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To Where You Are
Not classified
1,147
Piano & keyboards
Piano, Vocal and Guitar
610
Piano solo
563
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133
Easy Piano
128
Big Note Piano
33
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32
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29
2 Pianos, 4 hands
22
1 Piano, 4 hands
15
Piano Trio: piano, violin, cello
9
Piano Accompaniment
7
Piano Quartet: piano, violin, viola, cello
4
Piano Quintet: piano, 2 violins, viola, cello
2
Organ, Trumpet (duet)
2
Harpsichord
1
1 Piano, 6 hands
1
Piano Quartet: piano, 2 violins, cello
1
Organ, Piano (duet)
1
+ 13 instrumentations
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Guitars
Guitar notes and tablatures
103
Guitar
70
Ukulele
47
4 Guitars (Quartet)
15
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14
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14
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8
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6
Banjo
6
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Dulcimer
2
3 Guitars (trio)
2
Guitar Ensemble
1
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Choral SATB
185
Choral 3-part
74
Choral 2-part
52
Choral TTBB
43
Choral SSAA
28
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17
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7
High voice
6
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5
Tenor voice
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Baritone voice, Piano
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Low voice, Piano
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Soprano voice, Piano
2
Tenor voice, Piano
1
Baritone voice
1
Voice solo
1
Soli, Mixted choir and accompaniment
1
Choral SSAATTBB
1
+ 15 instrumentations
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Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
117
2 Saxophones (duet)
101
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85
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67
2 Flutes (duet)
50
2 Clarinets (duet)
46
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44
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38
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37
Flute, Oboe, Clarinet, Bassoon
36
Flute Quintet : 5 flutes
34
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33
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33
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25
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24
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23
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23
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23
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21
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20
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19
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18
2 Oboes (duet)
17
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17
Flute ensemble
16
Oboe, Bassoon (duet)
16
Clarinet, Trumpet (duet)
16
Tenor Saxophone
15
Soprano Saxophone and Piano
15
Saxophone (band part)
14
Clarinet Ensemble
14
Baritone Saxophone, Piano
14
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14
Clarinet and Viola
12
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12
Oboe, Flute
11
Oboe, Clarinet (duet)
10
English horn, Piano
10
Flute, Trumpet (duet)
9
Flute, Viola (duet)
8
3 Clarinets (trio)
7
Descant (Soprano) Recorder
5
Oboe
5
Flute, Oboe, Clarinet (trio)
5
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5
Flute (band part)
5
Recorder Quartet
5
Clarinet (band part)
5
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5
Flute, Clarinet and Bassoon.
5
2 Recorders (duet)
5
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4
Baritone Saxophone
4
English Horn, Guitar (duet)
4
Flute Trio: 3 flutes
4
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3
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3
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3
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3
3 Recorders (trio)
3
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3
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3
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3
Soprano Saxophone
3
English Horn
2
Ocarina
2
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2
Recorder
2
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2
5 Recorders
2
Oboe, Cello
2
Tenor Recorder
2
Piccolo, Piano
1
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1
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1
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1
Harmonica
1
Pennywhistle
1
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1
Flute, Oboe, Bassoon
1
Flute, Clarinet, Piano (trio)
1
Treble (Alto) Recorder, Piano
1
+ 80 instrumentations
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Retract
Woodbrass
Brass quartet : 2 trumpets, trombone, tuba
74
Brass Quintet: 2 trumpets, horn, trombone, tuba
50
Trumpet
26
Trombone ensemble
26
Trumpet, Saxophone (duet)
25
Trombone and Piano
22
Tuba
19
Trumpet, Trombone (duet)
19
2 Trombones (duet)
19
French Horn and Piano
18
Trombone
17
2 Trumpets (duet)
17
Tuba and Piano
15
French horn
14
Trumpet, Piano
14
Brass Quartet: 2 trumpets, horn, trombone
12
Brass Quartet: 4 trombones
11
Brass Quartet
11
English horn, Piano
10
Trumpet ensemble
8
2 French horns (duet)
7
Trumpet (band part)
6
Trombone (band part)
4
Euphonium, Piano (duet)
4
French horn (band part)
4
English Horn, Guitar (duet)
4
Brass Trio
3
2 Tubas (duet)
3
Brass Quartet: 4 horns
3
Brass Quartet: 4 trumpets
3
Horn Ensemble
3
Trumpet, Bassoon (duet)
3
English Horn
2
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2
2 Euphoniums and 2 Tubas
2
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2
3 Trombones (trio)
2
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2
4 Tubas
2
Trumpet, Cello (duet)
1
Tuba (band part)
1
2 Euphoniums (duet)
1
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1
French horn and Basson (duet)
1
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String Quartet: 2 violins, viola, cello
294
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173
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167
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127
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77
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61
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44
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42
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39
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33
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30
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26
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26
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23
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16
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14
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13
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9
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8
4 Cellos
7
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7
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6
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6
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5
String Quintet: 2 violins, 2 violas, cello
5
String Trio: 2 violins, cello
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4
String Trio: 3 cellos
4
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4
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3
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3
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3
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2
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2
Piano Trio: Violin, Viola, Piano
2
2 Double basses (duet)
2
String Trio: 3 violas
2
String Trio: 2 violins, viola
1
Cello Ensemble
1
Cello, String Bass (duet)
1
Harp, Voice
1
Violin, Cello, Clarinet
1
+ 38 instrumentations
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228
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162
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60
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45
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39
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23
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19
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7
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4
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1
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1
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1
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To Where You Are
High voice
Sheetmusic to print
6 sheet music found
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1
Somewhere Only We Know
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High voice
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EASY
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Film/TV
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Keane
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Teresa OConnell (BMI)
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Somewhere Only We Know
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Teresa O'Connell
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConne...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConnell (BMI). Film/TV. 7 pages. Teresa O'Connell (BMI) #6235521. Published by Teresa O'Connell (BMI) (A0.956050). Somewhere Only We Know is a beautiful ballad by the band, Keane. Arranged for voice (soprano or tenor) with early intermediate piano accompaniment, it is the perfect recital piece for singers. The singer's melody is built in to the piano accompaniment, which instilsl confidence in the singer. Lyrics are appropriate and easy to learn. Teachers, your students will love to sing this emotional, melodic, haunting piece. This is a great arrangement to encourage young pianists to play and sing at the same time! Highly recommended!
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
23rd Psalm (Pastures of Green) (David) from "The Kings" ACT 1:Song 11
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High voice
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INTERMEDIATE
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McCorkle, Dennis F
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23rd Psalm
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook Publications #11739. Published by DF McCorkle Music and eBook Publications (A0.784825). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’ [Psalm 23 Sacred Melody of David.YAHWEH is My Shepherd I shall not want]. SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Just Like That September 2011
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High voice
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INTERMEDIATE/ADVANCED
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Contemporary
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Benj Pasek and Justin Paul
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W
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Vocal Part Only
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Just Like That September 2011
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Diamond S Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790016 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. 9 pa...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790016 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. 9 pages. Diamond S Music #3534827. Published by Diamond S Music (A0.790016). JUST LIKE THAT from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Solo and 8 piece arrangement. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux) - The Drums and Percussion can be played by the same player in this arrangement. Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
Ice! from Songs from the High Sierra
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High voice
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Gwyneth W
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Ice! from Songs from the High
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Comp...
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
I'd Rather Have Jesus
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High voice
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INTERMEDIATE
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Sacred music
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George Beverly Shea and Rhea F
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David Neff
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I'd Rather Have Jesus
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Centu...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
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