetmusic to print
9 sheet music found
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1
Hard Times Come Again No More (High Voice)
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High voice
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INTERMEDIATE/ADVANCED
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Stephen Foster
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Judith L
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Hard Times Come Again No More
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Tr...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Traditional. 4 pages. Maggs #6345195. Published by Maggs (A0.821411). Stephen Foster wrote this American parlor song in the mid eighteen hundreds. It was very popular in its day, and is still sung. This arrangement is appropriate for a high singer, with an octave range from G to G. It is also available on SMP for medium high voice (Key of Eb - range Eb to Eb) and low voice (Key of C - range C to C).
$2.99
There Was a Time - High voice
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High voice
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INTERMEDIATE
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Stephen Foster
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Judith L
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There Was a Time - High voice
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th C...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th Century,Traditional. 4 pages. Maggs #6443939. Published by Maggs (A0.821426). This is a lesser known, but lovely song written by American composer Stephen Foster, with lyrics by James D. Byrne. This arrangement, in the key of C, is appropriate for a high singer, with a range of an octave (G to G). It is also available on SMP for medium low voice (Key of F - range C to C) and medium high voice (Key of Ab - range Eb to Eb).
$2.99
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
People Get Ready
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High voice
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INTERMEDIATE
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Sacred music
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Rod Stewart
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David Neff
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People Get Ready
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1140878 By Rod Stewart. By Curtis Mayfield. Arranged by David Neff. Christian,Religious,Sacred,Spiritual. 6 pages. David Neff #741130. Published by David Neff (A0.1140878). Curtis Mayfield’s gospel-influenced R&B hit, People Get Ready was named by Rolling Stone magazine as the 24th greatest song of all time, and it was dubbed by Martin Luther King, Jr, the unofficial anthem of the Civil Rights Movement. The song has been covered by top-tier singers from Bob Dylan, Bob Marley, Aretha Franklin, and the Staple Singers, to Jeff Beck and Rod Stewart. I decided to use it in a church context during the season of Advent, a time of expectation and getting ready. Here is the high-voice version of the arrangement I performed in December 2022. This sheet music is also available on this site for low voice and piano.
$5.99
Già risi - secular lute song (Kapsperger, 1619)
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High voice
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INTERMEDIATE
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Giovanni Girolamo Kapsperger
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Scott S
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Già risi - secular lute song
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Scott S. Stewart
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.955849 Composed by Giovanni Girolamo Kapsperger. Arranged by Scott S. Stewart. Baroque,Concert...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.955849 Composed by Giovanni Girolamo Kapsperger. Arranged by Scott S. Stewart. Baroque,Concert,Instructional,Standards. 7 pages. Scott S. Stewart #6448577. Published by Scott S. Stewart (A0.955849). The original secular lute song, Gia risi, was composed in Italian, with a basso continuo accompaniment. It was first published in 1619 in Libro terzo di villanelle, No.2. This modern arrangement is for soprano or tenor voice and keyboard and hopes to awaken a new appreciation of Kapsperger’s genius. A variety to the accompaniment, and embellishment to the vocal line for each verse of this strophic composition, provides a practical solution for modern recital hall performance. This piece is a fine introduction to the early Baroque style. Performance time: 3:58+
$9.99
Love Is Little (high voice)
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High voice
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INTERMEDIATE
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David Neff
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David Neff
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Love Is Little
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wed...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. David Neff #801287. Published by David Neff (A0.1202547). This delicate and gentle Shaker tune from 1834 is appropriate for weddings, Maundy Thursday services, and any time we gather to celebrate love. There are several beautiful choral arrangements available, but I was unable to find any setting for solo voice and piano. This arrangement, available in three ranges, gives vocal soloists the opportunity to sing it as well.
$4.99
He
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High voice
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EASY
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Sacred music
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Christian contemporary
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Al Hibbler
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Stephen DeCesare
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He
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Exultet Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1223198 By Al Hibbler. By Jack Richards and Richard Mullan. Arranged by Stephen DeCesare. Chri...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1223198 By Al Hibbler. By Jack Richards and Richard Mullan. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. 5 pages. Exultet Music #819406. Published by Exultet Music (A0.1223198). The beautiful song about God that was written by Jack Richards in 1954 has now been arranged for a Vocal solo (High Key) with Piano accompaniment. Accessible for all levels of singing. Appropriate for concert or church setting. Can be sung at various times throughout the year but specifically during the season of Lent.
$4.99
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